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Arbeiterchor (Workers' Chorus)

Arbeiterchor (Workers' Chorus)

Jóslat. Chorus fantasia

Sík Sandor te Deuma für gemischten Chor : für gemischten Chor. Chorstimmen

A cappella chorus for mixed voices, composed in 1961.

Missa secunda für Kinder- oder Frauenchor und Or : für Kinder- oder Frauenchor und Orgel

... To Fujio Furuhashi and the Tokyo Broadcasting Childrens Chorus Group ...

Fü, fa (Laub, Gras und Blüch)

A cappella chorus for mixed voices with Hungarian and German text

Inventio poetica for double chorus

Jubilate Deo : for three part female chorus

Chorus Book in Memory S. A. II.

Dancing Song

Zoltán Kodály composed Táncnóta (Dancing Song) for either children s or women s chorus. The work was based upon a folksong entitled Még azt mondják nem illik which was first collected in 1910 by Bartók in Komárom county.

Septem Sacramenta : Responsories for soloists, chorus and organ (harmonium) accompaniment

Hungaroton HCD 12748

Esti dal

This song was first collected by Kodály in 1922, and it was composed and premiered as a work for men s chorus in 1938 under the title Esti Dal (Evening Song). This composition is among Kodály s best-known works, and it has been in the repertoire of numerous renowned choirs over the years.

Freie Bearbeitungen 12

The volume includes the famous 'Weinen, Klagen' variations, based on Bach's similarly-titled cantata and motifs from the 'Crucifixus' of his B minor Mass: a paraphrase of Gounod's 'Hymne a Ste Cécile', appearing here for the first time in print, 'A la Chapelle Sixtine', based on Allegri's 'Miserere' and Mozart's 'Ave verum Corpus' (the part based on a chorus from the 'Ave verum Corpus' can also be performed separately), the 'Rapsodie espagnole', a fantasia on themes from the incidental music to Beethoven's 'Die Ruinen von Athen', Liszt's transcription of the Pilgrims' Chorus from Richard Wagner's opera 'Tannhäuser', and 'Les adieux'. 'Reverie sur un motif de l'opéra Roméo etJuliette…'. The volume is available linen-bound (with critical notes, Z.12401A) and also in a cheaper, hard paperbound version that is adequate for practical purposes.

Freie Bearbeitungen 12

The volume includes the famous 'Weinen, Klagen' variations, based on Bach's similarly-titled cantata and motifs from the 'Crucifixus' of his B minor Mass: a paraphrase of Gounod's 'Hymne a Ste Cécile', appearing here for the first time in print, 'A la Chapelle Sixtine', based on Allegri's 'Miserere' and Mozart's 'Ave verum Corpus' (the part based on a chorus from the 'Ave verum Corpus' can also be performed separately), the 'Rapsodie espagnole', a fantasia on themes from the incidental music to Beethoven's 'Die Ruinen von Athen', Liszt's transcription of the Pilgrims' Chorus from Richard Wagner's opera 'Tannhäuser', and 'Les adieux'. 'Reverie sur un motif de l'opéra Roméo etJuliette…'. The volume is available linen-bound (with critical notes, Z.12401A) and also in a cheaper, hard paperbound version that is adequate for practical purposes.

Magnificat in D major : for soprano, alto, tenor and bass soloists, mixed chorus and orchestra

A zene hatalma. Chorus Phantasy on poems Babits M. : children's choir and orchester or piano

Messe in B Hob. XXII: 12 : (Theresienmesse) for soprano, alto, tenor and bass soloists, mixed chorus and piano

Ave Maria für Frauenchor und Orgel : für Frauenchor und Orgel

At an early age Kodály composed several Ave Marias for various ensembles of performers. In its final form this chorus seems the most complete of these. From the manuscript scores we know that the work was written in October 1898, while Kodály was still at school in Nagyszombat. In its original form it requires a three-part female choir, strings and organ:In the present arrangement (by Imre Sulyok) the material written for the strings is incorporated into the organ part. First printed edition.

Chamber Music for/ Kammermusik für Violoncelli 7 : for 3 violoncellos

Chamber Music for Violoncellos Volume 7 contains trios, the first piece is a work with variations by the French cello virtuoso Bréval, in which the first two parts, above an easy third part, are of equal difficulty. In Chopin's lyrical Dumka, an interesting feature is the ritornello on harmonics, his Bacchanalia is a lively drinking song. In the trio sonata by Vivaldi the third part shares equally in the imitative playing. The last works in the volume are Mozart's piece on a theme by Grétry and the closing chorus that follows his Freemasons'? cantata (the melody of the Austrian national antem).