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The Elements of Foucault - Gregg Lambert - Bog - University of Minnesota Press - Plusbog.dk

The Elements of Foucault - Gregg Lambert - Bog - University of Minnesota Press - Plusbog.dk

A new conceptual diagram of Foucault’s original vision of the biopolitical order The history around the critical reception of Michel Foucault’s published writings is troubled, according to Gregg Lambert, especially in light of the controversy surrounding his late lectures on biopolitics and neoliberal governmentality. In this book, Lambert’s unique approach distills Foucault’s thought into its most basic components in order to more fully understand its method and its own immanent rules of construction. The Elements of Foucault presents a critical study of Foucault’s concept of method from the earlier History of Sexuality, Volume 1, to his later lectures. Lambert breaks down Foucault’s post-1975 analysis of the idea of biopower into four elements: the method, the conceptual device (i.e., dispositif), the grid of intelligibility, and the notion of “milieu.” Taken together, these elements compose the diagram of Foucault’s early analysis and the emergence of the neoliberal political economy. Lambert further delves into how Foucault’s works have been used and misused over time, challenging the periodization of Foucault’s later thought in scholarship as well as the major and most influential readings of Foucault by other contemporary philosophers—in particular Gilles Deleuze and Giorgio Agamben. The Elements of Foucault is the first generally accessible, yet rigorous and comprehensive, discussion of lectures and major published works of Foucault’s post-1975 theory of biopower and of the major innovation of the concept of dispositif. It is also the first critical work to address the important influence of French philosopher Georges Canghuilhem on Foucault’s thought.

DKK 220.00
1

Elements of a Philosophy of Technology - Ernst Kapp - Bog - University of Minnesota Press - Plusbog.dk

Elements of a Philosophy of Technology - Ernst Kapp - Bog - University of Minnesota Press - Plusbog.dk

The first philosophy of technology, constructing humans as technological and technology as an underpinning of all culture Ernst Kapp was a foundational scholar in the fields of media theory and philosophy of technology. His 1877 Elements of a Philosophy of Technology is a visionary study of the human body and its relationship with the world that surrounds it. At the book’s core is the concept of “organ projection”: the notion that humans use technology in an effort to project their organs to the outside, to be understood as “the soul apparently stepping out of the body in the form of a sending-out of mental qualities” into the world of artifacts. Kapp applies this theory of organ projection to various areas of the material world-the axe externalizes the arm, the lens the eye, the telegraphic system the neural network. From the first tools to acoustic instruments, from architecture to the steam engine and the mechanic routes of the railway, Kapp’s analysis shifts from “simple” tools to more complex network technologies to examine the projection of relations. What emerges from Kapp’s prophetic work is nothing less than the emergence of early elements of a cybernetic paradigm.

DKK 970.00
1

Elements of a Philosophy of Technology - Ernst Kapp - Bog - University of Minnesota Press - Plusbog.dk

Elements of a Philosophy of Technology - Ernst Kapp - Bog - University of Minnesota Press - Plusbog.dk

The first philosophy of technology, constructing humans as technological and technology as an underpinning of all culture Ernst Kapp was a foundational scholar in the fields of media theory and philosophy of technology. His 1877 Elements of a Philosophy of Technology is a visionary study of the human body and its relationship with the world that surrounds it. At the book’s core is the concept of “organ projection”: the notion that humans use technology in an effort to project their organs to the outside, to be understood as “the soul apparently stepping out of the body in the form of a sending-out of mental qualities” into the world of artifacts. Kapp applies this theory of organ projection to various areas of the material world—the axe externalizes the arm, the lens the eye, the telegraphic system the neural network. From the first tools to acoustic instruments, from architecture to the steam engine and the mechanic routes of the railway, Kapp’s analysis shifts from “simple” tools to more complex network technologies to examine the projection of relations. What emerges from Kapp’s prophetic work is nothing less than the emergence of early elements of a cybernetic paradigm.

DKK 246.00
1

Alien Phenomenology, or What It’s Like to Be a Thing - Prof. Ian Bogost - Bog - University of Minnesota Press - Plusbog.dk

Alien Phenomenology, or What It’s Like to Be a Thing - Prof. Ian Bogost - Bog - University of Minnesota Press - Plusbog.dk

Humanity has sat at the center of philosophical thinking for too long. The recent advent of environmental philosophy and posthuman studies has widened our scope of inquiry to include ecosystems, animals, and artificial intelligence. Yet the vast majority of the stuff in our universe, and even in our lives, remains beyond serious philosophical concern. In Alien Phenomenology, or What It’s Like to Be a Thing , Ian Bogost develops an object-oriented ontology that puts things at the center of being—a philosophy in which nothing exists any more or less than anything else, in which humans are elements but not the sole or even primary elements of philosophical interest. And unlike experimental phenomenology or the philosophy of technology, Bogost’s alien phenomenology takes for granted that all beings interact with and perceive one another. This experience, however, withdraws from human comprehension and becomes accessible only through a speculative philosophy based on metaphor. Providing a new approach for understanding the experience of things as things, Bogost also calls on philosophers to rethink their craft. Drawing on his own background as a videogame designer, Bogost encourages professional thinkers to become makers as well, engineers who construct things as much as they think and write about them.

DKK 191.00
1

Film Hieroglyphs - Tom Conley - Bog - University of Minnesota Press - Plusbog.dk

Film Hieroglyphs - Tom Conley - Bog - University of Minnesota Press - Plusbog.dk

At a time when traditional film theory privileged the purely visual, Film Hieroglyphs introduced a new way of watching film—examining the ways in which writing bears on cinema. Author Tom Conley gives special consideration to the points (ruptures) at which story, image, and writing appear to be at odds with one another.Conley hypothesizes that major directors—Renoir, Lang, Walsh, Rossellini—tend unconsciously to meld history and ideology. Graphic elements are seen as simultaneously foreign and integral to the field of the image. From these contradictions hieroglyphs emerge that mark a design attesting to a hidden rhetoric and to configurations of meaning that cinema cannot always control.Tom Conley is Lowell Professor of romance languages and visual and environmental studies at Harvard University. Among his books is The Self-Made Map (1996), as well as translations of The Fold (1992) by Gilles Deleuze and In the Metro (2002) by Marc Augé, all available from the University of Minnesota Press.

DKK 237.00
1

Power and Elusiveness in Shelley - Oscar W. Firkins - Bog - University of Minnesota Press - Plusbog.dk

Power and Elusiveness in Shelley - Oscar W. Firkins - Bog - University of Minnesota Press - Plusbog.dk

Power and Elusiveness in Shelley was first published in 1937. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This is a discussion in measured prose of the strange yet frequent union of various abstract elements in Shelley''s poetry. The study contains an interesting analysis of the thesis that Shelley''s "love of abstraction is only one form—probably the most obvious and the most significant form—of a larger and more general tendency." The object of this essay, in the author''s words, "is to collect and combine the manifestations of this larger tendency." The two great "abstractions" that Firkins selects as the touchstones in his study he generalizes as "power" and "elusiveness," and he shows how these seemingly antithetical qualities are united in both the structure and the style of all Shelley''s chief poems.

DKK 321.00
1

Markets - Philip Mirowski - Bog - University of Minnesota Press - Plusbog.dk

Markets - Philip Mirowski - Bog - University of Minnesota Press - Plusbog.dk

A media theory of markets Markets abound in media—but a media theory of markets is still emerging. Anthropology offers media archaeologies of markets, and the sociology of markets and finance unravels how contemporary financial markets have witnessed a media technological arms race. Building on such work, this volume brings together key thinkers of economic studies with German media theory, describes the central role of the media specificity of markets in new detail and inflects them in three distinct ways. Nik-Khah and Mirowski show how the denigration of human cognition and the concomitant faith in computation prevalent in contemporary market-design practices rely on neoliberal conceptions of information in markets. Schröter confronts the asymmetries and abstractions that characterize money as a medium and explores the absence of money in media. Beverungen situates these inflections and gathers further elements for a politically and historically attuned media theory of markets concerned with contemporary phenomena such as high-frequency trading and cryptocurrencies.

DKK 170.00
1

The Undocumented Everyday - Rebecca M. Schreiber - Bog - University of Minnesota Press - Plusbog.dk

The Undocumented Everyday - Rebecca M. Schreiber - Bog - University of Minnesota Press - Plusbog.dk

Examining how undocumented migrants are using film, video, and other documentary media to challenge surveillance, detention, and deportation As debates over immigration increasingly become flashpoints of political contention in the United States, a variety of advocacy groups, social service organizations, filmmakers, and artists have provided undocumented migrants with the tools and training to document their experiences. In The Undocumented Everyday, Rebecca M. Schreiber examines the significance of self-representation by undocumented Mexican and Central American migrants, arguing that by centering their own subjectivity and presence through their use of documentary media, these migrants are effectively challenging intensified regimes of state surveillance and liberal strategies that emphasize visibility as a form of empowerment and inclusion. Schreiber explores documentation as both an aesthetic practice based on the visual conventions of social realism and a state-administered means of identification and control. As Schreiber shows, by visualizing new ways of belonging not necessarily defined by citizenship, these migrants are remaking documentary media, combining formal visual strategies with those of amateur photography and performative elements to create a mixed-genre aesthetic. In doing so, they make political claims and create new forms of protection for migrant communities experiencing increased surveillance, detention, and deportation.

DKK 884.00
1

The Traditional Theory of Literature - Ray Livingston - Bog - University of Minnesota Press - Plusbog.dk

The Traditional Theory of Literature - Ray Livingston - Bog - University of Minnesota Press - Plusbog.dk

The Traditional Theory of Literature was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Through a study of works of the contemporary Indian scholar Ananda K. Coomaraswamy, as well as of other exponents of the ancient doctrine of the Perennial Philosophy, Professor Livingston develops and explicates a traditional theory of literature. Coomaraswamy, who died in 1947, published widely on a broad range of subjects in art, philosophy, literature, and other fields. Although he is relatively little known, those acquainted with is work acclaim him as one of the great thinkers of our time. His study and writing were devoted primarily to bridging the gap between Oriental and Western cultures. From the treasury of traditional learning which Coomaraswamy amassed in his profusion of books and articles, Professor Livingston has drawn those elements which contribute to an essential theory of literature. Although he quotes from some of Coomaraswamy's Oriental sources, he delineates the theory in an idiom that is more familiar to the West, as stated or implied in the works of Dante, Milton, and Blake, among others.

DKK 380.00
1

Questions Of Modernity - Timothy Mitchell - Bog - University of Minnesota Press - Plusbog.dk

Questions Of Modernity - Timothy Mitchell - Bog - University of Minnesota Press - Plusbog.dk

Well-known contributors offer an illuminating look at how modernity develops in non-Western contexts. Modernity has always laid claim to universal certainty—which meant assigning a different and lesser significance to anything deemed purely local, non-Western, or lacking a universal expression. This book makes those very non-Western, non-universal elements the tools for fashioning a more complex, rigorous, and multifaceted understanding of how the modern comes about. Focusing on the making of modernity outside the West, eight leading anthropologists, historians, and political theorists explore the production of new forms of politics, sensibility, temporality, and selfhood in locations ranging from nineteenth-century Bengal to contemporary Morocco. Topics include the therapeutics of colonial medical practice, the multiple registers of popular film, television serials and their audiences, psychiatrists and their patients, the iconic figure of the young widow, and the emergence of new political forms beyond the grasp of civil society. Contributors: Lila Abu-Lughod, Columbia U; Dipesh Chakrabarty, U of Chicago; Partha Chatterjee, Centre for Studies in Social Sciences, Calcutta; Veena Das, U of Delhi; Nicholas B. Dirks, Columbia U; Stefania Pandolfo, UC Berkeley; and Gyan Prakash, Princeton U.

DKK 522.00
1

Charles Biederman - Susan C. Larsen - Bog - University of Minnesota Press - Plusbog.dk

Charles Biederman - Susan C. Larsen - Bog - University of Minnesota Press - Plusbog.dk

The most comprehensive resource on this major American artist Charles Biederman (b. 1906) has been active in the avant-garde for three-quarters of a century. From his early experiments with cubism and surrealism to the brightly colored aluminum sculptures he constructed through the 1990s, he has pioneered art forms, styles, and theories. This book presents a comprehensive, up-to-date overview of the career of this influential artist, and features full-color illustrations of dozens of Biederman’s paintings, drawings, and signature three-dimensional aluminum constructions. A native Midwesterner, Biederman participated actively in the art communities of Chicago, New York, and Paris during the 1920s and 1930s, interacting with Joan Miró, Wassily Kandinsky, Fernand Léger, Jean Arp, and Pablo Picasso. His expressionist figures evolved into works of geometric abstraction, and beginning in the early 1940s he rejected the international art centers to focus on his primary influence, Paul Cézanne, and the symbiosis of art and nature. Biederman immersed himself in the landscape of the American Midwest and developed his theory of Structurism: the abstract translation of nature into pure visual elements of color, plane, and form. Distributed for the Frederick R. Weisman Art Museum

DKK 220.00
1

Corridor - Kate Marshall - Bog - University of Minnesota Press - Plusbog.dk

Corridor - Kate Marshall - Bog - University of Minnesota Press - Plusbog.dk

Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity’s least remarkable structures, such as plumbing, ductwork, and airshafts, Kate Marshall discovers a rich network of connections between corridors and novels, one that also sheds new light on the nature of modern media. The corridor is the dominant organizational structure in modern architecture, yet its various functions are taken for granted, and it tends to disappear from view. But, as Marshall shows, even the most banal structures become strangely visible in the noisy communication systems of American fiction. By examining the link between modernist novels and corridors, Marshall demonstrates the ways architectural elements act as media. In a fresh look at the late naturalist fiction of the 1920s, ’30s, and ’40s, she leads the reader through the fetus-clogged sewers of Manhattan Transfer to the corpse-choked furnaces of Native Son and reveals how these invisible spaces have a fascinating history in organizing the structure of modern persons. Portraying media as not only objects but processes, Marshall develops a new idiom for Americanist literary criticism, one that explains how media studies can inform our understanding of modernist literature.

DKK 573.00
1

Corridor - Kate Marshall - Bog - University of Minnesota Press - Plusbog.dk

Corridor - Kate Marshall - Bog - University of Minnesota Press - Plusbog.dk

Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity’s least remarkable structures, such as plumbing, ductwork, and airshafts, Kate Marshall discovers a rich network of connections between corridors and novels, one that also sheds new light on the nature of modern media. The corridor is the dominant organizational structure in modern architecture, yet its various functions are taken for granted, and it tends to disappear from view. But, as Marshall shows, even the most banal structures become strangely visible in the noisy communication systems of American fiction. By examining the link between modernist novels and corridors, Marshall demonstrates the ways architectural elements act as media. In a fresh look at the late naturalist fiction of the 1920s, ’30s, and ’40s, she leads the reader through the fetus-clogged sewers of Manhattan Transfer to the corpse-choked furnaces of Native Son and reveals how these invisible spaces have a fascinating history in organizing the structure of modern persons. Portraying media as not only objects but processes, Marshall develops a new idiom for Americanist literary criticism, one that explains how media studies can inform our understanding of modernist literature.

DKK 237.00
1

Mirror Affect - Cristina Albu - Bog - University of Minnesota Press - Plusbog.dk

Mirror Affect - Cristina Albu - Bog - University of Minnesota Press - Plusbog.dk

For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements such as mirrors, live video feedback, or sensors, draw attention to affective interdependence and mechanisms of social control. In Mirror Affect, Albu provides a historical account of mirroring processes in contemporary art and offers insight into the phenomenological and sociopolitical concerns that have inspired artists to stage processes of affective, perceptual, and behavioral mirroring between art viewers. Beginning with the 1960s, Albu charts the rise of interpersonal modes of art spectatorship. She reveals contemporary artists’ strategic use of reflective and responsive interfaces to instill doubt in visual representation and appeal to active scrutiny of the changing social dynamics. She suggests that the mirroring processes envisioned by contemporary artists such as Joan Jonas, Dan Graham, Lynn Hershman Leeson, Olafur Eliasson, and Rafael Lozano-Hemmer trigger visual disjunctions to upset narcissistic inclinations. They invite viewers to see themselves in relation to others and to ponder their role within complex social systems. From sculpture and performance to art and technology projects, video art, and installation art, Mirror Affect analyzes forms of interpersonal spectatorship, revising and expanding current historiographies of participatory art.

DKK 254.00
1

Mirror Affect - Cristina Albu - Bog - University of Minnesota Press - Plusbog.dk

Mirror Affect - Cristina Albu - Bog - University of Minnesota Press - Plusbog.dk

For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements such as mirrors, live video feedback, or sensors, draw attention to affective interdependence and mechanisms of social control. In Mirror Affect, Albu provides a historical account of mirroring processes in contemporary art and offers insight into the phenomenological and sociopolitical concerns that have inspired artists to stage processes of affective, perceptual, and behavioral mirroring between art viewers. Beginning with the 1960s, Albu charts the rise of interpersonal modes of art spectatorship. She reveals contemporary artists’ strategic use of reflective and responsive interfaces to instill doubt in visual representation and appeal to active scrutiny of the changing social dynamics. She suggests that the mirroring processes envisioned by contemporary artists such as Joan Jonas, Dan Graham, Lynn Hershman Leeson, Olafur Eliasson, and Rafael Lozano-Hemmer trigger visual disjunctions to upset narcissistic inclinations. They invite viewers to see themselves in relation to others and to ponder their role within complex social systems. From sculpture and performance to art and technology projects, video art, and installation art, Mirror Affect analyzes forms of interpersonal spectatorship, revising and expanding current historiographies of participatory art.

DKK 960.00
1

The Market-Planned Economy of Yugoslavia - Svetozar Pejovich - Bog - University of Minnesota Press - Plusbog.dk

The Market-Planned Economy of Yugoslavia - Svetozar Pejovich - Bog - University of Minnesota Press - Plusbog.dk

The Market-Planned Economy of Yugoslavia was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The Yugoslavian economic system, combining, as it does, elements of Marxist socialism with many aspects of free enterprise, represents a challenging experiment which is being closely watched by students of economic and political theory. The system has attracted serious attention in the emerging nations of Asia and Africa and, more recently, in the Soviet Union itself. Though they retain socialist, state-centered goals, the Yugoslavs have introduced a great deal of decentralization and individual incentive and have allowed production to be largely regulated by the demand of a relatively free market instead of by predetermined quotas and plans. Professor Pejovich describes and analyzes this economic system, as it affects both the overall economy and the individual firm. He then provides a theoretical analysis in which he points out implications for economic theory and for the theory of socialism as well as the practical significance of the Yugoslavian experiment. The stud makes an important contribution in combining the economic theory of socialism formulated in the pioneering work of Oskar Lange with the theory of economic development if Joseph Schumpeter, whose concepts are discussed by Dr. Pejovich in an appendix.

DKK 321.00
1

Building Zion - Thomas Carter - Bog - University of Minnesota Press - Plusbog.dk

Building Zion - Thomas Carter - Bog - University of Minnesota Press - Plusbog.dk

For Mormons, the second coming of Christ and the subsequent millennium will arrive only when the earth has been perfected through the building of a model world called Zion. Throughout the nineteenth century the Latter-day Saints followed this vision, creating a material world—first in Missouri and Illinois but most importantly and permanently in Utah and surrounding western states—that serves as a foundation for understanding their concept of an ideal universe. Building Zion is, in essence, the biography of the cultural landscape of western LDS settlements. Through the physical forms Zion assumed, it tells the life story of a set of Mormon communities—how they were conceived and constructed and inhabited—and what this material manifestation of Zion reveals about what it meant to be a Mormon in the nineteenth century. Focusing on a network of small towns in Utah, Thomas Carter explores the key elements of the Mormon cultural landscape: town planning, residences (including polygamous houses), stores and other nonreligious buildings, meetinghouses, and temples. Zion, we see, is an evolving entity, reflecting the church’s shift from group-oriented millenarian goals to more individualized endeavors centered on personal salvation and exaltation. Building Zion demonstrates how this cultural landscape draws its singularity from a unique blending of sacred and secular spaces, a division that characterized the Mormon material world in the late nineteenth century and continues to do so today.

DKK 304.00
1

Tsuchi - Bert Winther Tamaki - Bog - University of Minnesota Press - Plusbog.dk

Tsuchi - Bert Winther Tamaki - Bog - University of Minnesota Press - Plusbog.dk

An examination of Japanese contemporary art through the lens of ecocriticism and environmental history Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country’s turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth. In the seven decades following 1955, Japan has experienced severe environmental degradation as a result of natural disasters, industrial pollution, and nuclear irradiation. Artists have responded to these ongoing catastrophes through modes of “mudlarking” and “muckracking,” utilizing raw elements from nature to establish deeper contact with the primal resources of their world and expose its unfettered contamination. Providing a comparative assessment of more than seventy works of art, this study reveals Japanese artists’ engagement with a richly diverse repertoire of earthy materialities, elucidating their aesthetic properties, changing conditions, and cultural significance. By focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, Tsuchi shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.

DKK 287.00
1

Cyberspaces of Everyday Life - Mark Nunes - Bog - University of Minnesota Press - Plusbog.dk

Cyberspaces of Everyday Life - Mark Nunes - Bog - University of Minnesota Press - Plusbog.dk

Networks and computer-mediated communication now penetrate the spaces of everyday life at a fundamental level. We communicate, work, bank, date, check the weather, and fuel conspiracy theories online. In each instance, users interact with network technology as much more than a computational device. Cyberspaces of Everyday Life provides a critical framework for understanding how the Internet takes part in the production of social space. Mark Nunes draws on the spatial analysis work of Henri Lefebvre to make sense of cyberspace as a social product. Looking at online education, he explores the ways in which the Internet restructures the university. Nunes also examines social uses of the World Wide Web and illustrates the ways online communication alters the relation between the global and the local. He also applies Deleuzian theory to emphasize computer-mediated communications’ performative elements of spatial production. Addressing the social and cultural implications of spam and anti-spam legislation, as well as how the burst Internet stock bubble and the Patriot Act have affected the relationship between networked spaces and daily living, Cyberspaces of Everyday Life sheds new light on the question of virtual space and its role in the offline world. Mark Nunes is associate professor and chair of the English, Technical Communication, and Media Arts Department at Southern Polytechnic State University.

DKK 243.00
1

Cyberspaces of Everyday Life - Mark Nunes - Bog - University of Minnesota Press - Plusbog.dk

Cyberspaces of Everyday Life - Mark Nunes - Bog - University of Minnesota Press - Plusbog.dk

Networks and computer-mediated communication now penetrate the spaces of everyday life at a fundamental level. We communicate, work, bank, date, check the weather, and fuel conspiracy theories online. In each instance, users interact with network technology as much more than a computational device. Cyberspaces of Everyday Life provides a critical framework for understanding how the Internet takes part in the production of social space. Mark Nunes draws on the spatial analysis work of Henri Lefebvre to make sense of cyberspace as a social product. Looking at online education, he explores the ways in which the Internet restructures the university. Nunes also examines social uses of the World Wide Web and illustrates the ways online communication alters the relation between the global and the local. He also applies Deleuzian theory to emphasize computer-mediated communications’ performative elements of spatial production. Addressing the social and cultural implications of spam and anti-spam legislation, as well as how the burst Internet stock bubble and the Patriot Act have affected the relationship between networked spaces and daily living, Cyberspaces of Everyday Life sheds new light on the question of virtual space and its role in the offline world. Mark Nunes is associate professor and chair of the English, Technical Communication, and Media Arts Department at Southern Polytechnic State University.

DKK 574.00
1

By the Waters of Minnetonka - Eric Dregni - Bog - University of Minnesota Press - Plusbog.dk

By the Waters of Minnetonka - Eric Dregni - Bog - University of Minnesota Press - Plusbog.dk

Lake Minnetonka is renowned for its natural beauty as well as the prominent people it has attracted to its shores as a historic site of grand hotels, steamboats, and wealthy visitors from around the world, and as the home of the legendary Excelsior Amusement Park. But did you know that early European settlers to the region faced conditions so dire that they named an outlet of the lake “Purgatory Creek”? Or that a ginseng boom brought slaves to Wayzata to harvest the plant’s roots? Many know that Frank Lloyd Wright designed famous homes around the lake, but few are aware he was also arrested there for living with his mistress and sent to the Hennepin County jail for “white slavery.” By the Waters of Minnetonka uncovers remarkable and hidden facts about the lake and those who have lived on its shores, from the region’s original Dakota inhabitants to the present. Nineteenth-century plantation owners made Minnetonka into a summer vacation playground for the wealthy, and Prohibition-era battles led teetotalers to hoax Minneapolis newspapers about bloody clashes between preachers and saloon owners. Eric Dregni, who grew up in Minnetonka, sheds light on intriguing, if at times unsettling, aspects of the lake’s history, challenging myths and revisiting elements of the past that have been forgotten or glossed over. He also relates—and sometimes pokes fun at—the opulent, glamorous, and sometimes raucous moments that have made Lake Minnetonka an icon of splendid resort living in Minnesota.

DKK 254.00
1

The Soybean Industry - Ray A. Goldberg - Bog - University of Minnesota Press - Plusbog.dk

The Soybean Industry - Ray A. Goldberg - Bog - University of Minnesota Press - Plusbog.dk

The Soybean Industry was first published in 1952. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The rapid development of the soybean industry in the United States is reflected in the growth of the industry in Minnesota, a state that now ranks sixth in total production. This state was one of the last to develop a soybean crop, but in the decade from 1940 to 1950 the dollar value of its crop rose from $76,000 to $37,000,000. Because the industry is a new and important one on the agricultural front, producers and processors in the industry, as well as members of the grain trade and agricultural economists, are faced with the problem of ascertaining the probably future trends of the industry. This study provides a factual basis for the industry's future planning in Minnesota and in other major soybean-producing and processing states. Since the total picture of supply and demand and the operation of the industry within a single state are interrelated and interdependent, the study describes the elements of production, utilization, and processing on international, national, and state levels. These factors are then correlated with significant aspects of transportation, storage, commodity markets, and price formulation for an analysis of the competitive position of the industry in Minnesota. In conclusion, the future of the industry as a whole as well as specifically in Minnesota is estimated.

DKK 380.00
1