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Da Vinci - Squirrel 418 Wash Brush Size 4

Da Vinci - Squirrel 418 Wash Brush Size 4

Bristle: Blue Squirrel Shape: Round Sizes:  8 sold individually High-Quality brushes Available in various sizes Natural, pure blue Russian squirrel hair Short, ergonomically designed wooden handles Ideal for creating beautiful watercolour washes & glazes The Series 418 from Da Vinci is professionally designed & handmade with a pointed tip of Russian blue squirrel hair mounted to short lacquered handles using either plastic or natural goose quill. Ideal for watercolour, Russian blue squirrel hair is highly absorbent, able to hold large portions of water for mop painting techniques & bold washes, especially when working on larger areas.  Their soft texture & sharp point allows for a variety of strokes from fine lines to broad swathes whilst retaining their original shape. Made using lightweight wood, their handles have been ergonomically designed for ease of use & lacquered for a long lasting finish. Da Vinci Series 418 Squirrel Wash Brush: Demo

GBP 33.74
1

Da Vinci - Squirrel 418 Wash Brush Size 3

Da Vinci - Squirrel 418 Wash Brush Size 3

Bristle: Blue Squirrel Shape: Round Sizes:  8 sold individually High-Quality brushes Available in various sizes Natural, pure blue Russian squirrel hair Short, ergonomically designed wooden handles Ideal for creating beautiful watercolour washes & glazes The Series 418 from Da Vinci is professionally designed & handmade with a pointed tip of Russian blue squirrel hair mounted to short lacquered handles using either plastic or natural goose quill. Ideal for watercolour, Russian blue squirrel hair is highly absorbent, able to hold large portions of water for mop painting techniques & bold washes, especially when working on larger areas.  Their soft texture & sharp point allows for a variety of strokes from fine lines to broad swathes whilst retaining their original shape. Made using lightweight wood, their handles have been ergonomically designed for ease of use & lacquered for a long lasting finish. Da Vinci Series 418 Squirrel Wash Brush: Demo

GBP 28.90
1

Da Vinci - Squirrel 418 Wash Brush Size 1

Da Vinci - Squirrel 418 Wash Brush Size 1

Bristle: Blue Squirrel Shape: Round Sizes:  8 sold individually High-Quality brushes Available in various sizes Natural, pure blue Russian squirrel hair Short, ergonomically designed wooden handles Ideal for creating beautiful watercolour washes & glazes The Series 418 from Da Vinci is professionally designed & handmade with a pointed tip of Russian blue squirrel hair mounted to short lacquered handles using either plastic or natural goose quill. Ideal for watercolour, Russian blue squirrel hair is highly absorbent, able to hold large portions of water for mop painting techniques & bold washes, especially when working on larger areas.  Their soft texture & sharp point allows for a variety of strokes from fine lines to broad swathes whilst retaining their original shape. Made using lightweight wood, their handles have been ergonomically designed for ease of use & lacquered for a long lasting finish. Da Vinci Series 418 Squirrel Wash Brush: Demo

GBP 19.42
1

Da Vinci - Squirrel 418 Wash Brush Size 0

Da Vinci - Squirrel 418 Wash Brush Size 0

Bristle: Blue Squirrel Shape: Round Sizes:  8 sold individually High-Quality brushes Available in various sizes Natural, pure blue Russian squirrel hair Short, ergonomically designed wooden handles Ideal for creating beautiful watercolour washes & glazes The Series 418 from Da Vinci is professionally designed & handmade with a pointed tip of Russian blue squirrel hair mounted to short lacquered handles using either plastic or natural goose quill. Ideal for watercolour, Russian blue squirrel hair is highly absorbent, able to hold large portions of water for mop painting techniques & bold washes, especially when working on larger areas.  Their soft texture & sharp point allows for a variety of strokes from fine lines to broad swathes whilst retaining their original shape. Made using lightweight wood, their handles have been ergonomically designed for ease of use & lacquered for a long lasting finish. Da Vinci Series 418 Squirrel Wash Brush: Demo

GBP 17.81
1

Da Vinci - Squirrel 418 Wash Brush Size 2

Da Vinci - Squirrel 418 Wash Brush Size 2

Bristle: Blue Squirrel Shape: Round Sizes:  8 sold individually High-Quality brushes Available in various sizes Natural, pure blue Russian squirrel hair Short, ergonomically designed wooden handles Ideal for creating beautiful watercolour washes & glazes The Series 418 from Da Vinci is professionally designed & handmade with a pointed tip of Russian blue squirrel hair mounted to short lacquered handles using either plastic or natural goose quill. Ideal for watercolour, Russian blue squirrel hair is highly absorbent, able to hold large portions of water for mop painting techniques & bold washes, especially when working on larger areas.  Their soft texture & sharp point allows for a variety of strokes from fine lines to broad swathes whilst retaining their original shape. Made using lightweight wood, their handles have been ergonomically designed for ease of use & lacquered for a long lasting finish. Da Vinci Series 418 Squirrel Wash Brush: Demo

GBP 22.44
1

Sakura - Gelly Roll Assorted Colour Gel Pen Set (24pc)

Sakura - Gelly Roll Assorted Colour Gel Pen Set (24pc)

Includes 6 Moonlight and 6 Metallic pens Also includes 12 Stardust Glitter colours Water-based pigment gel inks Intense colours that never fade Constant ink flow for smooth writing The Sakura Gelly Roll Mixed Pen Set of 24 contains water and chemical resistant pens which give a constant flow of ink until the ink is completely used up. These are perfect for different creative applications such as scrapboooking, making cards and many other creative activities using paper. Sakura are the original inventors of the gel pen.The Gelly Roll pens contains special water-based pigment gel ink to give bright, intense colours which never fade. Thanks to the unique gel ink technology, the ink flow from the pen is always constant, without exerting any pressure and is exceptionally smooth to write with. The pack contains 6 Moonlight Fluorescent gel pens in Fluorescent Yellow, Fluorescent Orange, Fluorescent Pink, Blue, Green and White. Moonlight pens contain water-based gel ink in fluorescent colours that glow under ultra-violet light and are permanent and waterproof. The pack also contains 6 Metallic pens in Gold, Pink, Blue-Black, Blue, Green and Silver. Metallic gel rollerball pens create a pearlised, reflective sheen which are permanent, waterproof and fade resistant.  The remaining pens are 12 Stardust Glitter pens in Gold, Copper, Red, Pink, Purple, Rose, Blue, Marine, Sky, Green, Lime and Silver. Stardust pens capture the sparkle and glitter of stars to make handwriting extra-special.

GBP 29.99
1

GOLDEN - Heavy Body Acrylic Colour (59ml) Anthraquinone Blue (S7)

GOLDEN - Heavy Body Acrylic Colour (59ml) Anthraquinone Blue (S7)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different.  Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 18.95
1

GOLDEN - Heavy Body Acrylic Colour (59ml) Cobalt Blue (S8)

GOLDEN - Heavy Body Acrylic Colour (59ml) Cobalt Blue (S8)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different.  Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 19.95
1

GOLDEN - Heavy Body Acrylic Colour (59ml) Cerulean Blue Deep (S9)

GOLDEN - Heavy Body Acrylic Colour (59ml) Cerulean Blue Deep (S9)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different.  Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 21.95
1

GOLDEN - Heavy Body Acrylic Colour (59ml) Interference Blue Fine (S7)

GOLDEN - Heavy Body Acrylic Colour (59ml) Interference Blue Fine (S7)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different.  Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 18.95
1

GOLDEN - Heavy Body Acrylic Colour (59ml) Chromium Cerulean Blue (S7)

GOLDEN - Heavy Body Acrylic Colour (59ml) Chromium Cerulean Blue (S7)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different.  Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 18.95
1

Caran d'Ache - Luminance 6901 Colour Pencil Set (12pc)

Caran d'Ache - Luminance 6901 Colour Pencil Set (12pc)

Exceptional quality The most lightfast pencils on the market Highly concentrated pigments Ideal for professional level work Velvet finish Video: Caran D'ache Luminance 6901 Pencil Demo Caran d'Ache Luminance 6901 coloured pencils are the most lightfast of all coloured pencils meeting the highest of international standards (ASTM D-6901). Manufactured in Caran d'Ache's world famous Swiss factory, these pencils are of premium quality and not to be confused with inferior products.  With solid leads and a wide range of colours created from highly concentrated pigments, they have been designed for professional level work. These pencils combine the smoothness of a permanent lead with excellent lightfastness. Every shade has been formulated using finely ground pigments chosen for their purity, intensity, and resistance to UV rays.  The velvet finish of these pencils has come from two years of technical research which also developed the richness of the shades and allows for overlaying, mixing and gradation. Strong coverage and mixing capacity allow for intense applications, blending, and burnishing, while extreme softness enables subtle blending and gradations.  The included storage case allows for beautiful presentation of these fantastic pencils. This makes for a fantastic gift for every serious artist. This Luminance 6901 set contains 12 colours in the following shades: 009 Noir Black, 220 Grass Green, 470 Spring Green, 661 Light Cobalt Blue, 162 Phthalocyanine Blue, 159 Prussian Blue, 585 Perylene Brown, 061 Permanent Red, 571 Anthraquinoid Pink, 030 Orange, 240 Lemon Yellow and 001 White.

GBP 39.99
1

Bob Ross - Landscape Oil Colour (200ml) Prussian Blue

Bob Ross - Landscape Oil Colour (200ml) Prussian Blue

Available in 14 shades Stiff but smooth consistency Natural colour combinations Non-toxic Made in the USA Packaging may vary Bob Ross Landscape Oil Colours are available in 14 colours and are specifically formulated to a stiff but smooth consistency Background colours are heartier in body than the lighter highlight colours. These pigment rich colours yield an endless number of natural colour combinations and all are non-toxic. Their unique consistency is necessary to allow you to replicate the Bob Ross Wet-on-Wet Technique. No other paints can accomplish what these do, and every batch is individually tested for perfection. All Bob Ross oil colours are non-toxic and are made in the USA.

GBP 25.99
1

Bob Ross - Landscape Oil Colour (200ml) Phthalo Blue

Bob Ross - Landscape Oil Colour (200ml) Phthalo Blue

Available in 14 shades Stiff but smooth consistency Natural colour combinations Non-toxic Made in the USA Packaging may vary Bob Ross Landscape Oil Colours are available in 14 colours and are specifically formulated to a stiff but smooth consistency Background colours are heartier in body than the lighter highlight colours. These pigment rich colours yield an endless number of natural colour combinations and all are non-toxic. Their unique consistency is necessary to allow you to replicate the Bob Ross Wet-on-Wet Technique. No other paints can accomplish what these do, and every batch is individually tested for perfection. All Bob Ross oil colours are non-toxic and are made in the USA.

GBP 25.99
1

Stabilo - Aquacolor Watercolour Pencil Tins Tin of 36

Stabilo - Aquacolor Watercolour Pencil Tins Tin of 36

Choose from three tin sizes Rich colour application Water soluble Gret for learning new painting techniques Lead diameter 2.8mm Video: Colour Your Way To Calmness With Stabilo Aquacolor Beautiful tins of either 12, 24 or 36 Stabilo Aquacolor Watercolour Pencils. These are high quality water colour pencils which, when mixed with water and used with a brush, achieve great effects. Each tin contains an assortment of vivid colour pencils including white, yellow, red, burgundy, blue, green, brown, orange and black.

GBP 24.99
1

Daler-Rowney - Aquafine Watercolour Travel Tin (25pc)

Daler-Rowney - Aquafine Watercolour Travel Tin (25pc)

Sleek and pocket-sized Includes 24 half pans Also includes a mini brush, thumb ring and detachable palette Handy storage tin Perfect for taking on the go Video: Understanding Watercolour With Daler-Rowney Aquafine This sleek pocket-sized watercolour set includes 24 half pans of Aquafine Watercolours that can be used together to create more defined tones. Also included is a mini brush, thumb ring and detachable palette presented in a compact case. Each half pan can be removed by lifting the plastic tray and pushing gently on the colour to remove it. Aquafine watercolours are made from a selection of modern high-quality pigments milled to perfection to offer optimal performance and control. They are rich, free-flowing transparent colours with excellent tinting strength and working properties that reliably produce beautiful, delicate washes. The colours included in this set are as follows: Chinese White, Lemon Yellow, Gamboge (Hue), Cadmium Yellow (Hue), Cadmium Orange (Hue), Vermilion (Hue), Scarlet Lake, Rose Madder (Hue), Alizarin Crimson, Purple, Prussian Blue, Ultramarine, Colbalt Blue (Hue), Ceruleum (Hue), Leaf Green, Sap Green, Hookers Green, Viridian (Hue), Yellow Ochre, Light Red, Burnt Sienna, Burnt Umber, Paynes Grey and Ivory Black.

GBP 19.99
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Liquitex - Professional Acrylic Ink Aqua Collection (6 x 30ml)

Liquitex - Professional Acrylic Ink Aqua Collection (6 x 30ml)

Size: 30ml Colours: 6 Set of ultra-fluid Acrylic Inks Variety of blue-green tones for aqua effects Opaque, water-resistant, permanent colours Quick-drying to a lightfast, satin finish Made using highly concentrated, finely milled pigments Each bottle features a built-in pipette, for precision & accuracy Also sold individually, click here to view Develop & produce a broad range of water tones & effects from the deepest, darkest ocean trenches to shallow puddles & everything in between with this assortment of six blue, turquoise & green tones from across the Acrylic Ink range from Liquitex. (please check Contents tab below for more details). Differing from standard inks, the high concentrations of finely milled, lightfast, artist-quality pigments contained ensures pure, water-resistant, permanent colours in a range of opacities. Suitable for use on a variety of surfaces including canvas, paper & textiles, these incredibly versatile inks dry quickly to a vibrant finish with a subtle satin sheen.  Their ultra-fluid nature prevents clogging, making them ideal for application with brushes, technical pens, airbrushes & more! The lid of each bottle also features a built-in, easy to use pipette for precision.

GBP 26.99
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Winsor & Newton - Professional Acrylic Colour (200ml) Ultramarine Blue 664 (S2)

Winsor & Newton - Professional Acrylic Colour (200ml) Ultramarine Blue 664 (S2)

Size: 200ml Colours: 17 Sold Individually Professional-Quality acrylic colour Available in 17 rich, intense shades Highly pigmented for unrivalled brilliance Smooth application with a thick consistency Quickly dries to an attractive satin finish Produced through a combination of experience & the latest developments in resin technology, the Professional Acrylic Colour range from Winsor & Newton is unrivalled in it's richness, intensity and depth of colour. The full range features over 70 individual colours (including 62 single pigment varieties), their unique formulation prevents colour shift during their short drying period, ensuring true genuine colours directly from the tube. With a thick, buttery consistency & smooth application, they're able to retain brushstrokes for a variety of impasto effects & dry to an even, attractive satin finish. For a concise colour chart, along with information on the composition, characteristics & permanence of this range, please check the Downloads tab below.

GBP 18.99
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Winsor & Newton - Artists' Oil Colour (37ml) Indanthrene Blue 321 (S4)

Winsor & Newton - Artists' Oil Colour (37ml) Indanthrene Blue 321 (S4)

Size: 37ml Colours: 132 Sold Individually Artist-Quality oil colour Includes 80 single pigment tones Made using artist-quality pigments Lightfast, permanent & buttery-smooth Unrivalled colour consistency, purity & quality An absolute must-have in any artist's collection, the Artists' Oil Colour range from Winsor & Newton is an artist-quality range available in both 37ml & 200ml tubes. Impressively versatile, their 37ml range is available in 132 lightfast, permanent colours & includes 80 "single pigment" tones for brighter, cleaner mixing results. Made using only the finest quality pigments & boasting unrivalled quality, their buttery-smooth consistency provides incredible coverage whilst retaining brush strokes for a variety of textures in your work. For a concise colour chart, along with information on the composition, characteristics & permanence of this range, please check the Downloads tab below.

GBP 17.97
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Winsor & Newton - Artists' Oil Colour (200ml) Prussian Blue 538 (S1)

Winsor & Newton - Artists' Oil Colour (200ml) Prussian Blue 538 (S1)

Size: 200ml Colours: 42 Sold Individually Artist-Quality oil colour Made using the finest pigments Lightfast, permanent & buttery-smooth Unrivalled colour consistency, purity & quality Also available in 37ml tubes, found here! An absolute must-have in any artist's collection, the Artists' Oil Colour range from Winsor & Newton is an artist-quality range available in both 37ml & 200ml tubes. Impressively versatile, their 200ml range is available in 36 lightfast, permanent colours & includes numerous "single pigment" tones for brighter, cleaner mixing results. Made using only the finest quality pigments & boasting unrivalled quality, their buttery-smooth consistency provides incredible coverage whilst retaining brush strokes for a variety of textures in your work. For a concise colour chart, along with information on the composition, characteristics & permanence of this range, please check the Downloads tab below.

GBP 24.18
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GOLDEN - SoFlat Matte Acrylic Colour (118ml) Blue Violet 6605 (S3)

GOLDEN - SoFlat Matte Acrylic Colour (118ml) Blue Violet 6605 (S3)

Professional-grade acrylic colours Full 40 colour range available Durable & quick drying to a uniform matte finish Unique formula for greater opacity & coverage Natural levelling reduces appearance of brushstrokes Made using 100% acrylic polymers & the finest pigments Create immersive fields of colour without the distraction of texture & glare with the SoFlat range from Golden Acrylics. Although gouache has always been recognisable for it's opacity & matte finish, some artists find it restrictive thanks to it's sensitive paint film. SoFlat moves beyond this, providing the same results with a more durable, quick-drying & water-resistant surface. Each of the 40 colours available has been made with 100% acrylic polymers & the highest-quality pigments, uniquely formulated for greater opacity than other paints of a similar quality.  This, combined with their flowing consistency, ensures a silky-smooth application & exceptional coverage for largescale work. Quick drying to a matte, water-resistant finish, the natural levelling quality of this range helps to reduce brushstrokes during the drying process for a truly uniform surface.

GBP 18.50
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Winsor & Newton - Artists' Oil Colour (37ml) Cobalt Blue 178 (S4)

Winsor & Newton - Artists' Oil Colour (37ml) Cobalt Blue 178 (S4)

Size: 37ml Colours: 132 Sold Individually Artist-Quality oil colour Includes 80 single pigment tones Made using artist-quality pigments Lightfast, permanent & buttery-smooth Unrivalled colour consistency, purity & quality An absolute must-have in any artist's collection, the Artists' Oil Colour range from Winsor & Newton is an artist-quality range available in both 37ml & 200ml tubes. Impressively versatile, their 37ml range is available in 132 lightfast, permanent colours & includes 80 "single pigment" tones for brighter, cleaner mixing results. Made using only the finest quality pigments & boasting unrivalled quality, their buttery-smooth consistency provides incredible coverage whilst retaining brush strokes for a variety of textures in your work. For a concise colour chart, along with information on the composition, characteristics & permanence of this range, please check the Downloads tab below.

GBP 17.97
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Winsor & Newton - Artists' Oil Colour (37ml) Cerulean Blue 137 (S4)

Winsor & Newton - Artists' Oil Colour (37ml) Cerulean Blue 137 (S4)

Size: 37ml Colours: 132 Sold Individually Artist-Quality oil colour Includes 80 single pigment tones Made using artist-quality pigments Lightfast, permanent & buttery-smooth Unrivalled colour consistency, purity & quality An absolute must-have in any artist's collection, the Artists' Oil Colour range from Winsor & Newton is an artist-quality range available in both 37ml & 200ml tubes. Impressively versatile, their 37ml range is available in 132 lightfast, permanent colours & includes 80 "single pigment" tones for brighter, cleaner mixing results. Made using only the finest quality pigments & boasting unrivalled quality, their buttery-smooth consistency provides incredible coverage whilst retaining brush strokes for a variety of textures in your work. For a concise colour chart, along with information on the composition, characteristics & permanence of this range, please check the Downloads tab below.

GBP 17.97
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Daler-Rowney - Studland Cream Core Mountboard A1 (1.4mm) Hussar Blue

Daler-Rowney - Studland Cream Core Mountboard A1 (1.4mm) Hussar Blue

High-quality mountboards Acid-Free & PH Neutral Available in a wide range of colours Cream core is made using virgin wood pulp Ideal for backing & framing artwork Size: A1 (23.4 x 33.1") Thickness: 1.4mm Minimum Order Quantity: 5 Sheets From Daler-Rowney, these large A1 mountboards are made in the UK to meet the specifications & standards of the Fine Art Trade Guild. Sold in sets of 5, acid-free & PH neutral, they're available in a broad spectrum of colours, featuring a core made using virgin wood pulp in a characteristic pale ivory colour (hence the term cream core). At a thickness of 1.4mm, these sturdy & reliable mountboards are ideal for backing / mounting artwork & photography whilst still being able to be cut or trimmed incredibly easily using a sharp knife or the Jakar Mount Cutting Kits.

GBP 22.45
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Michael Harding - Handmade Artists Oil Colour (40ml) Cobalt Blue 506 (S5)

Michael Harding - Handmade Artists Oil Colour (40ml) Cobalt Blue 506 (S5)

Size: 40ml Colours: 76 sold individually Artist-Quality oil colours Smooth, opaque application Highly-pigmented, vibrant & durable Handmade using traditional techniques Solvent-free, produced using only pure pigment & oil Also available in 225ml, click here to view! Michael Harding Oil Colours are painstakingly handmade using only the highest-quality materials for brilliant colours, excellent handling & exceptional coverage. Produced using only pure pigments & linseed oil (except Titanium White No.101, which is made with safflower oil) for a range of over 70 vivid, solvent-free colours with a rich, buttery consistency. 100% vegan & cruelty-free, they're made using a formula of ethically sourced raw materials with no animal products or derivatives. To learn more about their production methods, click here for their official statement.

GBP 33.14
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