79 resultater (0,27242 sekunder)

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

Bioart and the Vitality of Media - Robert E. Mitchell - Bog - University of Washington Press - Plusbog.dk

Bioart and the Vitality of Media - Robert E. Mitchell - Bog - University of Washington Press - Plusbog.dk

Bioart -- art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice -- now receives enormous media attention. Yet despite this attention, bioart is frequently misunderstood. Bioart and the Vitality of Media is the first comprehensive theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.Mitchell begins by sketching a brief history of bioart in the twentieth and twenty-first centuries, describing the artistic, scientific, and social preconditions that made it conceptually and technologically possible. He illustrates how bioartists employ technologies and practices from the medical and life sciences in an effort to transform relationships among science, medicine, corporate interests, and the public. By illustrating the ways in which bioart links a biological understanding of media -- that is, “media” understood as the elements of an environment that facilitate the growth and development of living entities -- with communicational media, Bioart and the Vitality of Media demonstrates how art and biotechnology together change our conceptions and practices of mediation. Reading bioart through a range of resources, from Immanuel Kant’s discussion of disgust to Gilles Deleuze’s theory of affect to Gilbert Simondon’s concept of “individuation,” provides readers with a new theoretical approach for understanding bioart and its relationships to both new media and scientific institutions.

DKK 970.00
1

Bioart and the Vitality of Media - Robert E. Mitchell - Bog - University of Washington Press - Plusbog.dk

Bioart and the Vitality of Media - Robert E. Mitchell - Bog - University of Washington Press - Plusbog.dk

Bioart -- art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice -- now receives enormous media attention. Yet despite this attention, bioart is frequently misunderstood. Bioart and the Vitality of Media is the first comprehensive theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.Mitchell begins by sketching a brief history of bioart in the twentieth and twenty-first centuries, describing the artistic, scientific, and social preconditions that made it conceptually and technologically possible. He illustrates how bioartists employ technologies and practices from the medical and life sciences in an effort to transform relationships among science, medicine, corporate interests, and the public. By illustrating the ways in which bioart links a biological understanding of media -- that is, “media” understood as the elements of an environment that facilitate the growth and development of living entities -- with communicational media, Bioart and the Vitality of Media demonstrates how art and biotechnology together change our conceptions and practices of mediation. Reading bioart through a range of resources, from Immanuel Kant’s discussion of disgust to Gilles Deleuze’s theory of affect to Gilbert Simondon’s concept of “individuation,” provides readers with a new theoretical approach for understanding bioart and its relationships to both new media and scientific institutions.

DKK 278.00
1

Sami Media and Indigenous Agency in the Arctic North - Coppelie Cocq - Bog - University of Washington Press - Plusbog.dk

Sami Media and Indigenous Agency in the Arctic North - Coppelie Cocq - Bog - University of Washington Press - Plusbog.dk

Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In Sámi Media and Indigenous Agency in the Arctic North , Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas.In more contemporary contexts—from YouTube music videos that combine rock and joik (a traditional Sámi musical genre) to Twitter hashtags that publicize protests against mining projects in Sámi lands—Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.

DKK 970.00
1

Sami Media and Indigenous Agency in the Arctic North - Coppelie Cocq - Bog - University of Washington Press - Plusbog.dk

Sami Media and Indigenous Agency in the Arctic North - Coppelie Cocq - Bog - University of Washington Press - Plusbog.dk

Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In Sámi Media and Indigenous Agency in the Arctic North , Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas.In more contemporary contexts—from YouTube music videos that combine rock and joik (a traditional Sámi musical genre) to Twitter hashtags that publicize protests against mining projects in Sámi lands—Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.

DKK 278.00
1

Reporting for China - Pal Nyiri - Bog - University of Washington Press - Plusbog.dk

Reporting for China - Pal Nyiri - Bog - University of Washington Press - Plusbog.dk

Contentious Journalism and the Internet - Cherian George - Bog - University of Washington Press - Plusbog.dk

Vigilante Newspapers - Gerald J. Baldasty - Bog - University of Washington Press - Plusbog.dk

Vigilante Newspapers - Gerald J. Baldasty - Bog - University of Washington Press - Plusbog.dk

This riveting work of social history documents the role the news media played in spurring two murders revolving around Edmund Creffield, a charismatic "Holy Roller" evangelist who arrived in Corvallis, Oregon, in 1903 and quickly enraged the citizenry by defiantly challenging the religious and sexual mores of the time. When ardent female followers began refusing to speak to their nonbelieving husbands, vigilantes tarred and feathered Creffield, eventually forcing him to flee to Seattle.Once there, Creffield was murdered by George Mitchell, the brother of one of his followers. The news media in Seattle and Oregon applauded George''s defense of his sister Esther''s honor, influencing the jury. Citing temporary insanity, the jury quickly acquitted George, pleasing the cheering crowds and the approving media. As George prepared to return to Oregon, however, Esther shot him point-blank at Union Station and another moralizing media frenzy broke out. Esther was sent to Western State Hospital and committed suicide after her release. Her short life was among the most poignant of the dozens wrecked by the controversy.Gerald Baldasty''s examination of Seattle and Oregon media coverage shows the tenacity with which frontier media protected traditional mores, particularly the notion that men are responsible for women''s purity and have the right to take action if they feel another man has besmirched a woman''s honor. Expertly crafted in a brisk, accessible style, Vigilante Newspapers illustrates through the tragic tale of Edmund Creffield, George Mitchell, and Esther Mitchell how the news media defined social deviance using vague concepts such as hysteria and temporary insanity, vigorously defending the established order of religious, class, and gender norms.

DKK 268.00
1

Unruly Figures - Navaneetha Mokkil - Bog - University of Washington Press - Plusbog.dk

DKK 262.00
1

Unruly Figures - Navaneetha Mokkil - Bog - University of Washington Press - Plusbog.dk

DKK 970.00
1

Yumeji Modern - Nozomi Naoi - Bog - University of Washington Press - Plusbog.dk

Yumeji Modern - Nozomi Naoi - Bog - University of Washington Press - Plusbog.dk

The hugely popular Japanese artist Takehisa Yumeji (1884–1934) is an emblematic figure of Japan's rapidly changing cultural milieu in the early twentieth century. His graphic works include leftist and antiwar illustrations in socialist bulletins, wrenching portrayals of Tokyo after the Great Kanto Earthquake of 1923, and fashionable images of beautiful women—referred to as "Yumeji-style beauties"—in books and magazines that targeted a new demographic of young female consumers. Yumeji also played a key role in the reinvention of the woodblock medium. As his art and designs proliferated in Japan's mass media, Yumeji became a recognizable brand. In the first full-length English-language study of Yumeji's work, Nozomi Naoi examines the artist's role in shaping modern Japanese identity. Addressing his output from the start of his career in 1905 to the 1920s, when his productivity peaked, Yumeji Modern introduces for the first time in English translation a substantial body of Yumeji's texts, including diary entries, poetry, essays, and commentary, alongside his illustrations. Naoi situates Yumeji's graphic art within the emerging media landscape from 1900s through the 1910s, when novel forms of reprographic communication helped create new spaces of visual culture and image circulation. Yumeji's legacy and his present-day following speak to the broader, ongoing implications of his work with respect to commercial art, visual culture, and print media.

DKK 648.00
1

Gordon Parks Centennial - John S. Wright - Bog - University of Washington Press - Plusbog.dk

Migrating the Black Body - - Bog - University of Washington Press - Plusbog.dk

Migrating the Black Body - - Bog - University of Washington Press - Plusbog.dk

Spectacle - - Bog - University of Washington Press - Plusbog.dk

Spectacle - - Bog - University of Washington Press - Plusbog.dk

Feminista Frequencies - Monica De La Torre - Bog - University of Washington Press - Plusbog.dk

Feminista Frequencies - Monica De La Torre - Bog - University of Washington Press - Plusbog.dk

How Chicana and Chicano community radio strengthened a movement and transformed the airwavesBeginning in the 1970s Chicana and Chicano organizers turned to community radio broadcasting to educate, entertain, and uplift Mexican American listeners across the United States. In rural areas, radio emerged as the most effective medium for reaching relatively isolated communities such as migrant farmworkers. And in Washington's Yakima Valley, where the media landscape was dominated by perspectives favorable to agribusiness, community radio for and about farmworkers became a life-sustaining tool. Feminista Frequencies unearths the remarkable history of one of the United States' first full-time Spanish-language community radio stations, Radio KDNA, which began broadcasting in the Yakima Valley in 1979. Extensive interviews reveal the work of Chicana and Chicano producers, on-air announcers, station managers, technical directors, and listeners who contributed to the station's success. Monica De La Torre weaves these oral histories together with a range of visual and audio artifacts, including radio programs, program guides, and photographs to situate KDNA within the larger network of Chicano community-based broadcasting and social movement activism. Feminista Frequencies highlights the development of a public broadcasting model that centered Chicana radio producers and documents the central role of women in developing this infrastructure in the Yakima Valley. De La Torre shows how KDNA revolutionized community radio programming, adding new depth to the history of the Chicano movement, women's activism, and media histories.

DKK 246.00
1

Feminista Frequencies - Monica De De La Torre - Bog - University of Washington Press - Plusbog.dk

Feminista Frequencies - Monica De De La Torre - Bog - University of Washington Press - Plusbog.dk

How Chicana and Chicano community radio strengthened a movement and transformed the airwavesBeginning in the 1970s Chicana and Chicano organizers turned to community radio broadcasting to educate, entertain, and uplift Mexican American listeners across the United States. In rural areas, radio emerged as the most effective medium for reaching relatively isolated communities such as migrant farmworkers. And in Washington's Yakima Valley, where the media landscape was dominated by perspectives favorable to agribusiness, community radio for and about farmworkers became a life-sustaining tool. Feminista Frequencies unearths the remarkable history of one of the United States' first full-time Spanish-language community radio stations, Radio KDNA, which began broadcasting in the Yakima Valley in 1979. Extensive interviews reveal the work of Chicana and Chicano producers, on-air announcers, station managers, technical directors, and listeners who contributed to the station's success. Monica De La Torre weaves these oral histories together with a range of visual and audio artifacts, including radio programs, program guides, and photographs to situate KDNA within the larger network of Chicano community-based broadcasting and social movement activism. Feminista Frequencies highlights the development of a public broadcasting model that centered Chicana radio producers and documents the central role of women in developing this infrastructure in the Yakima Valley. De La Torre shows how KDNA revolutionized community radio programming, adding new depth to the history of the Chicano movement, women's activism, and media histories.

DKK 970.00
1

Vanishing Ice - Barbara C. Matilsky - Bog - University of Washington Press - Plusbog.dk

Protracted Contest - John W. Garver - Bog - University of Washington Press - Plusbog.dk