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Malcolm Arnold: Symphony No.9 Op.128 (Study Score)

Malcolm Arnold's Symphony No.9 was competed on 5th September 1986 at Wymondham, Norfolk and is dedicated to Anthony John Day. It was first performed on 20th January 1992 in Studio 7 at BBC Manchester by the BBc Philharmonic Orchestra under the direction of Sir Charles Groves. Study Score edition.

Grieg 9 Pieces Organ

Ballad (Lyric Pieces, Book 8, Op.65)Elegie (Lyric Pieces, Book 4, Op. 47)Gavotte (Holberg Suite, Op. 40)Gratitude (Lyric Pieces, Book 7, Op. 62)In My Native Country (Lyric Pieces, Book 3, Op.43)Peasant's Song (Lyric Pieces, Book 8, Op.65)Sarabande (Holberg Suite, Op.40)The Death Of Ase (Peer Gynt, Op.46)

Village Organist Book 9

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs, but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want, so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple, without being uninteresting, and effective where the instrumental resources are limited.

Samuel Wesley: Three Short Pieces (Organ)

Pieces nos. 6, 8 and 9 from Twelve Short Pieces. Prelude; Air; Gavotte.

Novello Manuscript Book 9: A4

12 staves per page. 100 page pad.

J.S. Bach: Organ Works Book 9

Toccata in C major (564), Prelude and 'Fiddle' Fugue in D minor (539), 'Great' Prelude and Fugue in C major (547), Fantasia in G major (572), Toccata and Fugue in F major (540). Edited by Sir Frederick Bridge and James Higgs.

Joseph Rheinberger: Monologues Nos.7-9 Organ

Daniel Rollison: Oculus Non Vidit

Oculus Non Vidit is a work for Unaccompanied SATB chorus by Daniel Rollison , a setting of 1 Corinthians 2:9. Please note that the lyrics are in Latin.

Aulis Sallinen: Variazioni Per Organo

Variazioni Per Organo is a work by Aulis Sallinen for Solo Organ, commissioned by the Crusell Music Festival, where the premiere took place. The piece lasts around 9 minutes.

Tarik O'Regan: Now Fatal Change

Now Fatal Change by Tarik O'Regan. 5 short duets for countertenor and violin.First performance by Ryland Angel and Lara St John on 28 December 2012, Trinity Wall Street, New York, USA.Duration: ca. 9 minutes

Joseph Rheinberger: Twelve Pieces Op174 Nos.9&10 Organ

Mozart, Wa Ten Celebrated String Quartets No.9 Parts (K.589)

Richard Rodney Bennett: A History Of The The Dansant

Bennett 'A History Of The The Dansant' arranged for Mezzo Soprano and Piano. Commissioned for the twenty first anniversary of the Burnham Market Concerts. This work is a setting of poems by M R Peacocke, taken from 'Selves' (Peterloo Poets (1995). Duration 9 minutes.

Joseph Rheinberger: Twelve Characteristic Pieces Book 3 Nos.7-9 Op156 Organ

Smart 12 Short And Easy Pieces In Various Styles Nos.9-12

Daniel Rollison: Adiuva Nos, Deus Salutaris Noster

Adiuva Nos, Deus Salutaris Noster is a work by Daniel Rollison for Upper Voices and Organ Accompaniment. A setting of Psalm 78:9 in Vulgate, the piece was premiered on 13th February 2016 at St Peter's, Eaton Square, London, by the Elysian Singers of London. The work lasts around 4 minutes.

G.F. Handel (Ed. Graydon Beeks): O Praise The Lord With One Consent

In this new publication in the Novello Handel Edition under the general editorship of Donald Burrows, Graydon Beeks has prepared the first modern performing edition to have examined all known sources of Handel's ever popular so-called Chandos Anthem No. 9 HWV 254, written between 1717 and 1719 for his patron Earl of Carnarvon.

Innocence And Experience

Innocence and Experience takes its texts from Songs of Innocence and of Experience, an illustrated collection of poems by William Blake, which was first published in two volumes in 1789 and 1794. Each composer (Sally Beamish, Charlotte Bray, Anna Meredith, Thea Musgrave) has set one song of innocence and one of experience.First performed as part of the Aldeburgh Festival on 9 June 2013 at Orford Church, Suffolk by the New London Children?s Choir, directed by Ronald Corp.

Charlotte Bray: On The Green - For Upper Voices And Piano

Charlotte Bray 's On The Green was comissioned in 2013 by the Royal Philharmonic Society and Britten-Pears Foundation to celebrate the centenary of the birth of the composer Benjamin Britten and the bicentenary of the Royal Philharmonic Society. The piece was first performed as part of the Aldeburgh Festival on 9 June 2013 at Orford Church, Suffolk by the New London Children?s Choir directed by Ronald Corp. Scored for SSA with Piano accompaniment, On The Green incorporates words by the English romantic poet William Blake.

Geoffrey Bush: Rhapsody For Clarinet And Strings (Clarinet/Piano)

Composed in 1940, Geoffrey Bush ’s Rhapsody For Clarinet And Strings  has been transcribed here for Clarinet and Piano and is a great addition to the repertoire of both clarinettists and pianists. While enhancing cooperative skills between musicians, it also presents plenty of opportunities for the soloist to show off their talent. Duration ca. 9 minutes. Geoffrey Bush  was a British composer, organist and scholar of 20th-century English music. His compositions include 5 operas, 2 symphonies, choral pieces such as his Christmas Cantata and many songs, generally in the lieder style.

The Tallis Psalter: Psalms And Anthems

The Tallis Psalter comprises a collection of Tallis's 9 tunes for Archbishop Parker's Psalter, preces and responses, the Magnificat and Nunc dimittis (Dorian Service) and a number of easily learnable anthems, all by Tallis. David Skinner is one of the leading scholars in editing music of this period, and this book will be attractive to choirs looking for easily performable and new versions of Tallis choral works."I was delighted to see this neat little book cataining the English church music, expressing the simplicity of the needs of the reformed church and the needs of current Anglican choirs." - Clifford Bartlett, Early Music Review

Thea Musgrave: Nurse's Songs

Nurse's Songs was originally written as part of a volume entitled Innocence and Experience, which takes its texts from Songs of Innocence and of Experience, an illustrated collection of poems by William Blake first published in two volumes in 1789 and 1794. The book also includes music by Sally Beamish, Charlotte Bray and Anna Meredith, with each composer setting one song of innocence and one of experience. The full publication, written for upper voices and piano, is available on sale (NOV293799). First performed as part of the Aldeburgh Festival on 9 June 2013 at Orford Church, Suffolk by the New London Children?s Choir, directed by Ronald Corp.Duration: circa 5 minutes

William Boyce: Te Deum And Jubilate In C

William Boyce ’s Te Deum And Jubilate In C was written for four Voices (SATB) with Bass continuo (Piano) accompaniment and first published in 1790. The lyrics of the two sacred pieces are both in English translation – an early Christian hymn of praise ( Te Deum ) and Psalm 100 ( Jubilate ). As morning canticles they are usually sung at Morning Prayer in the Anglican tradition. Duration, if performed together, is approximately 6:15 minutes. William Boyce is widely regarded as one of the most important English-born composers of the 18th century, however he remains little-performed today. The beauty of his sacred compositions is proof of his lifelong involvement with various aspects of Church music (as a choirboy, organist and composer) since the age of 9.

Ian Venables: Rhapsody Op.25 - 'In Memoriam Herbert Howells'

This solo Organ work, written in 2009 and dedicated to the memory of the great 20th Century English church composer, Herbert Howells, has been received with high critical acclaim by both Organ specialists and general music lovers.Although he captures a glimpse of Howells' middle period style and intense harmonic language, Venables manages not to stoop to pastiche, treading his own distinct path and producing a noble and poetic piece which would not be out of place as the centerpiece of any concert programme.It was used for this purpose to great effect in Ian Tracey's recital marking the 76th anniversary of the great Liverpool Cathedral Organ, which also showed its special suitability for performance on powerful cathedral-type instruments.Also performed successfully by Adrian Lucas.Approx. 9 minutes in length.

G.F. Handel: For Unto Us A Child Is Born (Oboe 1 Part)

The magnificent interweaving of harmonies and dialogue-like Voices in Handel ’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born, British Baroque composer George Frideric Handel originally composed this piece in 1741, for the English-language oratorio Messiah, which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio, which addresses Isaiah's specific prophecy about the virgin birth of a Messiah, For Unto Us A Child Is Born tells the news of Christmas, the birth of a son, in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate, familiar theme is introduced by the Sopranos and taken up by their counter-voices, the Tenors, later the same dialog is given over to the Altos and Basses. The tutti culminates in "Wonderful", "Counselor", "The Mighty God", "The Everlasting Father" and "The Prince of Peace".