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Elements of Ethics - Adriaan T. Peperzak - Bog - Stanford University Press - Plusbog.dk

Leading Matters - John L. Hennessy - Bog - Stanford University Press - Plusbog.dk

Leading Matters - John L. Hennessy - Bog - Stanford University Press - Plusbog.dk

In Leading Matters, current Chairman of Alphabet (Google's parent company), former President of Stanford University, and "Godfather of Silicon Valley," John L. Hennessy shares the core elements of leadership that helped him become a successful tech entrepreneur, esteemed academic, and venerated administrator. Hennessy's approach to leadership is laser-focused on the journey rather than the destination. Each chapter in Leading Matters looks at valuable elements that have shaped Hennessy's career in practice and philosophy. He discusses the pivotal role that humility, authenticity and trust, service, empathy, courage, collaboration, innovation, intellectual curiosity, storytelling, and legacy have all played in his prolific, interdisciplinary career. Hennessy takes these elements and applies them to instructive stories, such as his encounters with other Silicon Valley leaders including Jim Clark, founder of Netscape; Condoleezza Rice, former U.S. Secretary of State and Stanford provost; John Arrillaga, one of the most successful Silicon Valley commercial real estate developers; and Phil Knight, founder of Nike and philanthropist with whom Hennessy cofounded Knight-Hennessy Scholars at Stanford University. Across government, education, commerce, and non-profits, the need for effective leadership could not be more pressing. This book is essential reading for those tasked with leading any complex enterprise in the academic, not-for-profit, or for-profit sector.

DKK 252.00
1

Buddhism in Chinese History - Arthur F. Wright - Bog - Stanford University Press - Plusbog.dk

Strategic Execution - Kenneth J. Carrig - Bog - Stanford University Press - Plusbog.dk

Mea Culpa - Nicholas Tavuchis - Bog - Stanford University Press - Plusbog.dk

Reading Myth - Renate Blumenfeld Kosinski - Bog - Stanford University Press - Plusbog.dk

Reading Myth - Renate Blumenfeld Kosinski - Bog - Stanford University Press - Plusbog.dk

This book explores the appropriation and transformation of classical mythology by French culture from the mid-twelfth century to about 1430. Each of the five chapters focuses on a specific moment in this process and asks: What were the purposes of transforming classical myth? Which techniques did poets use to integrate classical subject matter into their own texts? Was a special interpretive tradition created for vernacular texts? In Chapter 1, the author shows how Latin epic texts were reoriented for political purposes in the twelfth-century Anglo-Norman realm, gaining new depth by the addition of Ovidian elements that evoked threats of a disorder different from the struggles of classical epic. Chapter 2 analyzes the complex use of myth in the thirteenth-century Roman de la Rose , which offers new conjunctions and interpretations of myths related to language, artistic expression, and sexuality. Chapter 3 focuses on the interpretive techniques and vocabulary of the fourteenth-century Ovide moralisé , such as "allegory," "fable," and istoire , arguing that the Christianization of the Metamorphoses created a "new Ovid" in the form of a fourteenth-century friar. Chapter 4 reveals that, although Guillaume de Machaut questioned the usefulness of mythic fables, he turned to them to invoke artistic consolation and ward off threats to his poetic voice. It also describes how Jean Froissart produced new myths by combining existing fables with newly invented elements in an attempt to dramatize the poetic creativity of his age. Finally, Chapter 5 demonstrates how Christine de Pizan offered the full range of medieval possibilities for myth: playing with the mythographic tradition, inscribing herself into Ovidian myths, offering historical explanations, rewriting myths from a pro-woman stance, and finally creating mythic universes of her own.

DKK 640.00
1

Narrating the Self - Tomi Suzuki - Bog - Stanford University Press - Plusbog.dk

Harmony and Counterpoint - - Bog - Stanford University Press - Plusbog.dk

Deleuzian Concepts - Paul Patton - Bog - Stanford University Press - Plusbog.dk

The Ridiculous Jew - Gary Rosenshield - Bog - Stanford University Press - Plusbog.dk

Deleuzian Concepts - Paul Patton - Bog - Stanford University Press - Plusbog.dk

Creating and Recovering Experience - Natasha Sankovitch - Bog - Stanford University Press - Plusbog.dk

Creating and Recovering Experience - Natasha Sankovitch - Bog - Stanford University Press - Plusbog.dk

The thesis of this book is that repetition is central to Tolstoy''s art. The author argues that Tolstoy uses this device—or rather, complex of devices—to represent and examine the processes by which people structure and give meaning to their experience. Repetition is shown to be essential to his style, to his understanding of characters'' psychology, to the structure of his work, and to his interaction with readers. In short, it defines much of what is "Tolstoyan" about Tolstoy. Following a discussion of the epistemological and psychological beliefs that shape Tolstoy''s use of repetition, the author explores the effects and implications of repeated verbal elements as they function in the discourse of characters and narrators. She develops a concept of "novels of length," which are distinguished from ordinary "long novels" in that length is essential to their themes and purposes. A complex dynamic of memory, forgetting, and reminders (repetition) structures both the characters'' evolving identities and the readers'' changing apprehension of the text. The author next discusses Tolstoy''s use of repetition to shape relationships among characters, and considers the connection between these relationships and thematic development in his novels. She concludes by exploring the intertextual repetitions in Tolstoy''s oeuvre, which are seen as part of a process by which allusions among works create a revealing sense of the author''s developing career. In examining the link between Tolstoy''s repeated verbal elements and his broader concepts of structure and meaning, the book combines close readings of key passages in the novels with an exploration of larger theoretical issues: the dynamics of reading and sense-making, the ethics and aesthetics of memory, and the function of language as a system of cognition and communication. As a result, the book contributes not only to studies of Tolstoy and the genre of the novel but to our understanding of the relations among rhetorical, cognitive, aesthetic, and ethical aspects of great art generally.

DKK 640.00
1

Desire Against the Law - James F. Burke - Bog - Stanford University Press - Plusbog.dk

Desire Against the Law - James F. Burke - Bog - Stanford University Press - Plusbog.dk

The churches and manuscripts of medieval Europe incessantly juxtapose imagery depicting sacred themes with likenesses of the crudest and basest nature. This book examines such contrasts in six major works of pre-1350 Spanish literature, arguing that medieval writers and artists subscribed to the classical belief that one must introduce the contrary of a concept in order to elucidate it fully. To explain this play of opposites, the author draws on the contrast between Bakhtin''s concept of the carnivalesque, which embodies and portrays the realm of desire, and the domain of the law, which imposes the social and behavioral restraints upon which civilized conduct is based. Four of the works in question—the Poema de Mio Cid, the Razón de amor, the Libro de buen amor, and the Libro del Conde Lucanor— clearly display such contrary elements. The remaining works covered—the Auto de los reyes magos and the Milagros of Gonzalo de Berceo—would, on the surface, appear merely to affirm contemporary orthodoxy. The author argues, however, that even these works must be understood intertextually, that elements within them refer to a strongly contrastive other beyond their textual confines. When this theory is applied back to the other four texts, they, too, prove to bear within them allusions to an outside system of supplementary meanings. How, then, can we account for this polar structure in medieval art and letters? The author argues that people of the time tended to understand artistic works in a manner analogous to the layout of a medieval manuscript page. The central part carries the most important message, yet in the periphery (the margin) one finds a commentary that is often essential to a complete understanding of the whole. Moreover, text and commentary oscillate: what is central can become peripheral, and what is "outside" can move to the core of a document''s explicitly thematized concerns.

DKK 674.00
1

Rethinking Japanese Public Opinion and Security - Paul Midford - Bog - Stanford University Press - Plusbog.dk

On Flexibility - Meir Finkel - Bog - Stanford University Press - Plusbog.dk

Organizations and Environments - Howard E. Aldrich - Bog - Stanford University Press - Plusbog.dk

Ethics as a Work of Charity - David Decosimo - Bog - Stanford University Press - Plusbog.dk

Beyond Nation - Richard Calichman - Bog - Stanford University Press - Plusbog.dk

Rethinking Japanese Public Opinion and Security - Paul Midford - Bog - Stanford University Press - Plusbog.dk

Regions of Sorrow - Susannah Young Ah Gottlieb - Bog - Stanford University Press - Plusbog.dk

Sonic Intimacy - Dominic Pettman - Bog - Stanford University Press - Plusbog.dk