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Fashion Before Plus-Size - Lauren Downing Peters - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Fashion Before Plus-Size - Lauren Downing Peters - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Shortlisted for the Association of Dress Historians Book of the Year Award, 2024 In 2022, it was reported that plus-sizes accounted for nearly twenty percent of all women’s apparel sales in the United States and was one of the industry’s few growth sectors. For many, this news seemed to herald a remarkably inclusive turn for an industry that long bartered in exclusivity. Yet the recent success of plus-size fashion obscures a rather complicated history–one that can be traced back over a century, and which illuminates the fraught relationship between fashion, fat, and weight bias in American culture.Although many regard fat as a malady of the present, in the early twentieth century it was estimated that more than one-third of American women classified as “overweight.” While modern weight bias had yet to fully cement itself in the American imaginary, the limitations of mass garment manufacturing coupled with the ascendent slender beauty ideal had already relegated larger women to fashion’s peripheries. By 1915, however, fashion forecasters predicted that so-called “stoutwear” was well positioned to become one of the most lucrative subsectors of the burgeoning ready-to-wear trade. In the years that followed, stoutwear manufacturers set out to create more space for the fat woman in fashion but, in doing so, revealed an ancillary motivation: that of how to design fat out of existence altogether. Fashion Before Plus-Size considers what came “before” plus-size fashion while also shedding new light on the ways that the fashion industry not only perpetuates but produces weight bias. By situating stoutwear at the confluence of mass manufacturing, beauty ideals, standardized sizing, health discourse, and consumer culture, this book exposes the flawed foundations upon which the contemporary plus-size fashion industry has been built.

DKK 316.00
1

Three Men in a Boat - Jerome K. Jerome - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Curating Design - Donna (kingston University Loveday - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Illustration Research Methods - Rachel (kingston University Gannon - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Never-Ending Watchmen - Bog af Will (Kingston University Brooker - Paperback

Research and Design for Fashion - Bog af Richard (Kingston University Sorger - Paperback

Marx's 'Grundrisse' - A Reader's Guide - Bog af Dr Simon (Kingston University Choat - Paperback

On Resistance - A Philosophy of Defiance - Bog af Howard (Kingston University Caygill - Paperback

Star Wars - Will (kingston University Brooker - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Star Wars - Will (kingston University Brooker - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The release of Star Wars in 1977 marked the start of what would become a colossal global franchise. Star Wars remains the second highest-grossing film in the United States, and George Lucas''s six-part narrative has grown into something more: a culture that goes far beyond the films themselves, with tie-in toys, novels, comics, games and DVDs as well as an enthusiastic fan community which creates its own Star Wars fictions. Critical studies of Star Wars have treated it as a cultural phenomenon, or in terms of its special effects, fans and merchandising, or as a film that marked the end of New Hollywood''s innovation and the birth of the blockbuster. Will Brooker''s illuminating study of the film takes issue with many of these commonly-held ideas about Star Wars . He provides a close analysis of Star Wars as a film, carefully examining its shots, editing, sound design, cinematography and performances. Placing the film in the context of George Lucas''s previous work, from his student shorts to his 1970s features, and the diverse influences that shaped his approach, from John Ford to Jean-Luc Godard, Brooker argues that Star Wars is not, as Lucas himself has claimed, a departure from his earlier cinema, but a continuation of his experiments with sound and image. He reveals Lucas''s contradictory desires for total order and control, embodied by the Empire, and for the raw energy and creative improvisation of the Rebels. What seemed a simple fairy-tale becomes far more complex when we realise that the director is rooting for both sides; and this tension unsettles the saga as a whole, blurring the boundaries between Empire and Republic, dark side and light side, father and son.In his foreword to this new edition, Will Brooker discusses is how subsequent films in the series, specifically Rogue One (2016) and The Last Jedi (2017), foregrounded and developed the themes of opposition that are at the heart of Star Wars . He shows how Derridean theories of opposites which become undermined and subverted, and which change places are made more clear with hindsight and provide us with a useful lens for looking back at the 1977 Star Wars .

DKK 167.00
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Video Games - Ben (ravensbourne And Kingston College) Dunning - Bog - Bloomsbury Publishing PLC - Plusbog.dk

On Resistance - A Philosophy of Defiance - Bog af Howard (Kingston University Caygill - Hardback