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Solutions for Singers - Richard Miller - Bog - Oxford University Press Inc - Plusbog.dk

Modern Latin America - Peter (professor Of Political Science Smith - Bog - Oxford University Press Inc - Plusbog.dk

Diakonia Re-Interpreting the Ancient Sources - John N Collins - Bog - Oxford University Press Inc - Plusbog.dk

Prostitution, Sexuality, and the Law in Ancient Rome - Thomas A. J. Mcginn - Bog - Oxford University Press Inc - Plusbog.dk

Inventing the Feeble Mind - James Trent - Bog - Oxford University Press Inc - Plusbog.dk

Latter-day Saint Art - - Bog - Oxford University Press Inc - Plusbog.dk

Latter-day Saint Art - - Bog - Oxford University Press Inc - Plusbog.dk

The first expert critical treatment of Mormon visual art, featuring over 200 high-quality color illustrationsNearly every major religion has a significant artistic tradition, and religion''s relationship with art--sometimes inspirational, sometimes antagonistic, often complex--has generated a substantial body of writing stretching back centuries. In its nearly two centuries of existence, the Church of Jesus Christ of Latter-day Saints has produced, inspired, and provoked a wide range of artistic responses. Yet that artistic output has not generated a commensurate amount of critical examination. Latter-day Saint Art: A Critical Reader seeks to fill a substantial gap by providing a comprehensive examination of the visual art of the Latter-day Saints from the nineteenth century to the present. It defines Mormon art broadly as art by, for, or about Mormons, including work by artists who share a Latter-day Saint identity and by those with no personal attachment who have responded artistically to Mormonism. The volume includes twenty-two essays by scholars from various disciplines, perspectives, and backgrounds who offer rigorous research and analysis of Latter-day Saint artistic production and culture alongside elegant reproductions of more than 200 works of Mormon art, including panorama paintings, quilts, architecture, sculpture, and cartoons, to film, gallery installations, indigenous works and more. Latter-day Saint Art: A Critical Reader explores Mormon visual art in unprecedented breadth and depth.

DKK 410.00
1

Gambling with Violence - Yelena Biberman - Bog - Oxford University Press Inc - Plusbog.dk

The Great White Flood: Racism in Australia - Anne Pattel Gray - Bog - Oxford University Press Inc - Plusbog.dk

Workbook to Accompany The Complete Musician - Steven (associate Professor Laitz - Bog - Oxford University Press Inc - Plusbog.dk

Workbook to Accompany The Complete Musician - Steven (associate Professor Laitz - Bog - Oxford University Press Inc - Plusbog.dk

Recognition of Belligerency and the Law of Armed Conflict - Robert Mclaughlin - Bog - Oxford University Press Inc - Plusbog.dk

Patterns of East Asian History - Charles A. Desnoyers - Bog - Oxford University Press Inc - Plusbog.dk

Gambling with Violence - Yelena (assistant Professor Of Political Science Biberman - Bog - Oxford University Press Inc - Plusbog.dk

The Ethics of Biomedical Research - Baruch A. Brody - Bog - Oxford University Press Inc - Plusbog.dk

Shotoku - Michael I. Como - Bog - Oxford University Press Inc - Plusbog.dk

Mobilizing the Marginalized - Amit Ahuja - Bog - Oxford University Press Inc - Plusbog.dk

Mobilizing the Marginalized - Amit Ahuja - Bog - Oxford University Press Inc - Plusbog.dk

The Twentysomething Soul - Kathleen (professor Of Religious Studies Garces Foley - Bog - Oxford University Press Inc - Plusbog.dk

Sex and the Origins of Death - William R. Clark - Bog - Oxford University Press Inc - Plusbog.dk

Sex and the Origins of Death - William R. Clark - Bog - Oxford University Press Inc - Plusbog.dk

Death, for bacteria, is not inevitable. Protect a bacterium from predators, and provide it with adequate food and space to grow, and it would continue living--and reproducing asexually--forever. But a paramecium (a slightly more advanced single-cell organism), under the same ideal conditions, would stop dividing after about 200 generations--and die. Death, for paramecia and their offspring, is inevitable. Unless they have sex. If at any point during that 200 or so generations, two of the progeny of our paramecium have sex, their clock will be reset to zero. They and their progeny are granted another 200 generations. Those who fail to have sex eventually die. Immortality for bacteria is automatic; for all other living beings--including humans--immortality depends on having sex. But why is this so? Why must death be inevitable? And what is the connection between death and sexual reproduction? In Sex and the Origins of Death, William R. Clark looks at life and death at the level of the cell, as he addresses such profound questions as why we age, why death exists, and why death and sex go hand in hand. Clark reveals that there are in fact two kinds of cell death--accidental death, caused by extreme cold or heat, starvation, or physical destruction, and "programmed cell death," initiated by codes embedded in our DNA. (Bacteria have no such codes.) We learn that every cell in our body has a self-destruct program embedded into it and that cell suicide is in fact a fairly commonplace event. We also discover that virtually every aspect of a cell''s life is regulated by its DNA, including its own death, that the span of life is genetically determined (identical twins on average die 36 months apart, randomly selected siblings 106 months apart), that human tissue in culture will divide some 50 times and then die (an important exception being tumor cells, which divide indefinitely). But why do our cells have such programs? Why must we die? To shed light on this question, Clark reaches far back in evolutionary history, to the moment when "inevitable death" (death from ageing) first appeared. For cells during the first billion years, death, when it occurred, was accidental; there was nothing programmed into them that said they must die. But fierce competition gradually led to multicellular animals--size being an advantage against predators--and with this change came cell specialization and, most important, germ cells in which reproductive DNA was segregated. When sexual reproduction evolved, it became the dominant form of reproduction on the planet, in part because mixing DNA from two individuals corrects errors that have crept into the code. But this improved DNA made DNA in the other (somatic) cells not only superfluous, but dangerous, because somatic DNA might harbour mutations. Nature''s solution to this danger, Clark concludes, was programmed death--the somatic cells must die. Unfortunately, we are the somatic cells. Death is necessary to exploit to the fullest the advantages of sexual reproduction. In Sex and the Origins of Death, William Clark ranges far and wide over fascinating terrain. Whether describing a 62-year-old man having a major heart attack (and how his myocardial cells rupture and die), or discussing curious life-forms that defy any definition of life (including bacterial spores, which can regenerate after decades of inactivity, and viruses, which are nothing more than DNA or RNA wrapped in protein), this brilliant, profound volume illuminates the miraculous workings of life at its most elemental level and finds in these tiny spaces the answers to some of our largest questions.

DKK 191.00
1

Form as Harmony in Rock Music - Drew (assistant Professor Of Music Theory Nobile - Bog - Oxford University Press Inc - Plusbog.dk

Involuntary Movements - Mark Hallett - Bog - Oxford University Press Inc - Plusbog.dk

When Men Murder Women - Russell P. (emeritus Professor Of Criminology Dobash - Bog - Oxford University Press Inc - Plusbog.dk

Playing Beyond the Notes - Deborah Rambo Sinn - Bog - Oxford University Press Inc - Plusbog.dk

The Art of Cinematic Storytelling - Kelly Gordon Brine - Bog - Oxford University Press Inc - Plusbog.dk