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Imagining the Chorus in Augustan Poetry - Lauren Curtis - Bog - Cambridge University Press - Plusbog.dk

Imagining the Chorus in Augustan Poetry - Lauren Curtis - Bog - Cambridge University Press - Plusbog.dk

From archaic Sparta to classical Athens the chorus was a pervasive feature of Greek social and cultural life. Until now, however, its reception in Roman literature and culture has been little appreciated. This book examines how the chorus is reimagined in a brief but crucial period in the history of Latin literature, the early Augustan period from 30 to 10 BCE. It argues that in the work of Horace, Virgil, and Propertius, the language and imagery of the chorus articulate some of their most pressing concerns surrounding social and literary belonging in a rapidly changing Roman world. By re-examining seminal Roman texts such as Horace''s Odes and Virgil''s Aeneid from this fresh perspective, the book connects the history of musical culture with Augustan poetry''s interrogation of fundamental questions surrounding the relationship between individual and community, poet and audience, performance and writing, Greek and Roman, and tradition and innovation.

DKK 344.00
3

Imagining the Chorus in Augustan Poetry - Lauren Curtis - Bog - Cambridge University Press - Plusbog.dk

Imagining the Chorus in Augustan Poetry - Lauren Curtis - Bog - Cambridge University Press - Plusbog.dk

From archaic Sparta to classical Athens the chorus was a pervasive feature of Greek social and cultural life. Until now, however, its reception in Roman literature and culture has been little appreciated. This book examines how the chorus is reimagined in a brief but crucial period in the history of Latin literature, the early Augustan period from 30 to 10 BCE. It argues that in the work of Horace, Virgil, and Propertius, the language and imagery of the chorus articulate some of their most pressing concerns surrounding social and literary belonging in a rapidly changing Roman world. By re-examining seminal Roman texts such as Horace''s Odes and Virgil''s Aeneid from this fresh perspective, the book connects the history of musical culture with Augustan poetry''s interrogation of fundamental questions surrounding the relationship between individual and community, poet and audience, performance and writing, Greek and Roman, and tradition and innovation.

DKK 929.00
1

Solo Dance in Archaic and Classical Greek Literature - Sarah Olsen - Bog - Cambridge University Press - Plusbog.dk

Solo Dance in Archaic and Classical Greek Literature - Sarah Olsen - Bog - Cambridge University Press - Plusbog.dk

“Ancient Greek dance” traditionally evokes images of stately choruses or lively Dionysiac revels – communal acts of performance. This is the first book to look beyond the chorus to the diverse and complex representation of solo dancers in Archaic and Classical Greek literature. It argues that dancing alone signifies transgression and vulnerability in the Greek cultural imagination, as isolation from the chorus marks the separation of the individual from a range of communal social structures. It also demonstrates that the solo dancer is a powerful figure for literary exploration and experimentation, highlighting the importance of the singular dancing body in the articulation of poetic, narrative, and generic interests across Greek literature. Taking a comparative approach and engaging with current work in dance and performance studies, this book reveals the profound literary and cultural importance of the unruly solo dancer in the ancient Greek world.

DKK 819.00
1

Solo Dance in Archaic and Classical Greek Literature - Sarah Olsen - Bog - Cambridge University Press - Plusbog.dk

Solo Dance in Archaic and Classical Greek Literature - Sarah Olsen - Bog - Cambridge University Press - Plusbog.dk

“Ancient Greek dance” traditionally evokes images of stately choruses or lively Dionysiac revels – communal acts of performance. This is the first book to look beyond the chorus to the diverse and complex representation of solo dancers in Archaic and Classical Greek literature. It argues that dancing alone signifies transgression and vulnerability in the Greek cultural imagination, as isolation from the chorus marks the separation of the individual from a range of communal social structures. It also demonstrates that the solo dancer is a powerful figure for literary exploration and experimentation, highlighting the importance of the singular dancing body in the articulation of poetic, narrative, and generic interests across Greek literature. Taking a comparative approach and engaging with current work in dance and performance studies, this book reveals the profound literary and cultural importance of the unruly solo dancer in the ancient Greek world.

DKK 348.00
1