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Unicorn Princesses 7: Firefly's Glow - Emily Bliss - Bog - Bloomsbury Publishing Plc - Plusbog.dk

CRASH! - Professor Randy Malamud - Bog - Bloomsbury Publishing Plc - Plusbog.dk

CRASH! - Professor Randy Malamud - Bog - Bloomsbury Publishing Plc - Plusbog.dk

CRASH! explores the fascinating, revealing, and surprising cultural impact of plane crashes across art, literature, music, media, and creative nonfiction. Plane crashes are covered extensively but they are not analyzed very deeply, beyond rote media reports and forensic accident investigations. This is despite the voluminous, diverse, and fascinating cultural materials — poems and novels, songs, films, art, TV series, and on and on — that emerge in the wake of aviation disasters. Randy Malamud reanimates these tragic events and identifies how they persist and resonate through our culture—more than we might have imagined, and in intricately far-reaching ways. A unique and extraordinarily wide-ranging cultural examination, CRASH! takes the reader on a journey that includes reflections on flight phobia, themes of crash survival (with asides on Lord of the Flies , The Little Prince , and Ernest Hemingway’s two-day two-crash adventure), the existentialism of pilots’ last words, the day the music died, deep dives into modernist plane wreck paintings, kamikaze pilots and their Zen death poems, plane crashes before planes, ‘race, crash, and gender,’ and the cultural aftermath of 9/11. Ultimately, Malamud shows that crashes do not bring about complete and total destruction: we accomplish some degree of restoration by shoring fragments against the ruins. The plane is dead; long live the plane.

DKK 676.00
1

Intimacy and the Anxieties of Cinematic Flesh - Professor Patrick Fuery - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Intimacy and the Anxieties of Cinematic Flesh - Professor Patrick Fuery - Bog - Bloomsbury Publishing Plc - Plusbog.dk

In a "return" to Edmund Husserl and Sigmund Freud, Intimacy and the Anxieties of Cinematic Flesh explores how we can engage these foundational thinkers of phenomenology and psychoanalysis in an original approach to film. The idea of the intimate spectator caught up in anxiety is developed to investigate a range of topics central to these critical approaches and cinema, including: flesh as a disruptive state formed in the relationships of intimacy and anxiety; time and the formation of cinema’s enduring objects; space and things; the sensual, the "real" and the unconscious; wildness, disruption, and resistance; and the nightmare, reading "phantasy" across the critical fields.Along with Husserl and Freud, other key thinkers discussed include Edith Stein, Roman Ingarden, Maurice Merleau-Ponty, Mikel Dufrenne in phenomenology; Melanie Klein, Ernest Jones, Julia Kristeva, and Rosine Lefort in psychoanalysis. Framing these issues and critical approaches is the question: how might Husserlian phenomenology and Freudian/Lacanian psychoanalysis, so often seen as contradistinctive, be explored through their potential commonalities rather than differences? In addressing such a question, this book postulates a new approach to film through this phenomenological/psychoanalytic reconceptualization. A wide range of films are examined not simply as exemplars, but to test the idea that cinema itself can be a version of critical thinking.

DKK 344.00
1

Intimacy and the Anxieties of Cinematic Flesh - Professor Patrick Fuery - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Intimacy and the Anxieties of Cinematic Flesh - Professor Patrick Fuery - Bog - Bloomsbury Publishing Plc - Plusbog.dk

In a "return" to Edmund Husserl and Sigmund Freud, Intimacy and the Anxieties of Cinematic Flesh explores how we can engage these foundational thinkers of phenomenology and psychoanalysis in an original approach to film. The idea of the intimate spectator caught up in anxiety is developed to investigate a range of topics central to these critical approaches and cinema, including: flesh as a disruptive state formed in the relationships of intimacy and anxiety; time and the formation of cinema’s enduring objects; space and things; the sensual, the "real" and the unconscious; wildness, disruption, and resistance; and the nightmare, reading "phantasy" across the critical fields.Along with Husserl and Freud, other key thinkers discussed include Edith Stein, Roman Ingarden, Maurice Merleau-Ponty, Mikel Dufrenne in phenomenology; Melanie Klein, Ernest Jones, Julia Kristeva, and Rosine Lefort in psychoanalysis. Framing these issues and critical approaches is the question: how might Husserlian phenomenology and Freudian/Lacanian psychoanalysis, so often seen as contradistinctive, be explored through their potential commonalities rather than differences? In addressing such a question, this book postulates a new approach to film through this phenomenological/psychoanalytic reconceptualization. A wide range of films are examined not simply as exemplars, but to test the idea that cinema itself can be a version of critical thinking.

DKK 959.00
1