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Carl Maria Von Weber: The Huntsmen's Chorus (Der Freischutz)

Carl Maria Von Weber: The Huntsmen's Chorus (Der Freischutz)

This short chorus is taken from the Romantic Opera Der Freischutz (The Marksman). The story concerns a young brave huntsman called Max, and the full [production features the well-known Huntsmen's Chorus sung by his band of men throughout Bohemian woods.Both the composition and the story are prototypical examples Romantic Opera-writing. In this single-sheet version the chorus has been arranged for the upper or female voices by McNaught, and is presented in both vocal score and Tonic Sol-Fa.

DKK 58.00
1

George Frideric Handel: 'Hallelujah' Chorus SATB/Organ (New Engraving)

George Frideric Handel: 'Hallelujah' Chorus SATB/Organ (New Engraving)

The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah.Such is the strength of Handel's word setting that this empathic, triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected, remaining a firm favourite with choirs.The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event, held in aid of local causes, and in order to get the maximum attendance at Neale's new music hall in Fishamble Street, men were asked to remove their swords, and ladies the hoops in their dresses.The tradition of standing during performances of the 'Hallelujah' Chorus, still indulged at some performances in Britains, is said to have been started by King George II at the work's opening run in London in 1743.

DKK 70.00
1

Thiman: Who Is Sylvia? for SATB Chorus

Thiman: Who Is Sylvia? for SATB Chorus

Who Is Sylvia? is a song from Shakespeare's play Two Gentlemen Of Verona . It has been set to music here for SATB chorus, and is presented with a Piano reduction for rehearsal purposes. Eric Thiman (1900-1975) was a British composer and organist. He taught at the Royal Academy of Music and at the University of London, and was organist at the City Temple in London for many years. He wrote over a thousand works, of which several hundred were published during his lifetime, mostly anthems, chorales and chamber works. About half of his Organ music was based on British hymn tunes.

DKK 70.00
1

Elgar: Litany for SATB Chorus with Organ or Piano acc.

Elgar: Litany for SATB Chorus with Organ or Piano acc.

Litany  is the first chorus from Edward Elgar ’s ‘The Dream of Gerontius’, scored for SATB Voices and Organ or Piano accompaniment in this Novello edition. The Dream of Gerontius, Op. 38, is a work for Voices and orchestra in two parts composed by Edward Elgar  in 1900, to text from the poem by John Henry Newman. It relates the journey of a pious man's soul from his deathbed to his judgment before God and settling into Purgatory. Litany  is sung by the chorus (‘Assistants’) after Gerontius’ deathbed prayer. Elgar  disapproved of the use of the term "oratorio" for the work, though his wishes are not always followed. The piece is widely regarded as  Elgar 's finest choral work, and some consider it his masterpiece. Sir Edward Elgar  was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for Violin and Cello, and two symphonies. He was appointed Master of the King's Musick in 1924.

DKK 58.00
1

Bairstow: I Will Greatly Rejoice for SATB Chorus

Bairstow: I Will Greatly Rejoice for SATB Chorus

I will greatly rejoice is an anthem for harvest, first published in 1913. It is scored for SATB chorus with Organ accompaniment, and sets a passage from the book of Isaiah, which describes how the prophet rejoices in a successful harvest. Edward Bairstow (1874-1946) was a British composer, organist and conductor. He studied under Frederick Bridge at Westminster Abbey, and later became Organist at York Minster and Professor of Music at the University of Durham. He is best remembered for his settings of the Anglican liturgy, as well as anthems such as Blessed City, Heavenly Salem and Let All Mortal Flesh Keep Silence .

DKK 58.00
1

Geoffrey Bush: Music When Soft Voices Die for SATB Chorus

Geoffrey Bush: Music When Soft Voices Die for SATB Chorus

Music, When Soft Voices Die  is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London. The poem is one of the most anthologised, influential, and well-known of Shelley's works. Many composers and musicians have set the poem to music with vocal accompaniment.The excellent version for SATB Chorus with Piano accompaniment composed by  Geoffrey Bush  is now available as part of the Elkin Choral Series. Geoffrey Bush  was a British composer, organist and scholar of 20th-century English music. His compositions include 5 operas, 2 symphonies, choral pieces such as his Christmas Cantata and many songs, generally in the lieder style.

DKK 54.00
1

Graham Ross: Drop, Drop, Slow Tears - For SATB Divisi Chorus Unaccompanied

Graham Ross: Drop, Drop, Slow Tears - For SATB Divisi Chorus Unaccompanied

Drop, Drop, Slow Tears is a choral piece for unaccompanied SATB (Soprano/Alto/Tenor/Bass) chorus composed by Graham Ross in 2003. First performed by the Royal College of Music Junior Chamber Choir, Drop, Drop, Slow Tears is an updated choral setting of a 17th century poem by Phineas Fletcher. Graham Ross is an acclaimed composer and director, who takes great pleasure in reviving forgotten or lesser-known works for a contemporary audience. The sheet music for this piece provides the parts for Soprano, Alto, Tenor and Bass voices, as well as a Piano accompaniment for rehearsal purposes. Drop, Drop, Slow Tears is a divine choral piece, with beautifully poetic lyrics set to glorious harmonies. Your audiences will love the gorgeous melody of Graham Ross 's expert composition.

DKK 70.00
1