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Albert Biehl: The Elements Of Piano Playing Op.30

Albert Biehl (1835-1899) was a prolific German composer, who published over 200 works for the Piano. While his was highly popular during his lifetime, he has since fallen into obscurity, with only a few of his pieces still being performed regularly. In The Elements Of Piano Playing (Op. 30), Biehl sets out a series of exercises, designed to help the pianist develop complete control over all of his or her fingers, and to use the precise amount of force required on each key.

DKK 85.00

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Pocket Manual Of Musical Terms (Fifth Edition)

Edited by Theodore Baker. Includes: elements of notation, definitions and biographical list of famous musicians.

DKK 82.00

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Ezra Laderman: Elegy For Solo Viola

This Elegy, subtitled Elegy for my mother is representative of Ezra Laderman's lyrical style within a contemporary context. He uses tonal material in combination with atonal elements and seeks out unusual formal structures for his compositions.

DKK 110.00

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John Corigliano: Snapshot - Circa 1909

This string quartet was inspired by a photo of Corigliano's father playing a violin and his uncle playing the guitar. It was commissioned by the Elements String Quartet and premiered in November 2003 at Merkin Concert Hall in New York City.

DKK 197.00

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Carlos Chavez: Ten Preludes For Piano

Carlos Chávez was probably the most important Mexican composer of the twentieth century. Chávez's style is not immediately apparent as Latin, certain folk elements of Aztec and Mexican are evident, with their colorful rhythms and exotic percussion. This is his Ten Preludes For Piano.

DKK 281.00

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Practical Method for Violin Part 1 - Elements Of Bowing And Left-Hand Technique (Supplement)

The aim of this work is to develop the Student's Technique in Sustained Bowings, Grand Detache, Martellato, Staccarto, Springing Bow and more. The Studies are melodic to make them more enjoyable for the young player to work on.

DKK 142.00

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Ezra Laderman: Michael's Suite For Solo Flute

Michael’s Suite (1994) is a 4 movement work for solo Flute, which will provide a suitable challenge for the advanced student or budding performer. It combines tonal and atonal elements in a lyrical style, producing a modern work that is still fun to listen to. Ezra Laderman (1924-2015) was an American composer, who was for many years also Dean and Professor at the Yale School of Music. He wrote for many mediums, from solo instrumental and vocal works to large-scale choral and orchestral music as well as film and opera. His music, although rigorously conceived, speaks with immediacy and accessibility.

DKK 102.00

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Samuel Barber: Second Essay Cb Full Set (Arranged For Concert Band)

Composed in 1942, Barber's Second Essay is a masterwork of concentrated musical drama, with a richness of texture comprised of highly charged and succinctly organised musical modules. The opening theme has a definite American flavour, which is followed by a fugal section that evolves from simple tonal patterns to polytonality. After an intensely rhythmic third section, all elements are combined in a huge climax and coda that round off the work. Expertly transcribed for symphonic band by Dr. George Schneider, this is certain to find its place in the standard repertoire for mature ensembles. Duration 11:00. (Grade 5)

DKK 968.00

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Wallingford Riegger: Concerto For Piano And WoodWind Quintet (Score/Parts)

Wallingford Riegger (1885-1961) was an American cellist and composer, who is noted as being one of the principle proponents of Serialism and the twelve-tone technique in America. His Concerto (Op. 53) was commissioned in 1953 by the Koussevitzky Music Foundation, and first performed at the Library of Congress. It is scored for Piano and Wind Quintet - Flute, Oboe, Clarinet, Horn, and Bassoon - and is comprised of three movements: Allegro - Andante - Allegro Molto . Receiving critical acclaim as soon as it was released, the Concerto cleverly blends atonal and diatonic elements, creating an animated, condensed modern work, that has unfairly fallen out of the repertoire.

DKK 523.00

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Music For Upright Piano Composer's Autograph Series

Einojuhani Rautavaara 's Music For Upright Piano . Commissioned by Radio Helsinki and dedicated to Ralf Gothoni. In 1965, when Einojuhani Rautavaara was thirty-seven years old, he was awarded the prestigious Sibelius Prize, previously given to Stravinsky, Hindeman, Messaien, Britten, Shostakovitch and Lutoslawski. A member of one of Finland's most important musical families (comparable to the Casadesus family) Rautavaara first attracted public acclaim in 1954 with 'Requiem In Our Time'. Following his studies at Helsinki university and the Sibelius Academy, Rautavaara held scholarships at Juilliard, Tanglewood and Cologne. In 1971 he was appointed State Professor of Fine Arts and in 1976 joined the faculty of the Sibelius Academy as Professor of Composition. He was elected to the Swedish Royal Academy and is a member of the Board of the Society of Finnish Composers. Rautavaara 's earliest compositions were influenced by folk music, Bartok, Stravinsky and Prokofiev; later he embraced serialism. The 'Second String Quartet', an Opera, 'The Mine' and 'Symphony No. 3', which pays homage to Bruckner and Berg, belong to this period. Around 1967 Rautavaara entered a third period rejecting atonality and reintroducing folk elements. His later works include 'True And False Unicorn' and 'The Water Circle' for Chorus and Ensemble; concertos for Cello, Violin, Piano and Soprano; a work for four Celli and Piano, 'Regular Sets Of Elements In Semi-Regular Situation'; a 'Concerto For Birds And Orchestra' (tape and Orchestra); a dramatic work, 'Apollon Contra Marsyas'; 'The Temptations' for Orchestra; and 'Dancing Helsinki', for four Saxophones and Orchestra.

DKK 158.00

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Carl Czerny: One Hundred Progressive Studies for the Piano, Op. 139

This collection is an excellent addition to any student's library as they move toward greater skill in their keyboard studies. There is an increase in difficulty and type of technique highlighted throughout the one hundred exercises. A teacher or student may choose whichever exercises apply to the current technical struggles or use the entire book. Indeed the large number of practical elements covered makes this one of the best books for the intermediate level pianist. Schirmer Performance Editions are designed for piano students and their teachers as well as for professional pianists. These editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Prepared by experienced artists and master teachers, these publications provide an accurate, well-informed score resource for pianists.

DKK 189.00

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Yehudi Wyner: Piano Concerto “Chiavi In Mano”

The idea for a Piano concerto for the Boston Symphony was instigated by Robert Levin, the great Mozart scholar and Pianist. The idea was evidently embraced by BSO Artistic Administrator Tony Fogg and supported by Music Director James Levine. Much of the concerto was composed during the summer of 2004 at the American Academy in Rome in a secluded studio hidden within the Academy walls. While much of the composing took place far from home, the concerto comes out as a particularly “American” piece, shot through with vernacular elements. As in many of my compositions, simple, familiar musical ideas are the starting point. A shape, a melodic fragment, a rhythm, a chord, a texture, or a sonority may ignite the appetite for exploration. How such simple insignificant things can be altered, elaborated, extended, and combined becomes the exciting challenge of composition. I also want the finished work to breathe in a natural way, to progress spontaneously, organically, moving toward a transformation of the musical substance in ways unimaginable to me when I began the journey. Transformation is the goal, with the intention of achieving an altered state of perception and exposure that I am otherwise unable to achieve. “Chiavi in mano” – the title of the concerto – is the mantra used by automobile salesmen and realtors in Italy: Buy the house or the car and the keys are yours. But the more pertinent reason for the title is the fact that the piano writing is designed to fall “under the hand” and no matter how difficult it may be, it remains physically comfortable and devoid of stress. In other words: Keys in hand."" - Yehudi Wyner, December 13, 2004

DKK 368.00

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