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Gothic - Bog af Fred (Kingston University Botting - Paperback

Fairy Tale - Andrew (kingston University Teverson - Bog - Taylor & Francis Ltd - Plusbog.dk

The Sustained Shared Thinking and Emotional Well-being (SSTEW) Scale - Denise Kingston - Bog - Taylor & Francis Ltd - Plusbog.dk

The Sustained Shared Thinking and Emotional Well-being (SSTEW) Scale - Denise Kingston - Bog - Taylor & Francis Ltd - Plusbog.dk

The SSTEW Scale helps all those working with children aged two to six to achieve their full potential and enjoy the benefits and pleasure of delivering high quality early education and care. The Quality Rating Scale (QRS) is a tool to uplift process quality in Early Childhood Education and Care and it is known to be predictive of child development. Using it to support quality improvement in a setting or class will result in enhancing children’s learning and development. Designed to measure and promote practice that supports children and adults engaging in sustained shared thinking (SST) and emotional well-being (EW), it facilitates the development of strong relationships, effective communication, self-regulation and concept development. It looks at the quality of interactions that occur between the adults and the children and between the children themselves. It also considers the responsiveness of the adults to the children and how they intentionally support children’s play, learning and development. It can be used by practitioners at all levels, helping them to take a systematic approach to self-assessment so that they can build on what they do well and improve where they need to. It is also an essential resource for measurement by researchers and those engaged in auditing settings. This new edition includes updated information about the evidence-base for SSTEW and children’s development and learning as well as new examples of practice and supplementary information accompanying the indicators. In addition, there is a stronger focus on formative assessment and new additions to the assessment section. Online or face to face training can be set up via the authors’ dedicated website https://birthtosevenmatters.co.uk/

DKK 241.00
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British Audit Practice 1884-1900 (RLE Accounting) - - Bog - Taylor & Francis Ltd - Plusbog.dk

Contemporary Fiction - Jago Morrison - Bog - Taylor & Francis Ltd - Plusbog.dk

Hyper City - - Bog - Taylor & Francis Ltd - Plusbog.dk

The Etchings of Wilfred Fairclough - Ian Lowe - Bog - Taylor & Francis Ltd - Plusbog.dk

The Etchings of Wilfred Fairclough - Ian Lowe - Bog - Taylor & Francis Ltd - Plusbog.dk

First published 1990, this volume consists of an introductory essay by Ian Lowe and a comprehensive catalogue of all Wilfred Fairclough’s prints, some 140, from 1932 to the present (1990). Al the prints are illustrated in the body of the catalogue for ease of identification and 48 are also reproduced as large format duotone illustrations. From the Royal College of Art, Wilfred Fairclough won the Rome Scholarship in Engraving in 1934 and was elected an Associate of the Royal Society of Painter-Etchers and Engravers in the same week. His engravings, inspired by his travels in Italy, Spain and Germany in the 1930s, were succeeded by etchings of British subjects and topography, notably of Oxford, until, with a Leverhulme grant, he returned to Italy in 1961. Increasingly, thereafter he has found his subjects and his inspiration in Venice, in concerts, restaurant interiors, and the Carnival, and in Lucerne, in markets and the human figure. Wilfred Fairclough has exhibited consistently at the Royal Society of Painter-Etchers and Engravers and at the Royal Academy (where his most recent Venetian subject, Venice Carnival. Clowns , sold out in three days). Now aged 83 he is still working. There has been no slackening off in his productivity nor in the quality of his work since he retired from teaching at the Kingston College of Art in 1972. The Catalogue is based on his own meticulous records. It will be an essential source of information for all who are interested in his work as a printmaker. Elected an Honorary Member of the Royal Society of Painter-Etchers and Engravers in 1975, Ian Lowe worked in the Ashmolean Museum in Oxford from 1962 until 1987. There he was responsible for the collection of nineteenth- and twentieth-century British prints. He arranged and catalogued numerous exhibitions including those devoted to ~F.L. Griggs, R.S. Austin, Robin Tanner, Alan Gwynne-Jones and Richard Shirley Smith. His association with Wilfred Fairclough dates from 1974. His introductory essay is both biographical and an appreciation of Fairclough’s achievement as a printmaker. It is based on their correspondence, lectures, and meetings as well as on the study of the archives and records of the last sixty years.

DKK 373.00
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