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Hawthorne's Narrative Strategies - Michael Dunne - Bog - University Press of Mississippi - Plusbog.dk

Soul in Seoul - Crystal S. Anderson - Bog - University Press of Mississippi - Plusbog.dk

Soul in Seoul - Crystal S. Anderson - Bog - University Press of Mississippi - Plusbog.dk

K-pop (Korean popular music) reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: African American Popular Music and K-pop, Crystal S. Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary K-pop references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references. K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by global fans who function as part of K-pop's music press and promotional apparatus. K-pop artists also cite elements of African American performance in Korean music videos. These disrupt stereotyped representations of Asian and African American performers. Through this process K-pop has arguably become a branch of a global R&B tradition. Anderson argues that Korean pop groups participate in that tradition through cultural work that enacts a global form of crossover and by maintaining forms of authenticity that cannot be faked, and furthermore propel the R&B tradition beyond the black-white binary.

DKK 312.00
1

Soul in Seoul - Crystal S. Anderson - Bog - University Press of Mississippi - Plusbog.dk

Soul in Seoul - Crystal S. Anderson - Bog - University Press of Mississippi - Plusbog.dk

K-pop (Korean popular music) reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: African American Popular Music and K-pop, Crystal S. Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary K-pop references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references. K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by global fans who function as part of K-pop's music press and promotional apparatus. K-pop artists also cite elements of African American performance in Korean music videos. These disrupt stereotyped representations of Asian and African American performers. Through this process K-pop has arguably become a branch of a global R&B tradition. Anderson argues that Korean pop groups participate in that tradition through cultural work that enacts a global form of crossover and by maintaining forms of authenticity that cannot be faked, and furthermore propel the R&B tradition beyond the black-white binary.

DKK 1029.00
1

Shelby Foote - Robert L. Phillips - Bog - University Press of Mississippi - Plusbog.dk

Reading Faulkner - Hugh Ruppersburg - Bog - University Press of Mississippi - Plusbog.dk

Faulkner and Popular Culture - - Bog - University Press of Mississippi - Plusbog.dk

Grant Morrison - Marc Singer - Bog - University Press of Mississippi - Plusbog.dk

Soul of the Man - Charles Farley - Bog - University Press of Mississippi - Plusbog.dk

King Cotton in Modern America - D. Clayton Brown - Bog - University Press of Mississippi - Plusbog.dk

Comics and the U.S. South - - Bog - University Press of Mississippi - Plusbog.dk

The War on Poverty in Mississippi - Emma J. Folwell - Bog - University Press of Mississippi - Plusbog.dk

The War on Poverty in Mississippi - Emma J. Folwell - Bog - University Press of Mississippi - Plusbog.dk

President Lyndon B. Johnson's war on poverty instigated a ferocious backlash in Mississippi. Federally funded programs--the embodiment of 1960s liberalism--directly clashed with Mississippi's closed society. From 1965 to 1973, opposing forces transformed the state. In this state-level history of the war on poverty, Emma J. Folwell traces the attempts of white and black Mississippians to address the state's dire economic circumstances through antipoverty programs. At times, the war on poverty became a powerful tool for black empowerment. But more often, antipoverty programs served as a potent catalyst of white resistance to black advancement. After the momentous events of 1964, both black activism and white opposition to black empowerment evolved due to these federal efforts. White Mississippians deployed massive resistance in part to stifle any black economic empowerment, twisting antipoverty programs into tools to marginalize black political power. Folwell uncovers how the grassroots war against the war on poverty laid the foundation for the fight against 1960s liberalism, as Mississippi became a national model for stonewalling social change. As Folwell indicates, many white Mississippians hardwired elements of massive resistance into the political, economic, and social structure. Meanwhile, they abandoned the Democratic Party and honed the state's Republican Party, spurred by a new conservatism.

DKK 312.00
1

The Coen Brothers - - Bog - University Press of Mississippi - Plusbog.dk

Comics and the U.S. South - - Bog - University Press of Mississippi - Plusbog.dk

The War on Poverty in Mississippi - Emma J. Folwell - Bog - University Press of Mississippi - Plusbog.dk

The War on Poverty in Mississippi - Emma J. Folwell - Bog - University Press of Mississippi - Plusbog.dk

President Lyndon B. Johnson's war on poverty instigated a ferocious backlash in Mississippi. Federally funded programs--the embodiment of 1960s liberalism--directly clashed with Mississippi's closed society. From 1965 to 1973, opposing forces transformed the state. In this state-level history of the war on poverty, Emma J. Folwell traces the attempts of white and black Mississippians to address the state's dire economic circumstances through antipoverty programs. At times, the war on poverty became a powerful tool for black empowerment. But more often, antipoverty programs served as a potent catalyst of white resistance to black advancement. After the momentous events of 1964, both black activism and white opposition to black empowerment evolved due to these federal efforts. White Mississippians deployed massive resistance in part to stifle any black economic empowerment, twisting antipoverty programs into tools to marginalize black political power. Folwell uncovers how the grassroots war against the war on poverty laid the foundation for the fight against 1960s liberalism, as Mississippi became a national model for stonewalling social change. As Folwell indicates, many white Mississippians hardwired elements of massive resistance into the political, economic, and social structure. Meanwhile, they abandoned the Democratic Party and honed the state's Republican Party, spurred by a new conservatism.

DKK 1029.00
1

The Story of French New Orleans - Dianne Guenin Lelle - Bog - University Press of Mississippi - Plusbog.dk

The Story of French New Orleans - Dianne Guenin Lelle - Bog - University Press of Mississippi - Plusbog.dk

What is it about the city of New Orleans? History, location, and culture continue to link it to France while distancing it culturally and symbolically from the United States. This book explores the traces of French language, history, and artistic expression that have been present there over the last three hundred years. This volume focuses on the French, Spanish, and American colonial periods to understand the imprint that French sociocultural dynamic left on the Crescent City. The migration of Acadians to New Orleans at the time the city became a Spanish dominion and the arrival of Haitian refugees when the city became an American territory oddly reinforced its Francophone identity. However, in the process of establishing itself as an urban space in the antebellum South, the culture of New Orleans became a liability for New Orleans elite after the Louisiana Purchase. New Orleans and the Caribbean share numerous historical, cultural, and linguistic connections. The book analyzes these connections and the shared process of creolization occurring in New Orleans and throughout the Caribbean Basin. It suggests "French" New Orleans might be understood as a trope for unscripted "original" Creole social and cultural elements. Since being Creole came to connote African descent, the study suggests that an association with France in the minds of whites allowed for a less racially bound and contested social order within the United States.

DKK 240.00
1

Let's Make Some Noise - Clarence Bernard Henry - Bog - University Press of Mississippi - Plusbog.dk

Let's Make Some Noise - Clarence Bernard Henry - Bog - University Press of Mississippi - Plusbog.dk

Clarence Bernard Henry''s book is a culmination of several years of field research on sacred and secular influences of àsé, the West African Yoruba concept that spread to Brazil and throughout the African Diaspora. Àsé is imagined as power and creative energy bestowed upon human beings by ancestral spirits acting as guardians. In Brazil, the West African Yoruba concept of àsé is known as axé and has been reinvented, transmitted, and nurtured in Candomblé, an Afro-Brazilian religion that is practiced in Salvador, Bahia.The author examines how the concepts of axé and Candomblé religion have been appropriated and reinvented in Brazilian popular music and culture. Featuring interviews with practitioners and local musicians, the book explains how many Brazilian popular music styles such as samba, bossa nova, samba-reggae, ijexá, and axé have musical and stylistic elements that stem from Afro-Brazilian religion. The book also discusses how young Afro-Brazilians combine Candomblé religious music with African American music such as blues, jazz, gospel, soul, funk, and rap.Henry argues for the importance of axé as a unifying force tying together the secular and sacred Afro-Brazilian musical landscape.Clarence Bernard Henry is an independent scholar living in Newark, New Jersey. He has taught at the University of Kansas and his writing has appeared in Journal of Caribbean Studies, Journal of Latin American Lore, and other publications.

DKK 312.00
1

World War I and Southern Modernism - David A. Davis - Bog - University Press of Mississippi - Plusbog.dk

World War I and Southern Modernism - David A. Davis - Bog - University Press of Mississippi - Plusbog.dk

Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.

DKK 312.00
1

Creating the Jazz Solo - Vic Hobson - Bog - University Press of Mississippi - Plusbog.dk

Creating the Jazz Solo - Vic Hobson - Bog - University Press of Mississippi - Plusbog.dk

Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, "I figure singing and playing is the same," or, "Singing was more into my blood than the trumpet." Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.

DKK 312.00
1

Toni Morrison and the Natural World - Anissa Janine Wardi - Bog - University Press of Mississippi - Plusbog.dk

Toni Morrison and the Natural World - Anissa Janine Wardi - Bog - University Press of Mississippi - Plusbog.dk

Critics have routinely excluded African American literature from ecocritical inquiry despite the fact that the literary tradition has, from its inception, proved to be steeped in environmental concerns that address elements of the natural world and relate nature to the transatlantic slave trade, plantation labor, and nationhood. Toni Morrison''s work is no exception. Toni Morrison and the Natural World: An Ecology of Color is the first full-length ecocritical investigation of the Nobel Laureate''s novels and brings to the fore an unequaled engagement between race and nature. Morrison''s ecological consciousness holds that human geographies are enmeshed with nonhuman nature. It follows, then, that ecology, the branch of biology that studies how people relate to each other and their environment, is an apt framework for this book. The interrelationships and interactions between individuals and community, and between organisms and the biosphere, are central to this analysis. They highlight that the human and nonhuman are part of a larger ecosystem of interfacings and transformations. Toni Morrison and the Natural World is organized by color, examining soil (brown) in The Bluest Eye and Paradise; plant life (green) in Song of Solomon, Beloved, and Home; bodies of water (blue) in Tar Baby and Love; and fire (orange) in Sula and God Help the Child. By providing a racially inflected reading of nature, Toni Morrison and the Natural World makes an important contribution to the field of environmental studies and provides a landmark for Morrison scholarship.

DKK 267.00
1

From Wallflowers to Bulletproof Families - Abbye E. Meyer - Bog - University Press of Mississippi - Plusbog.dk

From Wallflowers to Bulletproof Families - Abbye E. Meyer - Bog - University Press of Mississippi - Plusbog.dk

Uses of disability in literature are often problematic and harmful to disabled people. This is also true, of course, in children''s and young adult literature, but interestingly, when disability is paired and confused with adolescence in narratives, interesting, complex arcs often arise. In From Wallflowers to Bulletproof Families: The Power of Disability in Young Adult Narratives , author Abbye E. Meyer examines different ways authors use and portray disability in literature. She demonstrates how narratives about and for young adults differ from the norm. With a distinctive young adult voice based in disability, these narratives allow for readings that conflate and complicate both adolescence and disability. Throughout, Meyer examines common representations of disability and more importantly, the ways that young adult narratives expose these tropes and explicitly challenge harmful messages they might otherwise reinforce. She illustrates how two-dimensional characters allow literary metaphors to work, while forcing texts to ignore reality and reinforce the assumption that disability is a problem to be fixed. She sifts the freak characters, often marked as disabled, and she reclaims the derided genre of problem novels arguing they empower disabled characters and introduce the goals of disability-rights movements. The analysis offered expands to include narratives in other media: nonfiction essays and memoirs, songs, television series, films, and digital narratives. These contemporary works, affected by digital media, combine elements of literary criticism, narrative expression, disability theory, and political activism to create and represent the solidarity of family-like communities.

DKK 303.00
1

King Cotton in Modern America - D. Clayton Brown - Bog - University Press of Mississippi - Plusbog.dk

King Cotton in Modern America - D. Clayton Brown - Bog - University Press of Mississippi - Plusbog.dk

King Cotton in Modern America places the once preeminent southern crop in historical perspective, showing how "cotton culture" was actually part of the larger culture of the United States despite the widespread perception of its cultivation and sources as hopelessly backward. Leaders in the industry, acting through the National Cotton Council, organized their various and often conflicting segments to make the commodity a viable part of the greater American economy. The industry faced new challenges, particularly the rise of foreign competition in production and the increase of man-made fibers in the consumer market.Modernization and efficiency became key elements for cotton planters. The proliferation of cotton fields in the western states after 1945 enabled America to compete in the world cotton market, but internal dissension developed between the traditional regions of the South and the new areas in the West, particularly over the USDA cotton allotment program. Mechanization had profound social and economic impacts.Combining history with music and literature, D. Clayton Brown carries cotton''s story to the present with a special emphasis on the meaning of cotton in the lore of Memphis''s Beale Street, blues music, and African American migration.D. Clayton Brown, Fort Worth, Texas, is professor of history at Texas Christian University in Fort Worth. He is the author of Electricity for Rural America: The Fight for the REA, the children''s book Dwight D. Eisenhower: The Space Race and Cold War, and Globalization and America since 1945.

DKK 858.00
1

Racial Uplift and American Music, 1878-1943 - Lawrence Schenbeck - Bog - University Press of Mississippi - Plusbog.dk

Racial Uplift and American Music, 1878-1943 - Lawrence Schenbeck - Bog - University Press of Mississippi - Plusbog.dk

Racial Uplift and American Music, 1878-1943 traces the career of racial uplift ideology as a factor in elite African Americans' embrace of classical music around the turn of the previous century, from the collapse of Reconstruction to the death of composer/conductor R. Nathaniel Dett, whose music epitomized ""uplift.""After Reconstruction many black leaders had retreated from emphasizing ""inalienable rights"" to a narrower rationale for equality and inclusion: they now sought to rehabilitate the race's image by stressing class distinctions, respectable middle-class behavior, and service to the masses. Musically, the black intelligentsia resorted to European models as vehicles for cultural vindication. Their response to racism was to create and promote morally positive, politically inoffensive art that idealized the race. By incorporating black folk elements into the dignified genres of art song, symphony, and opera, ""uplifters"" demonstrated worthiness through high achievement in acknowledged arenas. Their efforts were variously opposed, tolerated, or supported by a range of white elites with their own notions about African American culture. The resulting conversation--more a stew of arguments than a dialogue--occupied the pages of black newspapers and informed the work of white philanthropists. Women also played crucial roles. Racial Uplift and American Music, 1878-1943 examines the lives and thought of personalities central to musical uplift--Dett, Sears CEO Julius Rosenwald, author James Monroe Trotter, sociologist W. E. B. Du Bois, journalist Nora Douglas Holt, and others--with an eye to recognizing their contributions and restoring their stature.

DKK 558.00
1