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Evis Sammoutis: Ξυλογραφίες – Xylographies (Large Ensemble Score)

Evis Sammoutis: Ξυλογραφίες – Xylographies (Large Ensemble Score)

Evis Sammoutis ' Ξυλογραφίες – Xylographies for large ensemble. Flute (=Piccolo=Alto Flute), Oboe (=English Horn), Clarinet in B flat (=Bass Clarinet), Bassoon, Horn, Trumpet in B flat, Tenor trombone, Percussion (one player: 2 Timpani, 4 Woodblocks, 2 Bongos, Tam-tam, Wind Chimes, Snare Drum, 2 Suspended Cymbals, Vibraphone and Crotales (extension of vibraphone)), Piano, Violin I, Violin II, Viola, Violoncello, Double bass (five strings). Written for Klangforum Wien. Duration: 9'

DKK 251.00
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Thomas Simaku: The Rose Of The World

Thomas Simaku: The Rose Of The World

Thomas Simaku 's The Rose Of The World for Soprano, SATB choir and Chamber Ensemble (9 players). A setting of the W. B. Yeats poem of the same name. Composed 2014-5. Published 2015. Instrumentation: Soprano, SATB choir, Flute, Clarinet, Bass Clarinet, 3 Percussionists, Piano, Violin, Cello. First performance: Rachel Nicholls (soprano), Philharmonia Chorus, BBC Concert Orchestra, Stephen Cleobury (conductor); Easter at King's Festival, King's College Chapel, Cambridge; 1st April 2015, with live BBC Radio 3 broadcast.

DKK 229.00
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Ed Hughes: Alice In Wonderland (Parts)

Ed Hughes: Alice In Wonderland (Parts)

Alice In Wonderland is a score in three main sections, inspired by a short film of the same name from 1903 by Hepworth and Stow. For Flute, Clarinet, Violin, Cello and Piano. Composed and published 2015. Duration: 9' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex, with funding support from The RVW Trust and Arts Council England. Premiere: Rowland Sutherland (Flute), Fiona Cross (Clarinet), Katie Stillman (Violin), Michael Atkinson (Cello), Richard Casey (Piano), University of Sussex, 24th September 2015.

DKK 417.00
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James Weeks: Walled Garden (Study Score)

James Weeks: Walled Garden (Study Score)

For two Alto Flutes, Bass Flute, Violin, Viola, Cello. Composed and published 2015. Walled Garden , for String and Flute trios, is a set of three pieces designed to be interleaved with Mala punica, a sequence of canons for eight-voiced vocal ensemble written in 2008-9. Commissioned by Spitalfields Music and first performed with Mala punica at Spitalfields Music Summer Festival on 3rd June 2015, by Daniel Pioro (Violin), Robert Ames (Viola), Oliver Coates (Cello), Jane Mitchell and Rebecca Larsen (Alto Flutes) and Helen Keen (Bass Flute). Duration: c. 24 minutes.

DKK 196.00
1

Ed Hughes: Alice In Wonderland (Score)

Ed Hughes: Alice In Wonderland (Score)

Alice In Wonderland is a score in three main sections, inspired by a short film of the same name from 1903 by Hepworth and Stow. For Flute, Clarinet, Violin, Cello and Piano. Composed and published 2015. Duration: 9' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex, with funding support from The RVW Trust and Arts Council England. Premiere: Rowland Sutherland (Flute), Fiona Cross (Clarinet), Katie Stillman (Violin), Michael Atkinson (Cello), Richard Casey (Piano), University of Sussex, 24th September 2015.

DKK 163.00
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James Weeks: Walled Garden (Set Of Performing Scores)

James Weeks: Walled Garden (Set Of Performing Scores)

For two Alto Flutes, Bass Flute, Violin, Viola, Cello. Composed and published 2015. Walled Garden , for String and Flute trios, is a set of three pieces designed to be interleaved with Mala punica, a sequence of canons for eight-voiced vocal ensemble written in 2008-9. Commissioned by Spitalfields Music and first performed with Mala punica at Spitalfields Music Summer Festival on 3rd June 2015, by Daniel Pioro (Violin), Robert Ames (Viola), Oliver Coates (Cello), Jane Mitchell and Rebecca Larsen (Alto Flutes) and Helen Keen (Bass Flute). Duration: c. 24 minutes.

DKK 141.00
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Thomas Simaku: Solar

Thomas Simaku: Solar

Thomas Simaku 's Solar for Trumpet, Violin and Piano. This work is based on Philip Larkin’s poem of the same title. Part of the High Windows volume (Faber & Faber 1974), Solar is one of Larkin’s well known poems, which have been described as a ‘piquant mixture of lyricism and discontent’. This was 'music to my ears', and having previously composed two other works - Plenilunio and Raggio Lunare - which ‘hover' on the same orbit, as it were, this particular poem immediately struck a chord with me: its astral, celestial, cosmological, lunar, stellar, planetary and universal associations (not to mention the energy here) gave further impetus to my curiosity on both musical and extra-musical levels. - Thomas Simaku Duration: 9 minutes.

DKK 295.00
1

Sadie Harrison: Aurea Luce (2 x Performing Scores)

Sadie Harrison: Aurea Luce (2 x Performing Scores)

Aurea Luce was written at the request of Madeleine Mitchell and Geoff Poole by way ofcelebrating my 50th birthday at a concert in my home town of Shaftesbury, Dorset. The work is based on a plainsong melody sung as a hymn for the Feast of St. Peterʼs Chair in Rome, reflecting the dedication of the church in which the premiere took place. I started writing the work on International Womenʼs Day 2015 and it was serendipitous that thehymnʼs text is ascribed very unusually to a 5th century female author, Elpis (reputedly the first wife of the philosopher Boethius). The title translates as ʻ..with golden light..ʼ and in context within the verse it reads as: Aurea luce et decore roseo, lux lucis, omne perfudisti seculum, decoran caelos inclito martyrio hac sacra die, quae dat reis veniam (The Poissy Antiphonal, fol. 412v) (The beauteous light of Eternity hath flooded with blissful fires this golden day which crowns the Prince of the Apostles, and gives unto the guilty a free way to heaven). Duration: c. 9 minutes

DKK 196.00
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Stef Conner: The Shipwrecked Ghost

Stef Conner: The Shipwrecked Ghost

Stef Conner 's The Shipwrecked Ghost for Mezzo-Soprano, Flute, Clarinet, Percussion, Violin and Cello. Composed 2014. Duration: 9 minutes. Commissioned by Dark Inventions for their Firewheel project, part of the Sound and Music ‘Composer Curator Scheme’. Premiered by Dark Inventions at The Engine House, Manchester, 8th May 2014. This piece is based on the traditional melody ‘The Lover’s Ghost’ (also known as ‘The Grey Cock’), JEFDSS 1953, as sung by Mrs Costello (Birmingham, 1951); recorded by the BBC; transcribed by Patrick Shuldham Shaw. The lyrics of ‘The Shipwreck't Ghost’ were written down, and probably written by, the poet John Clare (1793-1864). Transcribed from Peterborough MS. A7 p.33a and set to the traditional melody ‘The Lover's Ghost’ (also known as ‘The Grey Cock’) by George Deacon, published in John Clare and the Folk Tradition by Francis Boutle © George Deacon London 2002 & 1983. Reproduced by kind permission of the author and edited and arranged by Stef Conner. More information on John Clare can be found through the John Clare Society: http://www.johnclaresociety.blogspot.co.uk

DKK 196.00
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Stef Conner: The Shipwrecked Ghost

Stef Conner: The Shipwrecked Ghost

Stef Conner's The Shipwrecked Ghost for Mezzo-Soprano, Flute, Clarinet, Percussion, Violin and Cello. Composed 2014. Duration: 9 minutes. Commissioned by Dark Inventions for their Firewheel project, part of the Sound and Music ‘Composer Curator Scheme’. Premiered by Dark Inventions at The Engine House, Manchester, 8th May 2014. This piece is based on the traditional melody ‘The Lover’s Ghost’ (also known as ‘The Grey Cock’), JEFDSS 1953, as sung by Mrs Costello (Birmingham, 1951); recorded by the BBC; transcribed by Patrick Shuldham Shaw. The lyrics of ‘The Shipwreck't Ghost’ were written down, and probably written by, the poet John Clare (1793-1864). Transcribed from Peterborough MS. A7 p.33a and set to the traditional melody ‘The Lover's Ghost’ (also known as ‘The Grey Cock’) by George Deacon, published in John Clare and the Folk Tradition by Francis Boutle © George Deacon London 2002 & 1983. Reproduced by kind permission of the author and edited and arranged by Stef Conner. More information on John Clare can be found through the John Clare Society: http://www.johnclaresociety.blogspot.co.uk

DKK 130.00
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James Weeks: Olympic Frieze (Performing Score)

James Weeks: Olympic Frieze (Performing Score)

James Weeks ' Olympic Frieze for any number of pitched instruments (minimum 12).Composed and published 2014. Variable duration. First performed by participants at CoMA Summer School, High Melton, Doncaster on 21st August 2014. Olympic Frieze is conceived like an Ancient Greek frieze around the entablature of a temple: players should be placed along the walls of the performance space at regular intervals, like figures in a bas-relief. Like visitors to a temple or museum, the audience should be free to wander through the space and out again as desired, and there should be no audible starting or stopping point - ideally the music should be playing before the first audience member enters and continue after the last audience member leaves. Thus the piece functions as part of the decoration of the room, and might be considered a descendant of Satie's musique d'ameublement; the difference being that Olympic Frieze is not intended as background music but to draw the listener's attention. It is also fundamentally audio-visual in nature. The piece explores the fundamental pleasure and beauty of physical exercise that underlie both ancient and modern manifestations of the Olympic games (as well as the Spartan gymnopaedia evoked in Satie's Piano pieces). The music consists of three elements: Exercises, Actions and Disciplines. There are 84 short, repeated Exercise motifs analogous to simple movements of the body, or stretching exercises, in performing which the players adopt stylised (musical) poses akin to those of Greek art. In between Exercises the players perform a number of silent physical Actions devised by themselves. Once stretched and loose each player is ready to attempt his or her own personal Discipline, chosen from a list of 9 possibilities (running, jumping, javelin and trampoline).

DKK 141.00
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