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The Oxford Handbook of Interactive Audio - - Bog - Oxford University Press Inc - Plusbog.dk

The Oxford Handbook of Interactive Audio - - Bog - Oxford University Press Inc - Plusbog.dk

As audiences are increasingly no longer solely listeners but also active producer-consumers, and as video games and other interactive systems increasingly permeate our daily lives, understanding interactivity and its impact on the audience has never been more important. A collection of newly commissioned chapters on interactivity in music and sound edited by preeminent scholars in the field, this book marks the beginning of a journey into understanding the ways in which we interact with sound, and offers a new set of analytical tools for the growing field of interactive audio. What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What makes interactive audio different from non-interactive audio? Where does interacting with audio fit into our understanding of sound and music? What does the future hold for interactive media when it comes to our musical and sonic experiences? And how do we begin to approach interactive audio from a theoretical perspective? The Oxford Handbook of Interactive Audio answers these questions by exploring the full range of interactive audio in video games, performance, education, environmental design, toys, and artistic practice. Examining these questions from a range of approaches -- technological, emotional, psychological, and physical -- the book provides a thorough overview of the fascinating experience of interactive sound.

DKK 513.00
3

Audio Production Principles - Stephane (lecturer Elmosnino - Bog - Oxford University Press Inc - Plusbog.dk

Audio Production Principles - Stephane (lecturer Elmosnino - Bog - Oxford University Press Inc - Plusbog.dk

With this all-in-one manual, students and teachers have an easy-to-read reference that provides a reliable and current rundown of the world of sound production, from planning a recording session to mastering the final product. Organized by four main topics - pre-production, recording various instruments, mixing theories and tools, and mastering - Audio Production Principles follows the actual flow of instruction given over the course of a student''s tenure. Chapters address etiquette and basic operations for any recording session written in useful, tutorial style language, providing guidelines for beginner audio engineers on topics including pre-production, equipment selection, and mixing tips by instrument. Jumpstarting the mastering process, lessons delve into features unique to specific tools and techniques. All sections offer instructional scenarios of studio setups, asking students to brainstorm the best production technique for each situation. These exercises also help teachers generate new ideas for instruction and production projects of their own.

DKK 469.00
3

Recording on a Budget - Brent Edstrom - Bog - Oxford University Press Inc - Plusbog.dk

Recording on a Budget - Brent Edstrom - Bog - Oxford University Press Inc - Plusbog.dk

Audio recordings are the calling card with which musicians share and promote their work so a knowledge of recording techniques and technologies is essential to the 21st century musician. Recording On a Budget provides a comprehensive introduction to the recording arts from a budget-conscious perspective. Written by a professional musician and educator, this book is idea for musicians, educators, music students, songwriters and hobbyists. A central theme of the book is that it is possible to make quality recordings with a modest selection of recording tools. Chapters cover the selection and use of all of the components of a project studio including microphones, mixer, computer, digital audio workstation software, and signal processors. Additional chapters provide a solid foundation in acoustics, audio recording, podcasting, mixing and mastering. The final chapter of the book features do-it-yourself projects that can be completed with a modest selection of tools. Most musicians have developed their ears to a high level so a special focus is placed on the development of recording technique through experimentation and the application of critical listening skills. The book is supported by an online resource of nearly 250 audio excerpts detailing all of the primary topics of the book. Recording on a Budget is ideal for:· Musicians who are interested in recording a quality CD or demo· Choir, orchestra, and band directors who want to record vocal or instrumental ensemble· Student performers and composers who wish to record a performance or produce their own music· Bands interested in recording live concerts or recording an album in a home studio· Videographers interested in recording location sound, voice-overs or music· Songwriters who wish to produce a quality demo· Podcasters and ALL who want to make quality recordings without spending fortunes on equipment.Readers will learn · to cut budget corners without sacrificing audio quality· to choose the right microphone for the job (and where to place it) · to assemble an equipment rack, mixing desk, and speakers stand· to avoid common mistakes · And to be creative and have fun with recording technology Visit the companion website at www.oup.com/us/recordingonabudget for free selection of sample recordings!

DKK 271.00
3

Recording on a Budget - Brent Edstrom - Bog - Oxford University Press Inc - Plusbog.dk

Recording on a Budget - Brent Edstrom - Bog - Oxford University Press Inc - Plusbog.dk

Audio recordings are the calling card with which musicians share and promote their work so a knowledge of recording techniques and technologies is essential to the 21st century musician. Recording On a Budget provides a comprehensive introduction to the recording arts from a budget-conscious perspective. Written by a professional musician and educator, this book is idea for musicians, educators, music students, songwriters and hobbyists. A central theme of the book is that it is possible to make quality recordings with a modest selection of recording tools. Chapters cover the selection and use of all of the components of a project studio including microphones, mixer, computer, digital audio workstation software, and signal processors. Additional chapters provide a solid foundation in acoustics, audio recording, podcasting, mixing and mastering. The final chapter of the book features do-it-yourself projects that can be completed with a modest selection of tools. Most musicians have developed their ears to a high level so a special focus is placed on the development of recording technique through experimentation and the application of critical listening skills. The book is supported by an online resource of nearly 250 audio excerpts detailing all of the primary topics of the book. Recording on a Budget is ideal for:· Musicians who are interested in recording a quality CD or demo· Choir, orchestra, and band directors who want to record vocal or instrumental ensemble· Student performers and composers who wish to record a performance or produce their own music· Bands interested in recording live concerts or recording an album in a home studio· Videographers interested in recording location sound, voice-overs or music· Songwriters who wish to produce a quality demo· Podcasters and ALL who want to make quality recordings without spending fortunes on equipment.Readers will learn · to cut budget corners without sacrificing audio quality· to choose the right microphone for the job (and where to place it) · to assemble an equipment rack, mixing desk, and speakers stand· to avoid common mistakes · And to be creative and have fun with recording technology Visit the companion website at www.oup.com/us/recordingonabudget for free selection of sample recordings!

DKK 1000.00
3

The Art of Digital Audio Recording - Steve Savage - Bog - Oxford University Press Inc - Plusbog.dk

The Art of Digital Audio Recording - Steve Savage - Bog - Oxford University Press Inc - Plusbog.dk

Making great audio recordings requires striking the right balance between technical know-how and practical understanding of recording sessions. Even in the digital age, some of the most important aspects of creating and recording music are non-technical and, as a result, are often overlooked by traditional recording manuals. The Art of Digital Audio Recording teaches readers what they really need to know in order to make great sound recordings with computers - both the practical and the technical information, including:BL What to look and listen for in a recording environmentBL Straightforward advice on recording almost any instrumentBL Essentials of digital audio workstationsBL Essentials of recording gear: microphones, mixers, and speakersBL Fundamentals of understanding and applying EQ, compression, delay, and reverbBL Secrets to running creative recording sessionsBL Practical application of digital editing, mixing, and masteringA special section identifies solutions to the most common challenges in the recording studio, and the book also features an addendum with essential tips and reference information including:BL How to walk into a commercial studio and be the engineerBL Researching and buying gear: Internet vs. brick and mortarBL Digital formats: A handy referenceAs a whole, The Art of Digital Audio Recording is an essential resource that gives recordists the tools they need to let technical understanding serve greater musical goals.

DKK 475.00
3

The Art of Digital Audio Recording - Steve Savage - Bog - Oxford University Press Inc - Plusbog.dk

The Art of Digital Audio Recording - Steve Savage - Bog - Oxford University Press Inc - Plusbog.dk

Making great audio recordings requires striking the right balance between technical know-how and practical understanding of recording sessions. Even in the digital age, some of the most important aspects of creating and recording music are non-technical and, as a result, are often overlooked by traditional recording manuals. The Art of Digital Audio Recording teaches readers what they really need to know in order to make great sound recordings with computers - both the practical and the technical information, including:BL What to look and listen for in a recording environmentBL Straightforward advice on recording almost any instrumentBL Essentials of digital audio workstationsBL Essentials of recording gear: microphones, mixers, and speakersBL Fundamentals of understanding and applying EQ, compression, delay, and reverbBL Secrets to running creative recording sessionsBL Practical application of digital editing, mixing, and masteringA special section identifies solutions to the most common challenges in the recording studio, and the book also features an addendum with essential tips and reference information including:BL How to walk into a commercial studio and be the engineerBL Researching and buying gear: Internet vs. brick and mortarBL Digital formats: A handy referenceAs a whole, The Art of Digital Audio Recording is an essential resource that gives recordists the tools they need to let technical understanding serve greater musical goals.

DKK 491.00
3

The Lord's Song in a Strange Land - Jeffrey A. Summit - Bog - Oxford University Press Inc - Plusbog.dk

The Lord's Song in a Strange Land - Jeffrey A. Summit - Bog - Oxford University Press Inc - Plusbog.dk

Across the United States, Jews come together every week to sing and pray in a wide variety of worship communities. Through this music, made by and for ordinary folk, these worshippers define and re-define their relationship to the continuity of Jewish tradition and the realities of American life. Combining oral history with an analysis of recordings, The Lord''s Song in a Strange Land examines this tradition incontemporary Jewish worship and explores the diverse links between the music and both spiritual and cultural identities. Alive with detail, the book focuses on metropolitan Boston and covers the full range of Jewish communities there, from Hasidim to Jewish college students in a transdenominational setting. It documents a remarkably fluid musical tradition, where melodies are often shared, where sources can be as as diverse as Sufi chant, Christmas carols, rock and roll, and Israeli popular music, and where the meaning of a song can change from one block to the next. The Lord''s Song in a Strange Land is the first volume in Oxford''s new American Musicspheres series. Featuring a CD of field recordings for many of the songs discussed, the book will prove an invaluable guide for a wide range of scholars and students of ethnomusicology and religion.

DKK 330.00
3

Cases in Engineering Economy - William R Peterson - Bog - Oxford University Press Inc - Plusbog.dk

Cases in Engineering Economy - William R Peterson - Bog - Oxford University Press Inc - Plusbog.dk

Designed to bring real-world complexity into the classroom, Cases in Engineering Economy provides 54 unique case studies in engineering economy. An ideal supplement to your engineering economic text, this casebook helps students to hone their analytical, logical, and communicative skills. The cases are authored by Ted Eschenbach and William Peterson, with contributions from engineering economy professors from ten different universities.

DKK 468.00
3

Inner Sound - Jonathan (postdoctoral Research Fellow In Computer Music And Arts Weinel - Bog - Oxford University Press Inc - Plusbog.dk

Inner Sound - Jonathan (postdoctoral Research Fellow In Computer Music And Arts Weinel - Bog - Oxford University Press Inc - Plusbog.dk

Over the last century, developments in electronic music and art have enabled new possibilities for creating audio and audio-visual artworks. With this new potential has come the possibility for representing subjective internal conscious states, such as the experience of hallucinations, using digital technology. Combined with immersive technologies such as virtual reality goggles and high-quality loudspeakers, the potential for accurate simulations of conscious encounters such as Altered States of Consciousness (ASCs) is rapidly advancing. In Inner Sound, author Jonathan Weinel traverses the creative influence of ASCs, from Amazonian chicha festivals to the synaesthetic assaults of neon raves; and from an immersive outdoor electroacoustic performance on an Athenian hilltop to a mushroom trip on a tropical island in virtual reality. Beginning with a discussion of consciousness, the book explores how our subjective realities may change during states of dream, psychedelic experience, meditation, and trance. Taking a broad view across a wide range of genres, Inner Sound draws connections between shamanic art and music, and the modern technoshamanism of psychedelic rock, electronic dance music, and electroacoustic music. Going beyond the sonic into the visual, the book also examines the role of altered states in film, visual music, VJ performances, interactive video games, and virtual reality applications. Through the analysis of these examples, Weinel uncovers common mechanisms, and ultimately proposes a conceptual model for Altered States of Consciousness Simulations (ASCSs). This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also examined, ultimately allowing the reader not only to consider the design of ASCSs, but also the implications of their use for digital society.

DKK 410.00
3