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Religion and Media - - Bog - Stanford University Press - Plusbog.dk

Religion and Media - - Bog - Stanford University Press - Plusbog.dk

The latter part of the twentieth century saw an explosion of new media that effected profound changes in human categories of communication. At the same time, a "return to religion" occurred on a global scale. The twenty-five contributors to this volume—who include such influential thinkers as Jacques Derrida, Jean-Luc Nancy, Talal Asad, and James Siegel—confront the conceptual, analytical, and empirical difficulties involved in addressing the complex relationship between religion and media. The book''s introductory section offers a prolegomenon to the multiple problems raised by an interdisciplinary approach to these multifaceted phenomena. The essays in the following part provide exemplary approaches to the historical and systematic background to the study of religion and media, ranging from the biblical prohibition of images and its modern counterparts, through theological discussion of imagery in Ignatius and Luther, to recent investigations into icons and images that "think" in Jean-Luc Marion and Gilles Deleuze. The third part presents case studies by anthropologists and scholars of comparative religion who deal with religion and media in Indonesia, India, Japan, South Africa, Venezuela, Iran, Poland, Turkey, present-day Germany, and Australia. The book concludes with two remarkable documents: a chapter from Theodor W. Adorno''s study of the relationship between religion and media in the context of political agitation ( The Psychological Technique of Martin Luther Thomas'' Radio Addresses ) and a section from Niklas Luhmann''s monumental Die Gesellschaft der Gesellschaft ( Society as a Social System ).

DKK 321.00
3

Media and Modernity - A Social Theory of the Media - John B. Thompson

Binding Media - Elika Ortega - Bog - Stanford University Press - Plusbog.dk

Binding Media - Elika Ortega - Bog - Stanford University Press - Plusbog.dk

Far from causing the "death of the book," the publishing industry's adoption of digital technologies has generated a multitude of new works that push the boundaries of literature and its presentation. In this fascinating new work, Élika Ortega proposes the notion of "binding media" — a practice where authors and publishers "fasten together" a codex and electronic or digital media to create literary works in the form of hybrid print-digital objects. Examining more than a hundred literary works from across the Americas, Ortega argues that binding media are not simply experimentations but a unique contemporary form of the book that effectively challenges conventional regional and linguistic boundaries. Furthermore, the book demonstrates that binding media have remained marginal in the publishing industry due to technological imperatives like planned obsolescence and commercial ones like replicability and standardization that run counter to these bespoke literary projects. Although many binding media and other hybrid publishing initiatives have perished, they've left behind a wealth of material; collecting and tracing the residues of these foreshortened projects, Ortega builds a fascinating history of hybrid publishing. Ultimately, this essential account of contemporary book history highlights the way binding media help illuminate processes of cultural hybridization that have been instigated by the expediency of globalized digital technologies and transnational dynamics.

DKK 648.00
1

Media of the Masses - Andrew Simon - Bog - Stanford University Press - Plusbog.dk

Media of the Masses - Andrew Simon - Bog - Stanford University Press - Plusbog.dk

Digital Militarism - Adi Kuntsman - Bog - Stanford University Press - Plusbog.dk

Digital Victorians - From Nineteenth-Century Media to Digital Humanities - Bog af Paul Fyfe - Paperback

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more—telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.

DKK 884.00
3