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The Thin Red Line - Julian Spilsbury - Bog - Orion Publishing Co - Plusbog.dk

Clay - Jennifer Lucy Allan - Bog - Orion Publishing Co - Plusbog.dk

No Holding Back - Michael Holding - Bog - Orion Publishing Co - Plusbog.dk

No Holding Back - Michael Holding - Bog - Orion Publishing Co - Plusbog.dk

The autobiography of West Indies fast-bowling legend turned Sky pundit, Michael Holding, author of the award-winning Why We Kneel, How We Rise As one of the fastest bowlers the world has seen, Michael Holding went by the haunting nickname ''Whispering Death'', claiming 249 Test wickets. Despite having not laced his bowling boots since 1989, it remains a fitting sobriquet. As a commentator and administrator, Holding has delivered his views on cricket in the same manner that he played the game: he speaks softly with a rich Jamaican rhythm and is calculated in either criticism or compliment. NO HOLDING BACK charts his effortless transition from one of the great players to one of the great pundits. Holding graphically describes his days as a player, looking back at how he tried to deliberately hurt batsmen on the wastelands of Kingston, and his first match for Jamaica when he almost collapsed from exhaustion - after only four overs! There is time, too, to divulge what it was like to tour with the West Indies, and unmissable insights about sharing a dressing room with other legends of the game like Clive Lloyd, Sir Viv Richards and Malcolm Marshall. Holding does not shirk the big issues, as he discusses how the West Indies have slipped following their halcyon days, openly assesses Brian Lara and laments the hypocrisy over the state of the game in the region. The controversy surrounding the Allen Stanford $20m spectacle, the ICC''s handling of the abandoned England v Pakistan match, player power, illegal bowling actions and the threat of Twenty20 to the Test game are all subjects which Holding tackles with characteristic knowledge and class.

DKK 126.00
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Istanbul - Bettany Hughes - Bog - Orion Publishing Co - Plusbog.dk

Istanbul - Bettany Hughes - Bog - Orion Publishing Co - Plusbog.dk

THE SUNDAY TIMES BESTSELLER''Life-filled and life-affirming history, steeped in romance and written with verve'' GUARDIAN ''Richly entertaining and impeccably researched'' Peter FrankopanIstanbul has always been a place where stories and histories collide and crackle, where the idea is as potent as the historical fact. From the Qu''ran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, and overspills its boundaries - real and imagined. Standing as the gateway between the East and West, it has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. For much of its history it was known simply as The City, but, as Bettany Hughes reveals, Istanbul is not just a city, but a story. In this epic new biography, Hughes takes us on a dazzling historical journey through the many incarnations of one of the world''s greatest cities. As the longest-lived political entity in Europe, over the last 6,000 years Istanbul has absorbed a mosaic of micro-cities and cultures all gathering around the core. At the latest count archaeologists have measured forty-two human habitation layers. Phoenicians, Genoese, Venetians, Jews, Vikings, Azeris all called a patch of this earth their home. Based on meticulous research and new archaeological evidence, this captivating portrait of the momentous life of Istanbul is visceral, immediate and scholarly narrative history at its finest.

DKK 136.00
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White Tears Brown Scars - Ruby Hamad - Bog - Orion Publishing Co - Plusbog.dk

White Tears Brown Scars - Ruby Hamad - Bog - Orion Publishing Co - Plusbog.dk

''P owerful and provocative'' - Dr. Ibram X. Kendi, author of the Sunday Times bestselling How to be an Antiracist '' A MUST read for any white women who consider themselves "feminist"'' - Scarlett Curtis, author of the Sunday Times bestselling Feminists Don''t Wear Pink ''An explosive and revelatory argument for deconstructing and confronting the entrenched notions of white supremacy and superiority that still reign today.'' - Mireille Harper ''How is it that we have been so conditioned to privilege the emotional comfort of white people?''White tears possess a potency that is rarely acknowledged or commented upon, but they have long been used as a dangerous and insidious tool against people of colour, weaponised in order to invoke sympathy and divert blame. Taking us from the slave era, when white women fought in court to keep ''ownership'' of their slaves, through centuries of colonialism, when women offered a soft face for brutal tactics, to the modern workplace, in which tears serve as a defense to counter accusations of bias and micro-aggressions, White Tears/Brown Scars tells a charged story of white women''s active participation in campaigns of oppression. It offers a long-overdue validation of the experiences of women of colour and an urgent call-to-arms in the need for true intersectionality.With rigour and precision, Hamad builds a powerful argument about the legacy of white superiority that we are socialised within, a reality that we must all apprehend in order to fight.

DKK 120.00
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Clay - Jennifer Lucy Allan - Bog - Orion Publishing Co - Plusbog.dk

Clay - Jennifer Lucy Allan - Bog - Orion Publishing Co - Plusbog.dk

''Clay contains infinite possibilities in its transmutations, evidenced on the shelves of our homes, our galleries and museums. Every time we make something with clay, we engage with the timelines that are in the material itself, whether it was dug from a clifftop, riverbed or pit. In firing what we make, we bestow the material with function, meaning, or feeling, and anchor its form in a human present... Objects made from clay contain marks of our existence that collectively tell the story of human history more completely than any other material. There is a reason there are so many pots in museums: because fired clay is one of the most effective keepers of stories we have.'' This book is a love letter to clay, the material that is at the beginning, middle and end of all of our lives; that contains within it the eternal, the elemental, and the everyday.People have been taking handfuls of earth and forming them into their own image since human history began. Human forms are found everywhere there was a ceramic tradition, and there is a ceramic tradition everywhere there was human activity. The clay these figures are made from was formed in deep geological time. It is the material that God, cast as the potter, uses to form Adam in Genesis. Tomb paintings in Egypt show the god Khnum at a potter''s wheel, throwing a human. Humans first recorded our own history on clay tablets, the shape of the characters influenced by the clay itself. The first love poem was inscribed in a clay tablet, from a Sumerian bride to her king more than 4000 years ago. Born out of a desire to know and understand the mysteries of this material, the spiritual and practical applications of clay in both its micro and macro histories, Clay: A Human History is a book of wonder and insight, a hybrid of archaeology, history and lived experience as an amateur potter.

DKK 192.00
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