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Semiotic Flesh - - Bog - University of Washington Press - Plusbog.dk

Suyama - Grant Hildebrand - Bog - University of Washington Press - Plusbog.dk

Suyama - Grant Hildebrand - Bog - University of Washington Press - Plusbog.dk

George Suyama began his architectural practice in Seattle in 1971. His early career is marked by a number of notable designs in the contemporaneous wood idiom of the region. Over time, however, Suyama developed an architecture characterized by a search for minimalist simplicity, a paradoxical architecture of intense, even exciting, tranquility.In 2002, he and partners Ric Peterson and Jay Deguchi established Suyama Peterson Deguchi. Their firm has built a distinguished reputation by means of designs influenced by the immediate region and by Suyama ''s ancestral Japan, which are intimately related to site and executed with an astonishing finesse of detail. Above all, their architecture reflects Suyama ''s quest to eliminate what he calls "visual noise," a quest that has yielded not visual silence but a kind of visual music. Architectural elements are distilled to a purity analogous to that of a musical tone, and relationships between those elements are as pure and artistically rich as the mathematics of music.In Suyama: A Complex Serenity , Grant Hildebrand introduces the man and his work, discussing relevant aspects of Suyama ''s life, the influences that have shaped his beliefs, and twenty of his built and unbuilt projects that illuminate the development of his remarkable art and craft. Included also are appendices that illustrate Suyama ''s deep and long-standing involvement with the arts and product design.

DKK 754.00
1

Umatilla Dictionary - Noel Rude - Bog - University of Washington Press - Plusbog.dk

The Dark Dove - Eugene Webb - Bog - University of Washington Press - Plusbog.dk

The Dark Dove - Eugene Webb - Bog - University of Washington Press - Plusbog.dk

Amelia - Gardner Mcfall - Bog - University of Washington Press - Plusbog.dk

Marrying for a Future - Sidharthan Maunaguru - Bog - University of Washington Press - Plusbog.dk

Marrying for a Future - Sidharthan Maunaguru - Bog - University of Washington Press - Plusbog.dk

State Power in China, 900-1325 - - Bog - University of Washington Press - Plusbog.dk

Ellavut / Our Yup'ik World and Weather - Alice Rearden - Bog - University of Washington Press - Plusbog.dk

Seismic City - Joanna L. Dyl - Bog - University of Washington Press - Plusbog.dk

Seismic City - Joanna L. Dyl - Bog - University of Washington Press - Plusbog.dk

Ellavut / Our Yup'ik World and Weather - Alice Rearden - Bog - University of Washington Press - Plusbog.dk

Structure and Form - David F. Martin - Bog - University of Washington Press - Plusbog.dk

Bioart and the Vitality of Media - Robert E. Mitchell - Bog - University of Washington Press - Plusbog.dk

Bioart and the Vitality of Media - Robert E. Mitchell - Bog - University of Washington Press - Plusbog.dk

Bioart -- art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice -- now receives enormous media attention. Yet despite this attention, bioart is frequently misunderstood. Bioart and the Vitality of Media is the first comprehensive theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.Mitchell begins by sketching a brief history of bioart in the twentieth and twenty-first centuries, describing the artistic, scientific, and social preconditions that made it conceptually and technologically possible. He illustrates how bioartists employ technologies and practices from the medical and life sciences in an effort to transform relationships among science, medicine, corporate interests, and the public. By illustrating the ways in which bioart links a biological understanding of media -- that is, “media” understood as the elements of an environment that facilitate the growth and development of living entities -- with communicational media, Bioart and the Vitality of Media demonstrates how art and biotechnology together change our conceptions and practices of mediation. Reading bioart through a range of resources, from Immanuel Kant’s discussion of disgust to Gilles Deleuze’s theory of affect to Gilbert Simondon’s concept of “individuation,” provides readers with a new theoretical approach for understanding bioart and its relationships to both new media and scientific institutions.

DKK 970.00
1

Bioart and the Vitality of Media - Robert E. Mitchell - Bog - University of Washington Press - Plusbog.dk

Bioart and the Vitality of Media - Robert E. Mitchell - Bog - University of Washington Press - Plusbog.dk

Bioart -- art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice -- now receives enormous media attention. Yet despite this attention, bioart is frequently misunderstood. Bioart and the Vitality of Media is the first comprehensive theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.Mitchell begins by sketching a brief history of bioart in the twentieth and twenty-first centuries, describing the artistic, scientific, and social preconditions that made it conceptually and technologically possible. He illustrates how bioartists employ technologies and practices from the medical and life sciences in an effort to transform relationships among science, medicine, corporate interests, and the public. By illustrating the ways in which bioart links a biological understanding of media -- that is, “media” understood as the elements of an environment that facilitate the growth and development of living entities -- with communicational media, Bioart and the Vitality of Media demonstrates how art and biotechnology together change our conceptions and practices of mediation. Reading bioart through a range of resources, from Immanuel Kant’s discussion of disgust to Gilles Deleuze’s theory of affect to Gilbert Simondon’s concept of “individuation,” provides readers with a new theoretical approach for understanding bioart and its relationships to both new media and scientific institutions.

DKK 278.00
1

Emerald Street - Daudi Abe - Bog - University of Washington Press - Plusbog.dk

Emerald Street - Daudi Abe - Bog - University of Washington Press - Plusbog.dk

The first history of Seattle hip hop—and hip hop’s role in Seattle historyFrom the first rap battles in Seattle’s Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle’s hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle’s most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop—rapping, DJing, breaking, and graffiti—flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture’s Heritage Program.

DKK 970.00
1

Emerald Street - Daudi Abe - Bog - University of Washington Press - Plusbog.dk

Emerald Street - Daudi Abe - Bog - University of Washington Press - Plusbog.dk

The first history of Seattle hip hop—and hip hop’s role in Seattle historyFrom the first rap battles in Seattle’s Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle’s hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle’s most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop—rapping, DJing, breaking, and graffiti—flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture’s Heritage Program.

DKK 217.00
1

The Production of Hindu-Muslim Violence in Contemporary India - Paul R. Brass - Bog - University of Washington Press - Plusbog.dk

The Production of Hindu-Muslim Violence in Contemporary India - Paul R. Brass - Bog - University of Washington Press - Plusbog.dk

Chronic Hindu-Muslim rioting in India has created a situation in which communal violence is both so normal and so varied in its manifestations that it would seem to defy effective analysis. Paul R. Brass, one of the world’s preeminent experts on South Asia, has tracked more than half a century’s riots in the north Indian city of Aligarh. This book is the culmination of a lifetime’s thinking about the dynamics of institutionalized intergroup violence in northern India, covering the last three decades of British rule as well as the entire post-Independence history of Aligarh. Brass exposes the mechanisms by which endemic communal violence is deliberately provoked and sustained. He convincingly implicates the police, criminal elements, members of Aligarh’s business community, and many of its leading political actors in the continuous effort to “produce” communal violence. Much like a theatrical production, specific roles are played, with phases for rehearsal, staging, and interpretation. In this way, riots become key historical markers in the struggle for political, economic, and social dominance of one community over another. In the course of demonstrating how riots have been produced in Aligarh, Brass offers a compelling argument for abandoning or refining a number of widely held views about the supposed causes of communal violence, not just in India but throughout the rest of the world. An important addition to the literature on Indian and South Asian politics, this book is also an invaluable contribution to our understanding of the interplay of nationalism, ethnicity, religion, and collective violence, wherever it occurs.

DKK 965.00
1

Serbia Since 1989 - - Bog - University of Washington Press - Plusbog.dk

Serbia Since 1989 - - Bog - University of Washington Press - Plusbog.dk

During their thirteen years in power, Slobodan Milosevic and his cohorts plunged Yugoslavia into wars of ethnic cleansing, leading to the murder of thousands of civilians. The Milosevic regime also subverted the nation''s culture, twisted the political mainstream into a virulent nationalist mold, sapped the economy through war and the criminalization of a free market, returned to gender relations of a bygone era, and left the state so dysfunctional that its peripheries--Kosovo, Vojvodina, and Montenegro--have been struggling to maximize their distance from Belgrade, through far-reaching autonomy or through outright independence.In this valuable collection of essays, Vjeran Pavlakovic, Reneo Lukic, and Obrad Kesic examine elements of continuity and discontinuity from the Milosevic era to the twenty-first century, the struggle at the center of power, and relations between Serbia and Montenegro. Contributions by Sabrina Ramet, James Gow, and Milena Michalski explore the role of Serbian wartime propaganda and the impact of the war on Serbian society. Essays by Eric Gordy, Maja Miljovic, Marko Hoare, and Kari Osland look at the legacy of Serbia''s recent wars-issues of guilt and responsibility, the economy, and the trial of Slobodan Milosevic in The Hague. Sabrina Ramet and Biljana Bijelic address the themes of culture and values. Frances Trix, Emil Kerenji, and Dennis Reinhartz explore the peripheries in the politics of Kosovo/a, Vojvodina, and Serbia''s Roma. Serbia Since 1989 reveals a Serbia that is still traumatized from Milosevic''s rule and groping toward redefining its place in the world.

DKK 283.00
1