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J.S. Bach: Little Preludes And Fughettas - Urtext

J.S. Bach: Little Preludes And Fughettas - Urtext

A selection of Little Preludes and Fughettas by J.S. Bach. Edition without fingering. Text in German, English and French.Contents:Little Preludes from the "Pianobook" for W.F. Bach BWV 924-928, 930, 9316 Little Preludes for Beginners on Piano BWV 933-9386 Little Preludes BWV 939-943, 999Fughetta c minor BWV 961Fugue C major BWV 952Fugue C major BWV 953Prelude G major BWV 902aFughetta BWV 902Prelude and Fughetta d minor BWV 899Prelude and Fugue e minor BWV 900Prelude and Fugue a minor BWV 895

DKK 162.00
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Claude Debussy: The Little Negro

Claude Debussy: The Little Negro

Debussy occasionally reacted to musical trends in his compositions, as was the case with American ragtime. Aside from Golliwogg’s Cakewalk, in Children’s Corner (HN 382), The Little Negro is even today a standard piece in modern crossover orientated Piano teaching. Debussy did actually compose the piece for a Piano method, namely that of Théodore Lack, published in 1909. In 1934 the publishing house Leduc produced a single version, in which measures 22 to 54 are repeated, unlike in the first edition. The piece is not particularly difficult and is very effective.

DKK 103.00
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Max Reger: Thirty Little Chorale Preludes For Organ Op.135a

Max Reger: Thirty Little Chorale Preludes For Organ Op.135a

Max Reger , the creator of forbiddingly difficult Organ music, could also take a different track. His “ Thirty Little Chorale Preludes “ are intended for semi-professional organists always on the lookout for good Organ chorales for use in Sunday church services. Reger selected the best-known tunes of his day from the Lutheran hymnal. Most of them are still in use today and form excellent additions to modern services. Michael Kube, in a detailed preface, draws a vivid picture of the composer and his superhuman creative powers.

DKK 174.00
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Johann Sebastian Bach: Little Preludes And Fugues (Hardback)

Johann Sebastian Bach: Little Preludes And Fugues (Hardback)

This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the Piano. Bach ’s sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them. If you make your way through these pieces (which gradually become more challenging), you can make great progress on the Piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them; you will then immediately see that they are real gems. Incidentally, all of Bach ’s Piano works are available from Henle both with and without fingerings.

DKK 269.00
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Marko Tajcevic: Songs from the Mur-Island, Little Pieces for Piano

Marko Tajcevic: Songs from the Mur-Island, Little Pieces for Piano

Marko Tajcevic (1900-1984) was a Croatian composer, teacher, and music critic. He was a slow and meticulous composer, completing only 54 works in his lifetime. He confined himself to small-scale chamber works, and was considered to be the “Master of the Miniature”. Like many of his works, Songs from the Mur-Island (1938) was inspired by folk-songs from his homeland. The Mur-Island is a county in the far north of Croatia, bordered by the River Mur. These Little Pieces for Piano are suitable for any pianist of Grade 3 standard, and are sure to provide a unusual and welcome diversion from the usual exam-style pieces.

DKK 134.00
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Max Reger: 10 Little Pieces op. 44

Max Reger: 10 Little Pieces op. 44

In his numerous collections of small character pieces, the imaginative Max Reger gradually developed a style of his own, in the shadow of the Romantic epigones. His music is characterised by modulating harmonies with a simultaneous recourse to classical formal tropes. So it is very worthwhile to take a closer look at the “Ten Small Concert Pieces” op. 44 from 1899, which display astonishing harmonic boldness. Ten short concert pieces of moderate difficulty, with titles such as “Album Leaf”, “Burletta”, “Once upon a time”, or simply “Capriccio” form a series and introduce the pianist to Reger’s piano oeuvre. The composer’s original fingerings make this carefully editedUrtext edition especially interesting.

DKK 162.00
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Gioacchino Rossini: Une Larme For Double Bass And Piano

Gioacchino Rossini: Une Larme For Double Bass And Piano

In the late 1850s, when Rossini was composing only for his own private pleasure, he wrote a little elegy for Double Bass and Piano that he entitled “ Une Larme ” (“a tear”). Its theme also served as the basis for a larger-scale set of variations for Cello and Piano. The importance that Rossini ascribed to this short piece for Double Bass is demonstrated not least by the fact that he made a richly ornamented dedication copy of it in 1858. This hitherto little-known source is in Russia and has now been consulted for the first-ever time for a critical Urtext edition. As in Henle’s other Urtext editions for this instrument, the Double Bass specialist Tobias Glöckler has prepared a version in solo tuning and orchestral tuning and added fingerings and bowings to the solo part.

DKK 141.00
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Wolfgang Amadeus Mozart: String Duos

Wolfgang Amadeus Mozart: String Duos

After moving to Vienna in 1781, Mozart returned only once to his hometown of Salzburg, and that was from the end of July to the end of October 1783 in the company of his young wife Constanze. Just as we know little for certain about the events of those months, Mozart also seems to have composed equally little there. Just these two exquisite duos for violin and viola come from this period, and even they were apparently written as a friendly favor for Salzburg composer Michael Haydn (younger brother of the great Joseph Haydn), who for reasons of acute ill health was unable to complete a commissioned composition. Henle’s Urtext edition is based on the carefully notated autographmanuscripts, the first edition appeared only in 1792, shortly after Mozart’s death, making its value as a source debatable. In addition to a complete score of this wonderfully intimate chamber music, foldout instrumental parts are included, facilitating comfortable performance.

DKK 201.00
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Edvard Grieg: Lyric Pieces - Volume 1 Op.12

Edvard Grieg: Lyric Pieces - Volume 1 Op.12

The “Little Lyrical Pieces” which is how the title still reads in the earliest editions rank among Grieg’s most popular works. He had just turned 24 when these delightful and easily playable miniatures appeared, since when they have accompanied many piano students on the path towards classical music. Grieg himself would never have dreamed in 1867 that a further nine books of Lyric Pieces were to follow, the series ended in 1901 with Book Ten.

DKK 133.00
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Felix Mendelssohn: Variations op. 17 and Other Pieces for Piano and Violoncello

Felix Mendelssohn: Variations op. 17 and Other Pieces for Piano and Violoncello

Besides two genuine Cello "hits" from the pen of Felix Mendelssohn Bartholdy – the " Variations Op. 17 " and the " Song Without Words Op. 109 " – this urtext edition contains a little sensation: the première publication of a delightful and previously unknown original piece for Cello and Piano. Mendelssohn wrote it down in the album of his friend, the distinguished cellist Julius Rietz, in 1835 while at the pinnacle of his creative powers. All cellists will be happy to welcome this "Album Leaf" into their repertoire.

DKK 252.00
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Easy Piano Music: Classical and Romantical Eras - Volume 1

Easy Piano Music: Classical and Romantical Eras - Volume 1

With this rewarding “sampler,” beginners can enjoy a stimulating introduction to the standard canon of classical piano literature. The journey begins with little pieces by Daniel Gottlob Türk and compositions from Mozart’s early music books, then goes on to Clementi sonatinas, easy piano sonatas by Haydn, a few single pieces by Beethoven and dances by Schubert, to the first “romantic” works by Robert Schumann. Rounding off each volume are the helpful comments by the knowlegeable piano instructor Walter Georgii. They were selected in such a way that they do not exceed level 4 of difficulty.

DKK 184.00
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Wolfgang Amadeus Mozart: Piano Sonata In D Major KV 311 (284c)

Wolfgang Amadeus Mozart: Piano Sonata In D Major KV 311 (284c)

This “little” D-major sonata is somewhat the pansy (or violet?) among Mozart’s eighteen piano sonatas. It is “little” in dimensions when compared to the two other sonatas in the same key of D major (K. 284, and especially K. 576). It is very seldom heard in concert, and in piano lessons, too, is played less frequently. Admittedly it is not enveloped by the tragic gloom of the Sonata in A minor K. 310, nor does it have a wonderfully heartfelt slow movement like the Sonata in C major K. 309, these being the two works with which it was printed in Paris in 1778. K. 311, however, is pianistically “worthwhile” in many regards: in the opening movement one can practice several standardtechnical challenges (hand-crossings, effervescent runs, parallel sixths, tremolos at large intervals, etc.). The slow movement (“Andante con espressione”) hones expressiveness, something that does not always come naturally to many keyboardists (a compositional trick also makes a surprise appearance at bar 25). With its lively 6/8 meter, the finale in turn recalls not only the veritable “Hunt Sonata” K. 576 but could almost have come from the solo part of a Mozartean piano concerto. All in all: a worthwhile challenge, this sonata, which sounds much harder than its technical demands require.

DKK 133.00
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W.A. Mozart: Andante KV 616 (Urtext)

W.A. Mozart: Andante KV 616 (Urtext)

Automata of all types, including musical automata, had their moment of fame in the 18th century, in “art cabinets” that exhibited, inter alia, musical clocks equipped with a wind-up cylinder and a bellows mechanism. Clockmakers often invited celebrated composers to write pieces for such a clock. This led to the composition of little works by Carl Philipp Emanuel Bach, Haydn, Mozart and many others. Mozart’s three works for the Flötenuhr K. 594, 608 and the Andante K. 616 are nothing less than pearls of this literature, which also includes the arrangement for piano presented here.

DKK 124.00
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Ludwig Van Beethoven: Flute Duo WoO 26 - Henle Urtext

Ludwig Van Beethoven: Flute Duo WoO 26 - Henle Urtext

There are still little, unknown gems to be found by even the greatest and most famous names in music history. This charming, short duo in two movements will delight flautists: Neither flute part is technically very demanding and it is therefore well-suited as easy teaching material. The dedication ?for friend Degenharth? (a lawyer amongst Beethoven?s close circle of friends) leaves open whether it was commissioned or a gift. The work was not published during Beethoven?s lifetime, but the autograph has survived. This edition follows the musical text in the Beethoven Complete Edition and offers Urtext in customary Henle quality.

DKK 133.00
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Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Following the enthusiastic reception of his first Violin Sonata (HN980), it was clear to Fauré that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as the slow movement for a sonata. However, Fauré gave up the sonata project, instead publishing the piece under the title Élégie. It was so successful that Fauré was urged by the publisher to write further pieces. The conductor Édouard Colonne commissioned a version of the Élégie for orchestra in 1895, which was premièred two years later. As usual, our Urtext edition contains both a marked and an unmarked solo part.

DKK 120.00
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Max Reger: Tarantella And Album Leaf

Max Reger: Tarantella And Album Leaf

It is little known that alongside his three great sonatas for Clarinet and Piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer’s express desire to reach a wider public with smaller works such as these that were to be published in music journals. This Henle single edition (taken from the volume of all of Reger ’s sonatas and pieces HN 909, also edited by Michael Kube ) meets this wish today: its effervescent Tarantella and the Albumblatt that is full of nuances provide clarinettists and pianists with an easy introduction to Max Reger ’s magical world of sound.

DKK 107.00
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Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

The fact that the three so-called “Hallenser” Sonatas do not all date from Handel’s youth in Halle does not adversely affect their popularity. Since only very little is known about them, and because certain stylistic characteristics suggest an early composition date, the sonatas were formerly assigned to Handel’s Halle years. However, we now know that at least the e minor Sonata was written in London. We include a combined part for Flute/Basso in this Urtext edition, so that both players flautist and accompanist can play from this musical text. We are also offering, in addition to the thoroughbass figuring, a historically-appropriate thoroughbass realization withinthe score.

DKK 218.00
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Ludwig Van Beethoven: Seven Bagatelles Op. 33

Ludwig Van Beethoven: Seven Bagatelles Op. 33

The autograph of Beethoven’s Bagatellen op. 33 mentions the year 1782 in its title. The date, and the fact that Beethoven amended it, have led to a number of speculations concerning the time of its genesis. What is certain is that the seven pieces were not completed until about the end of 1802. Beethoven seems to have compiled several earlier pieces, revised them one last time, then gave them to the publishers. The first edition was issued in May 1803 and today’s pianists are still just as enthusiastic about these little gems as they are about many of Beethoven’s other major or minor masterpieces.

DKK 111.00
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Gabriel Fauré: Fantaisie Op. 79 And Morceau De Lecture For Flute And Piano

Gabriel Fauré: Fantaisie Op. 79 And Morceau De Lecture For Flute And Piano

Fauré ’s exquisite Fantaisie is one of the jewels in chamber music for which we are indebted to his time at the Paris Conservatoire. The Flute professor there, Paul Taffanel, had asked his colleague for a virtuoso examination piece. Fauré presented him with the manuscript in 1898 with the explicit indication “to modify unplayable passages” before using it in the exam. As the autograph score no longer exists, we do not know what and how much Taffanel might have changed; however, the result is a brilliant recital piece. In this Henle edition they have added a little Adagio without opus number that Fauré also composed in 1898 for the exams at the Conservatoire as a sight-reading piece.

DKK 175.00
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Franz Joseph Haydn: Streichquartette Op.20 (Urtext Score)

Franz Joseph Haydn: Streichquartette Op.20 (Urtext Score)

Joseph Haydn's String Quartets Op.20 were composed in 1772 according to the date of the autographs. They are the last group in the series of string quartets with the opus numbers 9, 17, 20, composed a long time after the early string quartets, in the years around 1770. Following these compositions, several years were to pass before once again before Haydn wrote his next string quartets for a long while following completion of Op.20 does not necessarily imply that he was having a 'crisis'; it might have had to do with the increasing load on Haydn occasioned by the regular performances at the Eszterhaza opera house, leaving him with little time for other activities.

DKK 260.00
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