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Dadamusik : Hommage a Kurt Schwitters & his Ursonate for string quartet

Dadamusik : Hommage a Kurt Schwitters & his Ursonate for string quartet

Máté Balogh's string quartet Dadamusik fits in well with the author's text-music in recent years. While Hemingway's Speech (2017), Kipling's Speech (2018), or Bahnmusik (2019) are exact representations of acoustic experiences, Dadamusik is a transcript of a senseless poem. Each sound in the composition is a musical representation of the meaningless poem Ursonate by Kurt Schwitters a Dadaist artist of the early 20th century. However, knowledge of the poem is not necessary to fully reception the piece. The text as an organizing structure participates in the formation of the piece: each moment is composed of elements of vowels (musical sounds) and consonants (various noises),expressed in a verbal recitation. Schwitters liberated the text from its exact meaning in his poem, while in Balogh's composition, elements of the spoken language are further abstracted, or resolved, in instrumental music, that is, in timbre. The work was commissioned by the Kunststiftung Nordhein-Westfalen and is dedicated to the Asasello Quartett.

DKK 388.00
1

Poly For Chamber Ensemble

Poly For Chamber Ensemble

Poly was written as a homage to György Ligeti and his music. Therefore the musical elements and the titles of the movements refer to those artistic, technical, scientific, acoustic creationsand phenomena that Ligeti admired.Balázs Horváth won the 1st prize with POLY at the composition competition 'In memoriam György Ligeti' in Berlin, 2007. The piece was premiered on 13 October, 2007 (Berlin, Akademie der Künste, Solistenensemble Ligatura). The performance material can be hired under the catalogue number H-74.

DKK 388.00
1

Konzert Op. 3, No. 7 : Für Flöte, Streicher und Basso Continuo

Konzert Op. 3, No. 7 : Für Flöte, Streicher und Basso Continuo

The opus 3 by Johann Adolf Hasse (1699-1783) contains twelve flute concertos. The present work is the seventh item of this series. Its modern edition is justified, in addition to the elegance and peculiarity of style, by the facility of the instrumental technique of the parts. The flute part is constructed of virtuosic and melodic elements and offers pupils after some years of flute studies already a rewarding, easily executable task of performance. Territorial restrictions may apply. Please ask before ordering.

DKK 118.00
1

Giraffe Piano Volume 2 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Giraffe Piano Volume 2 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is compromised of moderately difficult ones.

DKK 166.00
1

Saxophone ABC 1

Saxophone ABC 1

The two volumes of the Saxophone ABC (Vol.2: Z. 14299) are organically related, and together provide beginners with 3-4 years’ worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian.

DKK 205.00
1

Giraffe Piano Volume 1 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Giraffe Piano Volume 1 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is compromised of moderately difficult ones.

DKK 197.00
1

Soft Errors for chamber ensZle : Part. U. Stimmen

Soft Errors for chamber ensZle : Part. U. Stimmen

László Vidivszky's work entitled Soft Errors (1989) might be described as a serendipitous find: as a result of a 'chance computer event', from the fragments of music it contained Vidovszky's computer created a sequence, and the computer's owner 'merely' instrumented this. From the bare sound and intellectual, indeed comic elements there emerges the characteristic voice that may be styled as 'Vidovszky's peculiar melancholy'. The premiere of the work took place in October 1989 in Budapest, it was performed by the Componenensemble, conducted by Zsolt Serei.

DKK 448.00
1

Weapon Dance

Weapon Dance

Ferenc Erkel (1810-1893) was a composer, pianist, conductor and teacher, a leading figure in 19th century Hungarian music, creator of Hungarian national opera. In his operas based on Hungarian history (Bátori Mária: 1840, Hunyadi László: 1844, Bánk bán: 1861, Dózsa György: 1867, etc.), blending elements of the style of Bellini, Meyerbeer and Verdi with verbunkos he created a distinctively Hungarian opera genre. The 'Weapon Dance' is a popular ballet interlude in his opera Dózsa György, and in József Pécsi's transcription youth wind orchestras can now add it to their repertoire.

DKK 173.00
1

Weapon Dance

Weapon Dance

Ferenc Erkel (1810-1893) was a composer, pianist, conductor and teacher, a leading figure in 19th century Hungarian music, creator of Hungarian national opera. In his operas based on Hungarian history (Bátori Mária: 1840, Hunyadi László: 1844, Bánk bán: 1861, Dózsa György: 1867, etc.), blending elements of the style of Bellini, Meyerbeer and Verdi with verbunkos he created a distinctively Hungarian opera genre. The 'Weapon Dance' is a popular ballet interlude in his opera Dózsa György, and in József Pécsi's transcription youth wind orchestras can now add it to their repertoire.

DKK 1302.00
1

Saxophone ABC : Piano accompaniment (Mib, Sib)

Saxophone ABC : Piano accompaniment (Mib, Sib)

The two volumes of the Saxophone ABC (Vol.1: Z. 14289) are organically related, and together provide beginners with 3-4 years worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian. The pupil's book is published separately (14299)

DKK 142.00
1

Saxophon-ABC 2 : Pupil's book

Saxophon-ABC 2 : Pupil's book

The two volumes of the Saxophone ABC (Vol.1: Z. 14289) are organically related, and together provide beginners with 3-4 years’ worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian. The piano accompaniment to this volume is published separetely (14299P).

DKK 205.00
1

Játékok - Games - Spiele 9 : Tagebucheintragungen, persönliche Botschaften

Játékok - Games - Spiele 9 : Tagebucheintragungen, persönliche Botschaften

The piano series entitled Games, written from 1973 onwards, was conceived originally as a piano method. Its early volumes introduced children to the basic elements in piano-playing and musical thinking, and, more importantly still, taught them to play music without inhibitions. As the years went by, the view of the series lost its didactic character. It came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. This change is exemplified in the subtitle Diary entries, personal messages added from the fifth volume onwards.

DKK 245.00
1

Exorcist for Trombone Quartet : Partitur und Stimmen

Exorcist for Trombone Quartet : Partitur und Stimmen

The composer wrote this work in 2004 for the Corpus trombone quartet, to whom it is dedicated. The piece consists of a slow and a fast section, both in rondo form. Its musical language makes use of a great many new elements of playing technique, which provide an excellent opportunity for displaying the fantastically virtuosic capabilities of both the new modes of sound production and the performers: they include Wah-muted notes with modulated tone colour, harmonic-glissandi, sequences of buzzing notes sung into the instrument, valve-modulated harmonic glissandi, rapid double- and tripletongued staccatos, and flutter-tongued, lip-trilled and buzzing lip-vibrating notes. Thepurpose: playful, good-humoured music-making, to exorcise evil from our lives.

DKK 368.00
1

Four Dirges op. 9-a

Four Dirges op. 9-a

'This music, moving even in its bleakness, is characterised by the complete absence of ornamentation. The arc of all four pieces [1. Adagio, 2. Andante, 3. Poco lento, 4. Assai andante] is similar: after beginning softly they reach a fortissimo climax, then sink back into numbing grief. Only the decidedly important melodic and harmonic elements are heard, pared down, occasionally reinforced with octave doubling. In the Adagio of the Second Piano Concerto Bartók was to return to this peculiar piano instrumentation. The lyricism and Hungarian turns of phrase of the second movement differ a little from the series: he orchestrated it with the title 'Melody' in 1931 as thecentral piece of the five-movement 'Hungarian Sketches'.' (HCD 32525 Bartók New Series Vol. 25, Somfai László)

DKK 126.00
1

Hungarian Dances for Violin and Piano

Hungarian Dances for Violin and Piano

As indicated by the title, Hungarian Dances is a volume containing a selection for violinists which has a common theme. The book contains ten works by twentieth-century Hungarian composers (Járdányi, Sugár, Szelényi, Szervánszky, Weiner) and János Bihari (1764-1827), the great master of the army recruiting dance style known as verbunkos. It contains slow and fast dance movements, the works being based equally on folk sources and elements from verbunkos. In terms of difficulty the pieces are varied: the volume contains material suitable for music students learning for just a few years, as well as for those in the upper years of school. It is an excellent collection for all thoselearning the violin who want to broaden their concert repertoire.

DKK 166.00
1

Scene For Five Characters

Scene For Five Characters

The composer calls his Scene for Five Characters for brass quintet a mystery-play parody or a mystical comedy, enriched with theatrical components. The four ancient elements (fire, water, earth and air) evoked by two trumpets, cornet and trombone as performers of several imaginary scenes move on the stage around the tuba as a point of reference. The characteristic tones of the individual instruments and their related humorous representation of motifs render a basic situation of communication, illustrative of human characters and relationships. The subtitles of the nine parts provide help in understanding the scenes: Prelude: Quarrel between Fire and Water: Monologue of theEarth: The Edges Visit the Centre: Fire's Appeasing Serenade to Water: Duet of Air and Earth: Turning Round: Tercet of Fire, Water and Air: Farewell.

DKK 388.00
1

Hellas - Greek Suite

Hellas - Greek Suite

This splendidly instrumented work successfully combines 20th-century musical language with the antique elements deriving from its theme - for example, in the first movement we immediately find an ancient Greek asymmetrical rhythm. The second movement takes us on an adventurous journey to those astonishing geological wonders, the Meteoras: the third movement presents a picture of the Delphic dancers, in its title the fourth movement indicates the form used in it, which preserves the unity between the thousands-of-years-old building and its contrasting environment, echoing to the music of the bouzouki. In the suite the composer expertly exploits the possibilities of instrumentationoffered by the wind orchestra, this extremely effective work can be a rewarding concert piece for any ensemble. (Recorded by Mirasound on CD 'Salute from Hungary' wwm 500.009 for World Wind Music label - www.worldwindmusic.nl ).

DKK 229.00
1

Emroidery Patterns on the Cracked Face of t: Earth

Emroidery Patterns on the Cracked Face of t: Earth

The composer writes about his work: My piece entitled “Embroidery patterns on the cracked surface of the Earth” can be imagined somehow as follows: two clarinets and a bassoon “write” beautifully ornamented magic formulas in the clay. As they proceed, the surface cracks into pieces. They almost finish the “writing”, but an invisible hand keeps “rearranging” the innumerable component elements. The “rearrangement” creates time hiatuses, or heaps together units of information in masses of unexpected density (in the second part, brief but condensed suddenly-emerging patterns of differing density scratch the surface of the long periods of silence): elsewhere it collides with the netof sound that carries the material and thus huge faults, ruptured tectonic plates, come into being…The complete work was first performed by the Trio Lignum (Csaba Klenyán, Lajos Rozmán, György Lakatos) in Budapest in 2005.

DKK 388.00
1

Hellas - Greek Suite

Hellas - Greek Suite

This splendidly instrumented work successfully combines 20th-century musical language with the antique elements deriving from its theme - for example, in the first movement we immediately find an ancient Greek asymmetrical rhythm. The second movement takes us on an adventurous journey to those astonishing geological wonders, the Meteoras: the third movement presents a picture of the Delphic dancers, in its title the fourth movement indicates the form used in it, which preserves the unity between the thousands-of-years-old building and its contrasting environment, echoing to the music of the bouzouki. In the suite the composer expertly exploits the possibilities of instrumentationoffered by the wind orchestra, this extremely effective work can be a rewarding concert piece for any ensemble. (Recorded by Mirasound on CD 'Salute from Hungary' wwm 500.009 for World Wind Music label - www.worldwindmusic.nl ).

DKK 1739.00
1