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Endon Rubens 1 Light Table Lamp Chrome Plate, E27

Rubens 1 Light Table Lamp Chrome Plate, E27 | Description: An 'on trend' mid century inspired, clean line table light. Finished in polished chrome, perfect when paired with filament LED lamps to create a modern look for today's living spaces. | Features: Finish: Chrome Plate, Material: Steel, IP Rating: IP20, Height (cm) : 45, Width (cm) : 15, Depth (cm) : 24, No. of Lights: 1, Lamp Type: E27, Lumens: 400, Switched: Inline switch, Dimmable: Non-dimmable, Wattage (max) : 40W

GBP 74.99

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Rubens and the Eloquence of Drawing

Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish 1577–1640) in light of early modern traditions of eloquence particularly as promoted in the late sixteenth- and early seventeenth-century Flemish Neostoic circles of philologist Justus Lipsius (1547–1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist’s approach to disegno during and following his formative Roman period (1600–08) this volume highlights Rubens’s high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters – the humanist activity then described as a cognate activity to the practice of drawing – a Senecan approach to eclecticism a commitment to emulation and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens’s early practice of drawing. Focusing on Rubens’s Medea Fleeing with Her Dead Children (Los Angeles Getty Museum) and Kneeling Man (Rotterdam Museum Boijmans Van Beuningen) these close-looking case studies demonstrate Rubens’s commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens’s intellect in the medium then most associated with the closest ideas of the artist such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.

GBP 42.99

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Endon Rubens 6 Light Semi Flush Light Chrome Plate, E27

Rubens 6 Light Semi Flush Light Chrome Plate, E27 | Description: A mid century inspired contemporary pendant finished in polished chrome plating. Perfect when paired with filament LED lamps to create a modern look for today's living spaces. | Features: Finish: Chrome Plate, Material: Steel, IP Rating: IP20, Diameter (cm) : 41, Projection (cm) : 40.5, No. of Lights: 6, Lamp Type: E27, Dimmable: Yes, Wattage (max) : 40, Weight (kg) : 1.02, Class: Class 1, Bulb Included: No

GBP 122.99

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Netlighting Rubens 1 Light Floor Lamp Satin Brushed Gold Plate, E27

Rubens 1 Light Floor Lamp Satin Brushed Gold Plate, E27 | Description: An 'on trend' mid century inspired, clean line floor lamp. Finished in brushed brass plating, perfect when paired with filament LED lamps to create a modern look for today's living spaces. | Features: Finish: Satin Brushed Gold Plate, Material: Steel, IP Rating: IP20, Height (cm) : 160, Diameter (cm) : 24, No. of Lights: 1, Lamp Type: E27, Lumens: 700, Switched: Inline foot switch, Dimmable: Non-dimmable, Wattage (max) : 60W, Class: 2 (Double Insulated)

GBP 109.99

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Endon Rubens 1 Light Table Lamp Satin Brushed Gold Plate, E27

Rubens 1 Light Table Lamp Satin Brushed Gold Plate, E27 | Description: An 'on trend' mid century inspired, clean line table light. Finished in brushed brass plating, perfect when paired with filament LED lamps to create a modern look for today's living spaces. | Features: Finish: Satin Brushed Gold Plate, Material: Steel, IP Rating: IP20, Height (cm) : 45, Width (cm) : 15, Depth (cm) : 24, No. of Lights: 1, Lamp Type: E27, Lumens: 400, Switched: Inline switch, Dimmable: Non-dimmable, Wattage (max) : 40W

GBP 79.99

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Rubens and the Archaeology of Myth 1610–1620 Visual and Poetic Memory

Focusing on four Rubens paintings created between 1610 and 1620 - Prometheus Bound The Rape of the Daughters of Leucippus Juno and Argus and The Finding of Erichthonius - this book re-examines the artist's approach to classical mythology. These theoretically-informed readings provide a fuller understanding of the dynamics of Rubens's copious visual language and can serve as methodological templates for looking at and reading of many other of his complex inventions. Even by the standards of erudition commonly applied to Rubens's oeuvre as a whole these four paintings were created during a period characterized by a particularly intense engagement on his part with questions of artistic originality and ideal style. Furthermore the learned themes of these images clearly point to a rarefied audience that could appreciate the intertextual qualities of ancient myths. Like the artist himself these ideal beholders cultivated a mode of viewing steeped in classical and renaissance theories of literary and rhetorical composition. Thus through these close readings the author illuminates the manner in which the rhetorical and poetic conventions of the period as well as the growing appreciation for the various allegorical layers of fables lead to a better understanding of Rubens's pictorial archaeology of classical myths. | Rubens and the Archaeology of Myth 1610–1620 Visual and Poetic Memory

GBP 39.99

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