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The Routledge Companion to Beauty Politics

Brand Beauty Unleashed The Value of Aesthetics in Marketing

A Somaesthetics of Performative Beauty Tangoing Desire and Nostalgia

A Somaesthetics of Performative Beauty Tangoing Desire and Nostalgia

This book develops an original theory of performative beauty. Philosophical aesthetics has largely neglected one’s own actions as a potential experience of the beautiful. Throughout the book the author uses his own experiences of Argentine tango as a case study; one important incentive for social dancing is to have pleasurable and beautiful experiences. This book begins by investigating the methodological causes for why beauty in modernity has been seen to result only from contemplating external objects. It then builds a theory of performative beauty that incorporates findings from new phenomenology neuroaesthetics enactivism and somaesthetics and that reassesses existing inquiries of beauty. The result is an account that identifies kinaesthetic awareness as the point of emergence of both theory and practice of creation (poiesis) and perception (aisthesis) and of moving (agency) and being moved (reception). Performative beauty is the pleasure of being moved by the dance where the dancer feels both as a creative improvisor and as an integrated part of the activity itself. A Somaesthetics of Performative Beauty—Tangoing Desire and Nostalgia will appeal to scholars and advanced students working in aesthetics dance studies performance studies and related fields of artistic research. Chapter 6 of this book is freely available as a downloadable Open Access PDF at http://www. taylorfrancis. com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4. 0 license. | A Somaesthetics of Performative Beauty Tangoing Desire and Nostalgia

GBP 120.00
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Kinetic Beauty The Philosophical Aesthetics of Sport

Venus in the Dark Blackness and Beauty in Popular Culture

Venus in the Dark Blackness and Beauty in Popular Culture

In this second edition of the remarkable and now classic cultural history of black women’s beauty Venus in the Dark Janell Hobson explores the enduring figure of the Hottentot Venus and the history of critical and artistic responses to her by black women in contemporary photography film literature music and dance. In 1810 Sara Baartman was taken from South Africa to Europe where she was put on display at circuses salons museums and universities as the Hottentot Venus. The subsequent legacy of representations of black women’s sexuality—from Josephine Baker to Serena Williams to hip-hop and dancehall videos—refer back to her iconic image. Via a new preface Hobson argues for the continuing influence of Baartman’s legacy as her image still reverberates through the contemporary marketization of black women’s bodies from popular music and pornography to advertising. A brand new chapter explores how historical echoes from previous eras map onto highly visible bodies in the twenty-first century. It analyzes fetishistic spectacles of the black booty with particular emphasis on the role of Beyoncé Knowles in the popularization of the bootylicious body and the counter-aesthetic the singer has gone on to advance for black women’s bodies and beauty politics. By studying the imagery of the Hottentot Venus from the nineteenth century to now readers are invited to confront the racial and sexual objectification and embodied resistance that make up a significant part of black women’s experience. | Venus in the Dark Blackness and Beauty in Popular Culture

GBP 36.99
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The Aesthetics of Science Beauty Imagination and Understanding

The Aesthetics of Science Beauty Imagination and Understanding

This volume builds on two recent developments in philosophy on the relationship between art and science: the notion of representation and the role of values in theory choice and the development of scientific theories. Its aim is to address questions regarding scientific creativity and imagination the status of scientific performances—such as thought experiments and visual aids—and the role of aesthetic considerations in the context of discovery and justification of scientific theories. Several contributions focus on the concept of beauty as employed by practising scientists the aesthetic factors at play in science and their role in decision making. Other essays address the question of scientific creativity and how aesthetic judgment resolves the problem of theory choice by employing aesthetic criteria and incorporating insights from both objectivism and subjectivism. The volume also features original perspectives on the role of the sublime in science and sheds light on the empirical work studying the experience of the sublime in science and its relation to the experience of understanding. The Aesthetics of Science tackles these topics from a variety of novel and thought-provoking angles. It will be of interest to researchers and advanced students in philosophy of science and aesthetics as well as other subdisciplines such as epistemology and philosophy of mathematics. | The Aesthetics of Science Beauty Imagination and Understanding

GBP 38.99
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Radical Orthodoxy in a Pluralistic World Desire Beauty and the Divine

Anselm of Canterbury The Beauty of Theology

Color Theory for the Make-up Artist Understanding Color and Light for Beauty and Special Effects

Color Theory for the Make-up Artist Understanding Color and Light for Beauty and Special Effects

Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects (Second Edition) analyzes and explains traditional color theory for fine artists and applies it to make-up artistry. This beautifully illustrated guide begins with the basics of color theory – why we see color how to categorize and identify color and relationships between colors – and relates these concepts to beauty and special effects make-up. The book provides a wealth of information including how to mix flesh tones by using only primary colors how these colors in paints and make-up are sourced and created the reason for variations in skin colors and undertones and how to identify and match these using make-up while choosing flattering colors for the eyes lips and cheeks. Colors found inside the body are explained for special effects make-up like why we bruise bleed or appear sick. Ideas and techniques are also described for painting prosthetics in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film television theater and photography sets and how to properly light a workspace for successful applications. The second edition features: A brand-new chapter on color inspiration in make-up and design Additional and updated diagrams More real-life application photos and demonstrations including new examples of tattoo covering and prosthetic painting using optical mixtures airbrush and stippling Expanded discussion on undertones skin variations color correction pigments colored gels and more Filled with stunning photography and practical information Color Theory for the Make-up Artist provides guidance and inspiration for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. | Color Theory for the Make-up Artist Understanding Color and Light for Beauty and Special Effects

GBP 34.99
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An Essay on Critical Appreciation

A Place of Springs

Natural Materials

The Aesthetic View of Moral Education

Marine Transboundary Conservation and Protected Areas

Tourism Climate Change and Sustainability

Introduction to Coastal Processes and Geomorphology

Female Masochism in Film Sexuality Ethics and Aesthetics

Female Masochism in Film Sexuality Ethics and Aesthetics

Theoretically and representationally responses to heterosexual female masochism have ranged from neglect in theories that focus predominantly or only upon masochistic sexuality within male subjects to condemnation from feminists who regard it as an inverted expression of patriarchal control rather than a legitimate form of female desire. It has commonly been understood as a passive form of sexuality thus ignoring the potential for activity and agency that the masochistic position may involve which underpins the crucial argument that female masochism can be conceived as enquiring ethical activity. Taking as its subject the works of Jane Campion Catherine Breillat Michael Haneke and Lars von Trier as well as the films Secretary (Steven Shainberg) Dans Ma Peau (Marina de Van) Red Road (Andrea Arnold 2006) Amer (Hélène Cattat and Bruno Forzani) and Sleeping Beauty (Julia Leigh) Female Masochism in Film avoids these reductive and simplistic approaches by focusing on the ambivalences and intricacies of this type of sexuality and subjectivity. Using the philosophical writings of Kristeva Irigaray Lacan Scarry and Bataille McPhee argues that masochism cannot and should not be considered aside from its ethical and intersubjective implications and furthermore that the aesthetic tendencies emerging across these films - obscenity extremity confrontation and a transgressive ambiguous form of beauty - are strongly related to these implications. Ultimately this complex and novel work calls upon the spectator and the theorist to reconsider normative ideas about desire corporeality fantasy and suffering. | Female Masochism in Film Sexuality Ethics and Aesthetics

GBP 38.99
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Japanese Gardens Symbolism and Design

Simone Weil: Basic Writings

Simone Weil: Basic Writings

Simone Weil is one of the most profound and thought-provoking thinkers of the 20th century. A teacher factory and farm labourer a political activist at home and abroad a loving friend daughter and sister—all these manifest a life devoted to the good in its many forms. Her writings explore the good open to us and the various routes to it spanning philosophy politics science and spirituality. While she saw her vocation primarily as a philosopher—examining questions concerning human faculties action and thought the limits of language and our need of mediation suffering and beauty for contact with reality—her startlingly original thought is often obscured by her having been too readily categorized as a Christian mystic. Simone Weil: Basic Writings is an expertly edited anthology of Weil’s most important writings presenting her philosophy as it relates to the architecture of human nature politics work necessity beauty goodness and God. Working from the definitive French edition of Weil’s complete writings D. K. Levy and Marina Barabas have translated the essays anew or for the first time adding important notes and references absent from existing English language editions of Weil’s work. Following an extensive introduction that gives an overview of Weil's life and thought each part opens with a short preface situating the selected essays within Weil’s oeuvre. Simone Weil: Basic Writings provides an excellent entry point to Weil’s philosophy as well as a reference for students and scholars of Weil's thought in philosophy and related disciplines.

GBP 34.99
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Mastering Advanced Modern Chinese through the Classics An Advanced Language and Culture Course

Fine Resolution Remote Sensing of Species in Terrestrial and Coastal Ecosystems

Fine Resolution Remote Sensing of Species in Terrestrial and Coastal Ecosystems

Detailed and accurate information on the spatial distribution of individual species over large spatial extents and over multiple time periods is critical for rapid response and effective management of environmental change. The twenty first century has witnessed a rapid development in both fine resolution sensors and statistical theories and techniques. These innovations hold great potential for improved accuracy of species mapping using remote sensing. Fine Resolution Remote Sensing of Species in Terrestrial and Coastal Ecosystems is a collection of eight cutting-edge studies of fine spatial resolution remote sensing including species mapping of biogenic and coral reefs seagrasses salt and freshwater marshes and grasslands. The studies illustrate the power of fine resolution imagery for species identification as well as the value of unmanned aerial vehicle (UAV) imagery as an ideal source of high-quality reference data at the species level. The studies also highlight the benefit of LiDAR (Light Detection and Ranging) data for species identification and how this varies depending on the species of interest as well as the nature of the context in which the species is found. The broad range of applications explored in the book demonstrates the major contribution of remote sensing to species-level terrestrial and coastal ecosystem studies as well as the potential for future advances. The chapters in this book were originally published as a special issue of the International Journal of Remote Sensing.

GBP 38.99
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