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New Media Users in China

New Media Users in China

Seeking to better understand the interaction between users and new media and among individuals within the ambit of new media this two-volume set systematically investigates the new media user both as an integral individual in networks and as an individual in mediatized time and space. The first volume revisits the multiple ways in which new media users have mutated from a passive audience to basic units within networks acting as both nodes in communication networks social networks and service networks and a link between the three. The author unravels new landscapes of communication in the new media era profound changes in social relationship and the productive roles that users play in the network economy. The second volume elucidates the mediatized human lives and self-expressions embodied in key new media phenomena and explicates how reality and virtual life converge and interact. It also touches upon new forms of mediatization in the digital age and the approaching age of artificial intelligence. This title will be a must-read for scholars students and media professionals interested in the topics of internet communication new media usage and media and society as a whole. | New Media Users in China

GBP 260.00
1

Conservation of Time-Based Media Art

Conservation of Time-Based Media Art

Conservation of Time-based Media Art is the first book to take stock of the current practices and conceptual frameworks that define the emerging field of time-based media conservation which focuses on contemporary artworks that contain video audio film slides or software components. Written and compiled by a diverse group of time-based media practitioners around the world including conservators curators registrars and technicians among others this volume offers a comprehensive survey of specialized practices that have developed around the collection preservation and display of time-based media art. Divided into 23 chapters with contributions from 36 authors and 85 additional voices the narrative of this book provides both an overview and detailed guidance on critical topics including the acquisition examination documentation and installation of time-based media art; cross-medium and medium-specific treatment approaches and methods; the registration storage and management of digital and physical artwork components; collection surveys and project advocacy; lab infrastructures staffing and the institutional implementation of time-based media conservation. Conservation of Time-based Media Art serves as a critical resource for conservation students and for a diverse professional audience who engage with time-based media art including conservation practitioners and other collection caretakers curators art historians collectors gallerists artists scholars and academics.

GBP 190.00
1