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Elements of the Scientific Paper - Michael J. Katz - Bog - Yale University Press - Plusbog.dk

Elements of the Scientific Paper - Michael J. Katz - Bog - Yale University Press - Plusbog.dk

Shared knowledge is indispensable to the practice of science, and the scientific paper—whether published in a journal or collation volume—is the chief means by which scientists communicate ideas and results to their colleagues. Mastering the genre is thus an essential element in every scientist’s training. Using a published paper as a guide, Michael J. Katz takes the reader through every step of the writing process, including the use of standard formats (abstract, introduction, materials and methods, results, discussion, acknowledgments, and references), language (style and word usage), and publication (choosing the appropriate journal, the review process, and revising). Other chapters discuss figures (photographs, schematic diagrams, and graphs), writing with a computer, and numbers (algorithms and statistics). Nine appendices provide a handy reference to commonly needed information such as scientific abbreviations, non-technical words, and mathematic formulae. While recognizing that the scientific paper is constrained within a well-defined form, the book also stresses that the genre is narrative prose requiring a lucid, precise, and careful style. The elements of composition—gestation, diction, revision, and rewriting—are discussed in detail. Elements of the Scientific Paper is a useful handbook for young scientists and graduate students beginning their publishing careers, as well as for anyone wishing a review of or introduction to the elements of scientific style.

DKK 168.00
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Digital World War - Haroon K. Ullah - Bog - Yale University Press - Plusbog.dk

The Elements of Power - David S. Abraham - Bog - Yale University Press - Plusbog.dk

Musical Instruments and Their Symbolism in Western Art - Emanuel Winternitz - Bog - Yale University Press - Plusbog.dk

Musical Instruments and Their Symbolism in Western Art - Emanuel Winternitz - Bog - Yale University Press - Plusbog.dk

This book first appeared in 1967. In the years since then, it has spawned the new academic sub-discipline of musical iconology, which belongs equally to the histories of art and of music. Emmanuel Winternitz, who was for thirty-one years Curator of Musical Collections at the Metropolitan Museum of Art, is one of the world’s leading authorities on the history of musical instruments. He is also an erudite historian of art. Combining these two interests he has for many years studied the innumerable representations of musical instruments in Western art. In this collection of closely related articles, he examines what these pictures tell of the design and construction of instruments, of their performance, practice, and of the often subtle symbolic use to which artists put them. Kithara and cittern, lute and lyre, bagpipe and hurdy-gurdy, and the ubiquitous lira da braccio, all of these figured largely in the art of the Middle Ages or the Renaissance, together with a clutch of shwms, zinks, and crumhorns, and a variety of fantastic instruments that existed only in the imagination of the artists. In more than 200 photographs and many drawings, Winternizt illustrates instruments that range from an Egytptian wall-painting of a harp to a musette in a Watteau Fête champêtre. He draws from the works of Titian, Raphael, Dürer, and Bruegel, and also from medieval manuscripts and sculpture. Winternitz discusses these diverse elements with a combination of formidable learning, wit, and keen insight that makes this book at once a seminal work for scholars and a delight for lovers of art and music.

DKK 582.00
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Political Oppositions in Western Democracies - - Bog - Yale University Press - Plusbog.dk

Political Oppositions in Western Democracies - - Bog - Yale University Press - Plusbog.dk

The idea that the opposition has a right to organize and to appeal for votes against the government in elections and in parliament is one of the most important milestones in the development of democratic institutions. Mr. Dahl and nine collaborators analyze the role of the opposition in Austria, Belgium, France, Germany, Great Britain, Italy, the Netherlands, Norway, Sweden, and the United States. In introductory and concluding chapters, Dahl compares the patterns of opposition in these countries and makes predictions for the future. He carries forward on the basis of this evidence the theory of a pluralistic society he has explored in earlier books such as Who Governs? Mr. Dahl is Sterling Professor of Political Science at Yale University. His collaborators are Samuel Barnes, Hans Daalder, Frederick Engelmann, Alfred Grosser, Otto Kirchheimer, Val R. Lorwin, Allen Potter, Stein Rokkan, and Nils Stjernquist. "This stately volume is distinguished by several unusual features. First, it straightforwardly focuses on a crucial issue of Comparative Politics without being vitiated by the familiar behaviorist semantics and jargon. Secondly, contrary to the ubiquitous trend in this country, flooded by discussion—more journalistic than scientific—on the emergent states, it centers on constitutional democracy in Western Europe, a region which for a decade and more had been badly neglected by the rampant computerizers. Thirdly, for the ten countries under discussion Professor Dahl was fortunate to enlist the services of genuine experts, the majority of whom are specialists in their field. . . . On the whole the volume is one of the major contributions to Comparative Politics that have appeared in this country for some time. The study of the issue as such as well as of the individual reviews is highly rewarding."—Karl Loewenstein, The Annals.

DKK 276.00
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