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The King's Swing : Swing it William!

This lively work includes a ‘jazzed-up’ version of the Dutch national anthem! Many jazz elements help this arrangement fly by like a whirlwind. Let your band simply swing with this fun piece.

The King's Swing : Swing it William!

This lively work includes a ‘jazzed-up’ version of the Dutch national anthem! Many jazz elements help this arrangement fly by like a whirlwind. Let your band simply swing with this fun piece.

Rondo Romantica

Rondo Romantica is based on the Italian Rococo period. In this piece, Otto M. Schwarz depicts a colourful annual fair and the carefree atmosphere of the period. The piece also has undercurrents of modern elements, such as its diverse rhythms.

Rondo Romantica

Rondo Romantica is based on the Italian Rococo period. In this piece, Otto M. Schwarz depicts a colourful annual fair and the carefree atmosphere of the period. The piece also has undercurrents of modern elements, such as its diverse rhythms.

Rondo Romantica

Rondo Romantica is based on the Italian Rococo period. In this piece, Otto M. Schwarz depicts a colourful annual fair and the carefree atmosphere of the period. The piece also has undercurrents of modern elements, such as its diverse rhythms.

Rondo Romantica

Rondo Romantica is based on the Italian Rococo period. In this piece, Otto M. Schwarz depicts a colourful annual fair and the carefree atmosphere of the period. The piece also has undercurrents of modern elements, such as its diverse rhythms.

Asia Rock : from : Easy Pop Suite

Dizzy Stratford’s Easy Pop Suite is an easy and entertaining work, characterised by a particular mood and by the use of different rhythmic elements. As the title of this movement suggests, this part is based on the popular musical style, Rock.

In Memoriam : In memory of Alex Veld

When someone departs this life, there is sadness, people seek comfort, and memories come to mind. Jacob de Haan has brought these three elements together in In Memoriam, which has been composed with the aim of honouring the deceased, and offering consolation to the bereaved.

Essential Elements Band 1 - Trompete in C : Die komplette Methode für den Musikunterricht

Starter Duets for Viola : Musical dialogues between two violas

Starter Duets for Viola contains a few arrangements of traditional tunes, but mostly new compositions, inspired by the classical tradition - with some occasional contemporary elements. From the very beginning, these duets can be played alongside any cello method. The upper and lower parts are equal in terms of difficulty and musical expression.

Starter Duets for Cello : Musical dialogues between two cellos

Starter Duets for Cello contains a few arrangements of traditional tunes, but mostly new compositions, inspired by the classical tradition - with some occasional contemporary elements. From the very beginning, these duets can be played alongside any cello method. The upper and lower parts are equal in terms of difficulty and musical expression.

Bandshop

The main role in this attractive march is played by the harmonic elements of minor and major. These ingredients are supported by a solid bass passage, various dynamic contrasts and a lovely cantabile trio theme. Bandshop is a wonderfulmarch that brings pleasure to performer and listener alike-and is ideal for any concert program.

Bandshop

The main role in this attractive march is played by the harmonic elements of minor and major. These ingredients are supported by a solid bass passage, various dynamic contrasts and a lovely cantabile trio theme. Bandshop is a wonderfulmarch that brings pleasure to performer and listener alike-and is ideal for any concert program.

The Swan on the Hill

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

The Swan on the Hill

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

The Swan on the Hill

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

The Swan on the Hill

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

The Swan on the Hill

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

The Swan on the Hill

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

The Swan on the Hill

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

Manzara

This work is named after the Turkish word for ‘landscape’: Manzara. The title describes the marshland in Rheinland-Pfalz, which in 150 years has gradually been transformed into a wild landscape through the harvesting of peat. Different musical elements such as fugues and rhythmical patterns, as well as beautiful melodic themes, depict several aspects of the evolution and occurrences of this region. An exciting and challenging concert or contest piece!

Manzara

This work is named after the Turkish word for ‘landscape’: Manzara. The title describes the marshland in Rheinland-Pfalz, which in 150 years has gradually been transformed into a wild landscape through the harvesting of peat. Different musical elements such as fugues and rhythmical patterns, as well as beautiful melodic themes, depict several aspects of the evolution and occurrences of this region. An exciting and challenging concert or contest piece!

Grace and Glory : Allein Gott in der Höh sei Ehr

The chorale Glory to God on High is one of todays most often sung hymns. The words are an expression of praise to God and gratefulness for his mercy. The internationally familiar melody of this chorale forms the basis for Wim Stalman’s Grace and Glory, in which the elements of praise and thanks are shown by means of both festive and more subdued melodies and harmonies. The choir parts allow the work to be performed by brass band with mixed choir.

Grace and Glory : Allein Gott in der Höh sei Ehr

The chorale Glory to God on High is one of todays most often sung hymns. The words are an expression of praise to God and gratefulness for his mercy. The internationally familiar melody of this chorale forms the basis for Wim Stalman’s Grace and Glory, in which the elements of praise and thanks are shown by means of both festive and more subdued melodies and harmonies. The choir parts allow the work to be performed by concert band with mixed choir.

By the River

Jan Van der Roost and the commissioner of this work have strong personal ties, making By the River a very personal work for both of them. The first part is pastoral and describes the rural character of what is actually an industrial region. The next movement, a dynamic allegro that creates an exciting contrast to the first. All instruments are put to good use, letting everyone have their moment in the limelight. All the interesting thematic and melodic elements Van der Roost creates will keep the audience engaged through to the very last note!