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Kautilya’s Arthashastra Strategic Cultural Roots of India’s Contemporary Statecraft

Farmers’ Suicides in India A Policy Malignancy

The Origins of Human Rights Ancient Indian and Greco-Roman Perspectives

Mahasweta Devi Writer Activist Visionary

T-Group Facilitation Theory and Practice of Applied Behavioural Science

T-Group Facilitation Theory and Practice of Applied Behavioural Science

This book offers the core conceptual base for the practice of T-Group facilitation. Drawing from the fields of psychology social psychology sociology diversity studies and Indian philosophical thoughts this book is a great resource for enhancing the practice of T-Group facilitation for both budding and established facilitators. It covers a wide range of theories on human development self-awareness interpersonal interactions groups and change. Individual and group identities diversity inclusion and social hierarchies are explored in detail here. The authors offer a model of T-Group facilitation based on 50 years of experience within the Indian Society for Applied Behavioural Science (ISABS). This model is useful not only for fellow practitioners of T-Groups but also for anyone engaged in facilitating groups organizations and communities globally. This book helps one to reflect develop and sharpen one’s competencies values and ethics in this field. The chapters are embedded with activities quizzes case studies and exercises to facilitate a deeper understanding of the various elements used in the book. This book will be of interest to students teachers and practitioners of psychology social psychology management studies and organizational development. It will also be useful for T-Group facilitators facilitators of experiential groups and related fields. | T-Group Facilitation Theory and Practice of Applied Behavioural Science

GBP 35.99
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Mapping the History of Ayurveda Culture Hegemony and the Rhetoric of Diversity

Mapping the History of Ayurveda Culture Hegemony and the Rhetoric of Diversity

This book looks at the institutionalisation and refashioning of Ayurveda as a robust literate classical tradition separated from the assorted vernacular traditions of healing practices. It focuses on the dominant perspectives and theories of indigenous medicine and various compulsions which led to the codification and standardisation of Ayurveda in modern India. Critically engaging with authoritative scholarship the book extrapolates from some of these theories raising significant questions on the study of alternative knowledge practices. By using case studies of the southern Indian state of Kerala – which is known globally for its Ayurveda – it provides an in-depth analysis of local practices and histories. Drawing from interviews of practitioners archival documents vernacular texts and rare magazines on Ayurveda and indigenous medicine it presents a nuanced understanding of the relationships between diverse practices. It highlights the interactions as well as the tensions within them and the methods adopted to preserve the uniqueness of practices even while sharing elements of healing herbs and medicine. It also discusses how regulations and standards set by the state have estranged assorted healing practices created uncertainties and led to the formation of categories like Ayurveda and nattuvaidyam (indigenous medicine/ayurvedas). Lucid and topical the book will be useful for researchers and people interested in social medicine history of medicine Ayurveda cultural studies history indigenous studies and social anthropology. | Mapping the History of Ayurveda Culture Hegemony and the Rhetoric of Diversity

GBP 38.99
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Philosophical Issues in Indian Cinema Approximate Terms and Concepts

Philosophical Issues in Indian Cinema Approximate Terms and Concepts

This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions from which it derives its influences. It re-examines terms and concepts used in film criticism and contextualizes them within the aesthetics poetics and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism romance and melodrama in the context of India appear in a culturally singular way and how the aggregation of constituent elements – like songs action comedy – in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterized popular film and drama in India which present all aspects of life for a diverse nation. The author explores concepts like ‘fantasy’ ‘family’ and ‘patriotism’ by using various examples from films in India and outside as well as practices in the other arts. He identifies the fundamental logic behind the choices made by film-makers in India and discusses concepts which allow for a fresh theorizing on Indian cinema’s characteristics. This book will be of great interest to students and researchers of film studies media studies cultural studies literature cultural history and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema its forms origins and influences. | Philosophical Issues in Indian Cinema Approximate Terms and Concepts

GBP 38.99
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