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The House of Percy - Bertram Wyatt Brown - Bog - Oxford University Press Inc - Plusbog.dk

The House of Percy - Bertram Wyatt Brown - Bog - Oxford University Press Inc - Plusbog.dk

The novels of Walker Percy--The Moviegoer, Lancelot, The Second Coming, and The Thanatos Syndrome to name a few--have left a permanent mark on twentieth-century Southern fiction; yet the history of the Percy family in America matches anything, perhaps, that he could have created. Two centuries of wealth, literary accomplishment, political leadership, depression, and sometimes suicide established a fascinating legacy that lies behind Walker Percy''s acclaimed prose and profound insight into the human condition. In The House of Percy, Bertram Wyatt-Brown masterfully interprets the life of this gifted family, drawing out the twin themes of an inherited inclination to despondency and an abiding sense of honor. The Percy family roots in Mississippi and Louisiana go back to "Don Carlos" Percy, an eighteenth-century soldier of fortune who amassed a large estate but fell victim to mental disorder and suicide. Wyatt-Brown traces the Percys through the slaveholding heyday of antebellum Natchez, the ravages of the Civil War (which produced the heroic Colonel William Alexander Percy, the "Gray Eagle"), and a return to prominence in the Mississippi Delta after Reconstruction. In addition, the author recovers the tragic lives and literary achievements of several Percy-related women, including Sarah Dorsey, a popular post-Civil War novelist who horrified her relatives by befriending Jefferson Davis--a married man--and bequeathing to him her plantation home, Beauvoir, along with her entire fortune. Wyatt-Brown then chronicles the life of Senator LeRoy Percy, whose climactic re-election loss in 1911 to a racist demagogue deply stung the family pride, but inspired his bold defiance to the Ku Klux Klan in the 1920s. The author goes on to tell the poignant story of poet and war hero Will Percy, the Senator''s son. The weight of this family narrative found expression in Will Percy''s memoirs, Lanterns on the Levee--and in the works of Walker Percy, who was reared in his cousin Will''s Greenville home after the suicidal death of Walker''s father and his mother''s drowning. As the biography of a powerful dynasty, steeped in Sou8thern traditions and claims to kinship with English nobility, The House of Percy shows the interrelationship of legend, depression, and grand achievement. Written by a leading scholar of the South, it weaves together intensive research and thoughtful insights into a riveting, unforgettable story.

DKK 392.00
3

Self-Portrait of Percy Grainger - - Bog - Oxford University Press Inc - Plusbog.dk

Self-Portrait of Percy Grainger - - Bog - Oxford University Press Inc - Plusbog.dk

Shortly before his death, Percy Grainger (1882-1961) lodged over twenty unpublished sketches in his Australian Museum. Self-Portrait of Percy Grainger draws exclusively from these sketches, revealing for the first time an illuminating portrait of the composer''s life. With such titles as "The Aldridge-Grainger-Strom Saga," "Thunks," "Ere-I-Forget," "The Love-Life of Helen and Paris," and "Anecdotes," these manuscripts were intended as precursors to Grainger''s autobiography, My Wretched Tone-Life, which he only commenced in his final years. Expertly shaping these sketches, the editors have created a "self-portrait" along the lines that Grainger himself had intended. The volume first introduces Grainger''s forebears, parents, friends, wife, and himself before moving on to his views on composition, performance, and the musical world. In these sketches, Grainger addresses such topics as racial and national identity, the meaning of work, physical culture, language reform, sexual practice, and artistic patronage. Grainger also probes the nature of musical genius, discussing a broad range of composers including Igor Stravinsky, Thomas Beecham, Frederick Delius, Edvard Grieg, Charles Stanford, Cyril Scott, Fritz Kreisler, Donald Tovey, Ferruccio Busoni, and Balfour Gardiner. Among the works of his own that Grainger most featured are his The Warriors --Music for an Imaginary Ballet, Colonial Song, the Lincolnshire Posy series of band pieces, his greatest "hit" Country Gardens, and his many settings of English folk-music. Written in Grainger''s own self-created "Nordic English" as well as translated from Danish, the language of his most intimate confessions, Self-Portrait of Percy Grainger sheds light on some of the most revealing details of the composer''s life. The sketches trace Grainger''s changing self-perception, from the romantically tinged, even lustful, views of his forties and fifties, through a period of wistfulness in his sixties, to the bitterness and self-loathing of his old age. The volume also includes several of Grainger''s own drawings as well as both public and private photographs. A fascinating and revealing collection of vignettes, this extraordinary book will appeal to instructors, students, and enthusiasts in musicology, music history, cultural studies, and Australian, British, and American history.

DKK 1060.00
3

Diplomacy in a Globalizing World - Geoffrey Wiseman - Bog - Oxford University Press Inc - Plusbog.dk

Shelley's Goddess - Barbara Charlesworth Gelpi - Bog - Oxford University Press Inc - Plusbog.dk

A Century of Sonnets - - Bog - Oxford University Press Inc - Plusbog.dk

A Century of Sonnets - - Bog - Oxford University Press Inc - Plusbog.dk

Medical Visions - Kirsten Ostherr - Bog - Oxford University Press Inc - Plusbog.dk

Medical Visions - Kirsten Ostherr - Bog - Oxford University Press Inc - Plusbog.dk

How do visual images shape the practice of medicine? What role does visual representation play in the cultivation of medical ways of seeing? How might the history of medical imaging technologies help us understand the future of medical media? How has medicine''s visual culture changed in the digital age? Kirsten Ostherr''s ambitious book explores 120 years of medical image-making to explain how visual representations shape medical education and practice. She demonstrates how medical images created by the healthcare industry, documentary filmmakers, experimental artists and the mass media acquire cultural meaning and influence professional and popular understandings of health and disease. Her analysis proceeds chronologically, turning from the earliest experiments with medical filmmaking by the American College of Surgeons, to the place of health films in the "golden age" of instructional film in the 1960s. Ostherr considers the shift to television as the dominant medium of health education, highlighting the evolving status of realism, the techniques employed to bridge the entertainment-education divide, the role of expert consultants and sponsors, and the tradeoffs made by professionals to reach a broad audience. The role of newsmagazines forms a transition between the medical dramas of the 60s, 70s, and 80s (from Frederick Wiseman''s Hospital to Marcus Welby, MD) and more recent reality shows like The Swan and Doctor 90210. Reality-based miniseries (Hopkins, Boston Med) continue the long cycle of comingling between professional and entertainment medicine. The study concludes with an in-depth look at the advertising, moving image, and social media circuits active in the health care setting today, closing with ten key lessons for the future of medical media.

DKK 1136.00
1

Medical Visions - Kirsten Ostherr - Bog - Oxford University Press Inc - Plusbog.dk

Medical Visions - Kirsten Ostherr - Bog - Oxford University Press Inc - Plusbog.dk

How do visual images shape the practice of medicine? What role does visual representation play in the cultivation of medical ways of seeing? How might the history of medical imaging technologies help us understand the future of medical media? How has medicine''s visual culture changed in the digital age? Kirsten Ostherr''s ambitious book explores 120 years of medical image-making to explain how visual representations shape medical education and practice. She demonstrates how medical images created by the healthcare industry, documentary filmmakers, experimental artists and the mass media acquire cultural meaning and influence professional and popular understandings of health and disease. Her analysis proceeds chronologically, turning from the earliest experiments with medical filmmaking by the American College of Surgeons, to the place of health films in the "golden age" of instructional film in the 1960s. Ostherr considers the shift to television as the dominant medium of health education, highlighting the evolving status of realism, the techniques employed to bridge the entertainment-education divide, the role of expert consultants and sponsors, and the tradeoffs made by professionals to reach a broad audience. The role of newsmagazines forms a transition between the medical dramas of the 60s, 70s, and 80s (from Frederick Wiseman''s Hospital to Marcus Welby, MD) and more recent reality shows like The Swan and Doctor 90210. Reality-based miniseries (Hopkins, Boston Med) continue the long cycle of comingling between professional and entertainment medicine. The study concludes with an in-depth look at the advertising, moving image, and social media circuits active in the health care setting today, closing with ten key lessons for the future of medical media.

DKK 403.00
1

Flora of North America: Volume 8 - Fna Ed Committee - Bog - Oxford University Press Inc - Plusbog.dk

Flora of North America: Volume 8 - Fna Ed Committee - Bog - Oxford University Press Inc - Plusbog.dk

Flora of North America Volume 8 will be the seventh of 19 volumes on dicotyledons to be published in the Flora of North America North of Mexico series. It treats 680 species classified among 125 genera in 19 families The larger families covered in Volume 8 include Crassulaceae (Stonecrop family), Ericaceae (Heath family), Grossulariaceae (Currant family), Myrsinaceae (Myrsine family), Primulaceae (Primrose family), and Saxifragaceae (Saxifrage family). Each genus has representative species illustrated with a line drawing that, in combination with keys and descriptions, will facilitate identifications of these groups of plants. Some of the genera treated in this volume with the most species in the flora include: Ribes (Grossulariaceae) with 53 species; Dudleya and Sedum (Crassulaceae) with 26 and 41 species, respectively; Heuchera, Micranthes, and Saxifraga (Saxifragaceae) with 31, 45, and 25 species, respectively; and Arctostaphylos, Rhododendron, and Vaccinium (Ericaceae) with 62, 25, and 25 species, respectively. Additionally, ten of the 46 genera of Ericaceae are endemic to the flora area. The ongoing publishing project Flora of North America is the first comprehensive taxonomic guide to the extraordinary diversity of plant life covering our continent north of Mexico. This ground breaking scholarly series is a collaborative effort by researchers at more than 30 U.S. and Canadian botanical institutions. The Flora provides revisions of many plant groups and synthesizes the results from studies published in hundreds of research papers over the last three centuries. The series, based on herbarium, laboratory and field studies by hundreds of leading botanists and taxonomic authorities, is this century's premier tool for identifying, understanding, and conserving North America's floristic heritage. Flora of North America, with beautiful illustrations accompanying many species, is concise and easy to use. It is an indispensable resource for botanists, conservationists, ecologists, agronomists, foresters, range and land managers, and horticulturists.

DKK 816.00
1

Black Prometheus - Jared Hickman - Bog - Oxford University Press Inc - Plusbog.dk

Black Prometheus - Jared Hickman - Bog - Oxford University Press Inc - Plusbog.dk

Black Prometheus addresses the specific conditions under and the pointed implications with which an ancient story about different orders of gods dueling over the fate of humanity became such a prominent fixture of Atlantic modernity. The Prometheus myth, for several reasons--its fortuitous geographical associations with both Africa and the Caucasus; its resonant iconography of bodily suffering; and its longue duree function as a limit case for a Platonic-cum-Christian political theology of the Absolute, became a crucial site for conceptualizing human liberation in the immanent space of a finite globe structured by white domination and black slavery. The titan''s defiant theft of fire from the regnant gods was translated through a high-stakes racial coding either as an "African" revolt against the cosmic status quo that augured a pure autonomy, a black revolutionary immanence against which idealist philosophers like Hegel defined their projects and slaveholders defended their lives and positions. Or as a "Caucasian" reflection of the divine power evidently working in favor of Euro-Christian civilization that transmuted the naked egoism of conquest into a righteous heteronomy-Euro-Christian civilization''s mobilization by the Absolute or its internalization of a transcendent principle of universal Reason. The Prometheus myth was available and attractive to its eighteenth- and nineteenth-century revivalists and reinventors-from canonical figures like Voltaire, Percy Shelley, Frederick Douglass, and Karl Marx to anonymous contributors of ephemera to abolitionist periodicals-not so much as a handy emblem of an abstract humanism but as the potential linchpin of a racialist philosophy of history.

DKK 879.00
1

Return of the Gods - Owen Ware - Bog - Oxford University Press Inc - Plusbog.dk

Return of the Gods - Owen Ware - Bog - Oxford University Press Inc - Plusbog.dk

Why was mythology of vital importance for the romantics? What role did mythology play in their philosophical and literary work? And what common sources of influence inspired these writers across Britain and Germany at the turn of the nineteenth century?In this wide-ranging study, Owen Ware argues that the romantics turned to mythology for its potential to transform how we see ourselves, others, and the world. Engaging with authors such as William Blake, Friedrich Schlegel, Samuel Taylor Coleridge, Friedrich von Hardenberg (Novalis), and Percy Bysshe Shelley, Ware shows why they believed that neither perception nor reason alone can sustain a vision of the unity of all things. A new mode of cognition is necessary, they claimed, one that revives the poetic origin of mythology and reveals our own mythmaking powers. Return of the Gods investigates the rise of mythology in the British and German traditions and the romantics'' practices of reinterpreting old myths and inventing new ones. Their shared aim was nothing less than to elevate the human imagination to higher stages of self-development in which philosophy and poetry, as well as intellect and imagination, form an integrated whole. Far from calling us to return to the past, the romantics'' work on mythology points us to a future where we can live in harmony with the personal, social, and natural worlds we inhabit.Owen Ware combines intellectual history with philosophical analysis and literary criticism to offer a bold reflection on why mythology mattered for the romantics--and why it still matters today.

DKK 292.00
1

The Most Southern Place on Earth - James C. Cobb - Bog - Oxford University Press Inc - Plusbog.dk

The Most Southern Place on Earth - James C. Cobb - Bog - Oxford University Press Inc - Plusbog.dk

The Mississippi Delta, an alluvial basin bordered on the Mississippi River, 150 miles at its widest extent, is said to begin ''in the lobby of the Peabody Hotel in Memphis and end on Catfish Row in Vicksburg." Ironically, the Delta''s greatest economic days were in the post-Civil War period when its rich land was fully exploited for cotton cultivation. It is a region of contrasts, with wealthy pleasure-loving planters controlling its wealth and nearly two-thirds of its population poor blacks. It reacted most strongly against the racial changes of the 1950s and 1960s and was a leading centre of the White Citizens Councils'' resistance to desegregation.Cobb breaks new ground in describing the economic development of the Delta since the 1930s. The Federal Government provided the money for this revival, but Cobb shows how these funds went almost exclusively to the wealthy, established planters, since the appropriations were funnelled through Mississippi''s reactionary congressmen. Further, the Civil Rights revolution has brought the vote to Delta blacks but has kept economic power still in control of the planters.The Delta is a region with a rich cultural heritage. It is the subject of William Faulkner''s and Eudora Welty''s fiction; it fostered such writers as Shelby Foote. Willie Moris, Walker Percy, Elizabeth Spencer; a great heritage of black blues singers comes from the region, among them Muddy Waters and B.B. King. Cobb''s book is a cultural history that explores the political, economic, social, and cultural heritage of the region, accounts for its uniqueness, and criticizes its parochialism and racism.

DKK 214.00
1

The Book of Heaven - - Bog - Oxford University Press Inc - Plusbog.dk

The Book of Heaven - - Bog - Oxford University Press Inc - Plusbog.dk

In every culture, in every epoch, human beings have yearned for heaven--the kingdom of God, abode of the elect, fount of enlightenment, mirror of hopes and desires. Now, in The Book of Heaven, Carol and Philip Zaleski provide the first wide-ranging anthology of writings about heaven, drawing from scriptures, myths, epics, poems, prayers, sermons, novels, hymns and spells, to illuminate a vast spectrum of beliefs about the world beyond. The Zaleskis present a fascinating array of ancient and modern, solemn and comic meditations, as they explore such topics as the often treacherous journey to heaven, heaven''s colorful inhabitants, its topographic features, and its moral architecture. The emphasis is on great literature, with substantial excerpts taken from classic works such as The Iliad, St. Augustine''s Confessions, The Prose Edda, The Divine Comedy, Paradise Lost, and The Pilgrim''s Progress; from sacred texts such as the Bible, the Upanishads, the Qu''ran, the Tibetan Book of the Dead, and the Bhagavata Purana; and from diverse writers such as Plato, Cicero, Thomas Traherne, Henry Fielding, Emanuel Swedenborg, Percy Bysshe Shelley, John Henry Cardinal Newman, Hans Christian Andersen, William James, G. K. Chesterton, C. G. Jung, Rupert Brooke, and Arthur Conan Doyle. Selections highlight both the diversity and the universality of reflection on heaven: the sacred chants of the Buddhist Pure Land sutras reverberate alongside John Donne''s holy sonnets, and Shaker songs complement Jewish mystical hymns. From the words of Sioux holy man Black Elk, to a sermon by Jonathan Edwards, to humorous musings by Mark Twain and fantastical passages from The Chronicles of Narnia, this rich anthology will deepen our understanding of the myriad ways in which human beings have envisioned heaven.

DKK 271.00
1

The Lady and the Beast - Deja Whitehouse - Bog - Oxford University Press Inc - Plusbog.dk

The Lady and the Beast - Deja Whitehouse - Bog - Oxford University Press Inc - Plusbog.dk

Although Lady Harris is acknowledged as the artist of Aleister Crowley''s Book of Thoth, to date, most studies have focused predominantly on Harris''s role as Crowley''s ''artist executant'', and almost exclusively from Crowley''s perspective. Whitehouse argues that Harris''s involvement extended far beyond the artwork itself. The Book of Thoth was a collaboration in which each partner fulfilled a variety of roles; building on Crowley''s magical theories and practices, and Harris''s artistic skills and social awareness that enabled her to promote and exhibit their work as it evolved.The Lady and the Beast presents a critical analysis of the life and works of Frieda, Lady Harris (1877 - 1962), wife of Sir Percy Harris (1876 - 1952), Liberal MP and party chief whip. Frieda Harris, née Bloxam, fulfilled her parents'' expectations of finding a suitable husband, managing the family home and raising a family. She supported her husband''s political endeavours, and in return he encouraged her to pursue her own interests, especially her painting. However, research indicates that Harris was already fascinated by mysticism and alternative belief structures prior to her meeting with Crowley in 1937. Her esoteric interests, combined with her demonstrable skills as a painter, made her ideally suited to illustrate Crowley''s Thoth Tarot.In manifesting Crowley''s vision of the Occult Tarot, Harris''s paintings embody the intersection of art and esotericism. Crowley (1875 - 1847) believed that the Tarot was fundamental to all magical disciplines and his Book of Thoth would become ''a standard Book of Reference, which will determine the entire course of mystical and magical thought for the next 2000 years.'' Without Harris, there would be no Book of Thoth. Whitehouse presents a study of Harris''s life and works, seeking to assess her true contribution to Western Esotericism.

DKK 788.00
1

The Matter of High Words - Robert (associate Professor Of English Chodat - Bog - Oxford University Press Inc - Plusbog.dk

The Matter of High Words - Robert (associate Professor Of English Chodat - Bog - Oxford University Press Inc - Plusbog.dk

In a world of matter, how can we express what matters? When the explanations of the natural sciences become powerfully precise and authoritative, what is the status of our highest words, the languages that articulate our norms and orient our lives? The Matter of High Words examines a constellation of American writers who in the decades since World War II have posed these questions in distinctive ways. Walker Percy, Marilynne Robinson, Ralph Ellison, Stanley Cavell, and David Foster Wallace are all self-consciously post-WWII authors, attuned to the fragmentation and skepticism that have defined so much of the literary and critical culture of the last century and more. Yet they also attempt to reach back to older forms of thought and writing that are often thought to have dried up-the traditions of prophecy, of wisdom literature, of the sage. Working within this dual inheritance, these authors are drawn equally to both art and argument, "showing" and "telling," shifting continually between narrative and discursive genres. In their essays they act as moralists, promoting the broad, abstract concepts that might inspire action in the face of naturalistic reduction: community, family, courage, fraternity, marriage, friendship, temperance, judgment. In their narratives, they offer particular lives in particular settings, thick descriptions that give flesh to such high words. Rarely do these movements between genres generate a tidy equilibrium; where their essays speak of cooperation and redemption, their narratives display alienation, loss, and failure. But in pursuing such risky, unorthodox strategies, these postwar sages are not only able to challenge some of the dominant naturalistic theories of the last several decades: cognitive science, neo-Darwinian theory, social science, the fact-value divide in analytic philosophy. Through five chapters of detailed analysis and close reading, Chodat explores the question of whether vocabularies of ought and ought-not can still emerge today, and how these concepts might be embodied, and whether such ideas might be found in things.

DKK 889.00
1