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Global Capital, Local Culture - Anthony Y. H. Fung - Bog - Peter Lang Publishing Inc - Plusbog.dk

Troubles of Children and Parents - Susan Isaacs - Bog - Taylor & Francis Ltd - Plusbog.dk

Analyzing NES Music - Andrew Schartmann - Bog - Intellect - Plusbog.dk

Working in Hollywood - Ronny Regev - Bog - The University of North Carolina Press - Plusbog.dk

Supply Chain Cinema - Kay Dickinson - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Some Landmarks of Twentieth Century Contract Law - Guenter Treitel - Bog - Oxford University Press - Plusbog.dk

The Workforce Systems Leader - Richard Rosenow - Bog - Kogan Page Ltd - Plusbog.dk

Korngold in America - Ben Winters - Bog - Oxford University Press Inc - Plusbog.dk

Stanley Kubrick's The Shining - J. W. Rinzler - Bog - Taschen GmbH - Plusbog.dk

Stanley Kubrick's The Shining - J. W. Rinzler - Bog - Taschen GmbH - Plusbog.dk

“ The Shining may be the first movie that ever made its audience jump with a title that simply says, ‘Tuesday,’” proclaimed The New York Times . Never has a film evoked so much dread in its audience with so little gore than Stanley Kubrick’s adaptation of the 1977 novel by the master of terror himself, Stephen King, where true horror lies in the darkest corners of domesticity and isolation. Equally a study of the intricate mechanics of Kubrick’s genius as an in-depth look at the making of a visual masterpiece , Stanley Kubrick’s The Shining gathers hundreds of hours of exclusive new interviews with the cast and crew in an unprecedented look at the 1980 cult classic. Slip in through the back door of The Overlook Hotel to witness Kubrick’s endless rounds of script rewrites, his revolutionary use of the Steadicam, the mechanics behind the infamous blood elevator, the mysterious mid-filming fire at Elstree Studios, and the countless takes needed to satisfy the meticulous force that was Kubrick. Conceived and edited by Academy Award-winning director Lee Unkrich , dubbed by The Hollywood Reporter as “the world''s foremost Shining aficionado,” with text by best-selling author J.W. Rinzler and a foreword by Steven Spielberg , this is the definitive compendium of the film that transformed the horror genre. The two-volume collection designed by M/M Paris includes hundreds of never-before-seen production photographs from the Stanley Kubrick Archive and the personal collections of cast and crew, rare documents and correspondence, conceptual art, an exclusive look at deleted scenes, and more. THE SHINING and all related characters and elements © & ™ Warner Bros. Entertainment Inc. (s22)

DKK 846.00
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Hollywood Hates Hitler! - Chris Yogerst - Bog - University Press of Mississippi - Plusbog.dk

Hollywood Hates Hitler! - Chris Yogerst - Bog - University Press of Mississippi - Plusbog.dk

In September 1941, a handful of isolationist senators set out to tarnish Hollywood for warmongering. The United States was largely divided on the possibility of entering the European War, yet the immigrant moguls in Hollywood were acutely aware of the conditions in Europe. After Kristallnacht (the Night of Broken Glass), the gloves came off. Warner Bros. released the first directly anti-Nazi film in 1939 with Confessions of a Nazi Spy. Other studios followed with such films as The Mortal Storm (MGM), Man Hunt (Fox), The Man I Married (Fox), and The Great Dictator (United Artists). While these films represented a small percentage of Hollywood's output, senators took aim at the Jews in Hollywood who were supposedly "agitating us for war" and launched an investigation that resulted in Senate Resolution 152. The resolution was aimed at both radio and movies that "have been extensively used for propaganda purposes designed to influence the public mind in the direction of participation in the European War." When the Senate approved a subcommittee to investigate the intentions of these films, studio bosses were ready and willing to stand up against the government to defend their beloved industry. What followed was a complete embarrassment of the United States Senate and a large victory for Hollywood as well as freedom of speech. Many works of American film history only skim the surface of the 1941 investigation of Hollywood. In Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures, author Chris Yogerst examines the years leading up to and through the Senate Investigation into Motion Picture War Propaganda, detailing the isolationist senators' relationship with the America First movement. Through his use of primary documents and lengthy congressional records, Yogerst paints a picture of the investigation's daily events both on Capitol Hill and in the national press.

DKK 876.00
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