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The Golden Years Of Revival Jazz Volume 14

The Golden Years Of Revival Jazz Volume 3: Papa Bue

The Golden Years Of Revival Jazz Volume 13: Acker Bilk

The Golden Years Of Revival Jazz Volume 13: Sandy Brown

The Golden Years Of Revival Jazz Volume 12: Chris Barber

The Golden Years Of Revival Jazz Volume 8: Papa Bue

The Golden Years Of Revival Jazz Volume 10: Sandy Brown

The Golden Years Of Revival Jazz Volume 15: Acker Bilk

The Golden Years Of Revival Jazz Volume 2

The Golden Years Of Revival Jazz Volume 4

The Golden Years Of Revival Jazz Volume 1

The Golden Years Of Revival Jazz Volume 5: Papa Bue

Duke Ellington: The Treasury Shows Vol.22

Duke Ellington: The Treasury Shows Vol.22

In April 1945, to promote the sale of war bonds, the US Treasury Department contacted Duke Ellington to do a series of 55 min public broadcasts. These sessions would give Ellington a wide choice of material to perform including his older work; new instrumentals and pop tunes and his extended works as well. This double CD contains a series of different radio broadcasts from the Golden Gate Theatre in San Francisco and the famous Hurricane Restaurant in New York among others. The broadcasts are featured complete with radio speaks and encouragements to buy bonds read by The Duke himself + bonus material and extensive liner notes. CD1 contains a radio broadcast from the Golden Gate Theatre in San Francisco, recorded on August 3, 1946 with bonus tracks from a session at the Lakeside Park, El Patio Ballroom in Denver, July 1945, 1942. CD2 features a broadcast recorded at Meadowbrook, Culver City, California, August 17, 1946. Included are also three bonus tracks from a radio broadcast at the Hurricane Restaurant in New York City, August 21, 1943. This Treasury Shows addition was recorded amid tensions between the Duke and his record company, a large musician’s strike, the surprising deaths of several prominent band members and political events such as rising racial and social tension and World War II, all of which is meticulously explained in the extensive liner notes by Duke Ellington connoisseur and journalist Roger Boyes. The musical gift of the versatile Ellingtonians always prevails, however—as Boyes for example writes: “ Hodges’ solo [on A Flower is a Lovesome Thing] is three and-a-half minutes of pure melody, and in the unlikely even that you tire of that, Stryhorn’s accompaniment offers a parallel three-and-a-half minutes of great beauty ”. Duke Ellington and his Orchestra always deliver on energy, skill and rhythm.

DKK 168.00
1

Duke Ellington: The Treasury Shows Volume 15

Duke Ellington: The Treasury Shows Volume 15

Treasury volume 15 contains Treasury programs 28 & 29 + 2 MBS Broadcasts from the "Pastel Period". This is the first volume that Storyville is issuing after Jerry Valburn's death. The series will continue until the end which will be volume 24.The Treasure Shows were launched on April 7th, 1945 while the band was performing at the 400 Restaurant in New York. These wonderful broadcasts ran through November 1945 and picked up again in April 1946 through early October.CD 11. (Theme) Take The A Train2. Johnny Come Lately3. I Can?t Believe That You?re In Love With Me4. I?ll Buy That Dream5. Stomp, Look And Listen into station break6. (Theme) Take The A Train and broadcast return7. The Wonder Of You ? vocal Joya Sherill8. Ellington bond promo9. Joshua Fit The Battle Of Jericho ? vocal Golden Gate Quartet10. The General Jumped At Dawn ? vocal Golden Gate Quartet11. Mood To Be Wooed12. Three Cent Stomp13. Yesterdays ? vocal Kay Davis14. Ellington bond promo15. Do Nothin? Till You Hear From Me ? vocal Al Hibbler16. Stompy Jones into 317. Time?s A-Wastin? and broadcast closing18. As Time Goes By19. Way Low20. Around My Heart21. Perdido22. Ogeechee River LullabyCD 21. Oh! Lady Be Good2. Nevada3. Just Squeeze Me (Subtle Slough)4. (Theme) Take The A Train & broadcast intro5. Clementine6. The Jeep Is Jumpin?7. Don?t Take Your Love From Me ? vocal Al Hibbler8. It Don?t Mean A Thing ? vocal Taft Jordan9. Ellington bond promo10. If You Are But A Dream ? vocal Kay Davis11. Emancipation Celebration12. Caldonia ? vocal The Mellotones13. Ring Dem Bells into station break 314. (Theme) Take The A Train and broadcast return15. A Door Will Open16. Ellington bond promo17. Court Session18. That?s For Me19. On The Atcheson, Topeka And The Santa Fe20. Every Hour On The Hour ? vocal Al Hibbler21. Ellington bond promo22. How Deep Is The Ocean23. Ellington and the announcer ?Joya?s Audition?Victory Drive ? vocal Joya Sherill24. Autumn Serenade ? vocal Joya Sherill25. (Theme) Take The A Train into broadcast closing

DKK 147.00
1

Timme's Treasures

Various Artists: Jam Session - America's Jazz Ambassadors Embrace The World

Carsten Dahl Trio: Simplicity

The Chicago Blues Box

The Chicago Blues Box

The brief and dazzling life of MCM Records was a labour of love that captured many treasurable live performances from the last flowering of the classic Chicago Blues age. A young French woman Marcelle Chailleux Morgantini was married to Jacques Morgantini who changed her life into American jazz and blues.Guitarist Jimmy Dawkins was a good friend and helped them in Chicago to meet and hear the many good blues musicians that played at the different clubs in Chicago. Marcelle returned from her Chicago pilgrimage filled with excitement. Says Jacques Morgantini: It was the year of Marcelle?s 50th birthday and she came into some money from her family. She said to me, ?I do not want an expensive coat or jewels ? I want to go to Chicago to record the blues. She knew that it could only be done if she had her own record label and complete artistic control. Marcelle made three trips to Chicago in 1975,1976 and 1977 and arrived with her Nagra machine, a small mixing desk and a selection of microphones.She recorded live: Magic Slim, Big Mojo Elem,John Littlejohn, Eddie Clearwater,Eddie Taylor, Bobby King,Jimmy Johnson, Luther Johnson Jr.,Willie Kent, James Lyons,Hip Lankchan,Big Vocie Odom,Bluebloos McMahon, Joe Carter and Jimmy Dawkins at ?Ma Bea?s?, ?Golden Slipper?, ?Queen Bea?s?, and ?Big Duke?s?, on Chicago west and south side. Many of the blues musicians had not recorded before and can only been found on the Storyville label that issued all the recordings on CD?s. She was at the right place at the right time.

DKK 504.00
1

Art Pepper: Live In USA

Art Pepper: Live In USA

Art Pepper was a teenager in the late 1940s, when he began his professional career with Gus Arnheim's band, an esteemed relic from a bygone era. He also had another brush with the past, playing with Benny Carter, a man whose music remained forever fresh. With that background, young Pepper went out on his own, becoming a familiar face along Los Angeles' bustling Central Avenue. There he played alongside some of the great up-and-coming post-war jazz men, musicians who, like himself, would become the new faces of jazz. When the military called upon Pepper to serve, he did so between stints with the blossoming Stan Kenton Orchestra, but the discipline learned from both those gigs went by the wayside as he got caught up in the chaotic swirl of hedonism, jazz and drugs that characterized and ruined the life of many musicians back then. The inherent criminality of that life eventually landed Pepper a series of prison terms, but he managed to get back on track and, with the help of Laurie, his extraordinary wife and biographer, resume his career.This set comprises two live California sessions produced by Laurie Pepper in 1975 and 1977, respectively. The music is an often deeply emotional, lingering reflection of an exceedingly hard life that was slowly receding. At this point, Pepper had spent three years in rehab at Synanon and firmly established himself as one of the most important alto player of the post-bop period. He is in fine form, surrounded by young players whose skills he respected.1.Foothill Blues2.I'll Remember April3.Here's That Rainy Day4.Cherokee1.Mr. Yohe2.The Golden Gate Bridge3.The Trip4.Lost Life5.A Night In Tunisia

DKK 237.00
1