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Michael Harding - Refined Safflower Oil 250ml

Available in 2 sizes Pale, slow-drying oil additive Ideal for brightening & thinning oils Best suited to pale pigments, maintaining their brightness Available in 2 sizes, this refined Safflower Oil from Michael Harding is bright, clean & one of the highest in colour for oil (a favourite for Titanium White No.1). A pale, slow-drying oil, Safflower can be used to brighten and thin oil colours. Due to it's lighter yellow tone, paler pigments (whites & pale blues especially) maintain their brightness when mixed.

GBP 17.49

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Michael Harding - Refined Safflower Oil 100ml

Available in 2 sizes Pale, slow-drying oil additive Ideal for brightening & thinning oils Best suited to pale pigments, maintaining their brightness Available in 2 sizes, this refined Safflower Oil from Michael Harding is bright, clean & one of the highest in colour for oil (a favourite for Titanium White No.1). A pale, slow-drying oil, Safflower can be used to brighten and thin oil colours. Due to it's lighter yellow tone, paler pigments (whites & pale blues especially) maintain their brightness when mixed.

GBP 8.92

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Michael Harding - Refined Walnut Oil 100ml

Available in 2 sizes Cures clean & bright Ideal for thinning whites & brightening other colours Dries at the same rate as Linseed Oil, but doesn't yellow as much A high-quality oil additive from Michael Harding, Refined Walnut Oil cures clean & bright and can be found as a binder in a variety of their white colour options. Drying at the same rate as Linseed oil, Walnut Oil doesn't yellow as much, making it best for thinning whites & bringing the brightness of other colours to the forefront.

GBP 10.19

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Michael Harding - Refined Walnut Oil 250ml

Available in 2 sizes Cures clean & bright Ideal for thinning whites & brightening other colours Dries at the same rate as Linseed Oil, but doesn't yellow as much A high-quality oil additive from Michael Harding, Refined Walnut Oil cures clean & bright and can be found as a binder in a variety of their white colour options. Drying at the same rate as Linseed oil, Walnut Oil doesn't yellow as much, making it best for thinning whites & bringing the brightness of other colours to the forefront.

GBP 14.86

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Michael Harding - Refined Gum Turpentine (100ml)

Colourless solvent Distilled from pine sap Thin oil colours & clean tools Shortens drying time of oil colours Any paint mixed will dry slightly matt Distilled from pine sap, this Gum Turpentine (previously known as "Refined Portuguese Turpentine") from Michael Harding is a colourless, highly-effective solvent for oil colours. Best used in a well-ventilated area, Gum Turpentine is ideal for thinning oil paints & cleaning various tools (such as brushes etc). Speeding up the drying time of oil colours, this particular medium is especially useful for underpainting techniques. Any paints mixed with Gum Turpentine will dry to a subtle matt finish.

GBP 4.92

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Michael Harding - Beeswax Paste PM4 (100ml)

Size: 100ml Finish: Satin-Matt High oil content paste Increase the body of oil paints Especially useful for opaque colours Made using linseed oil & bleached beeswax Light-sensitive, be sure to store in a cool, dark place Made using a combination of bleached beeswax, linseed stand oil & double-rectified turpentine, this high-quality Beeswax Paste from Michael Harding is an excellent additive for your oil colours. Especially useful for opaque colours, adding around 10-20% of this Beeswax Paste to an oil colour will thicken & increase the body of said oil, drying to an attractive satin-matt finish. This product is light-sensitive, so it's best to store it in a cool, dark place if possible.

GBP 12.31

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Michael Harding - Refined Poppy Seed Oil (250ml)

Non-yellowing oil additive Developed in the 15th Century Increases gloss & transparency Ideal for wet-on-wet techniques Slower drying than Linseed & Safflower Often used with paler pigments (white or blue) due to it's lighter colour A staple for oil painters since it was developed in Europe in the 15th Century, this Refined Poppyseed Oil from Michael Harding is slower drying with a lighter film in comparison to Linseed or Safflower Oil. Tempering the consistency of oil colours whilst increasing their gloss & transparency, the paler tone is best when blended with Whites or Blues, as it is less inclined to yellow over time, ensuring their bright colours aren't affected.

GBP 19.96

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Michael Harding - Matt Varnish V2 (100ml)

Size: 100ml Finish: Matt Final picture varnish Add a protective film to your work Made using a 19th Century formula Blend of beeswax & double-rectified turpentine Allow all oil colours to dry completely before application An ideal accompaniment to Michael Harding Handmade Oil Colours A perfect partner to their Handmade Oil Colours, this potent matt varnish from Michael Harding creates a strong, protective layer to finished pieces. Made using a blend of beeswax & double-rectified turpentine to a 19th Century formula, this Matt Varnish is designed as a final varnish layer to completely dry oil paintings. As such, it is best to wait around 6 months for the work to be reliably dry (or 12, dependent on the number of layers involved). Applied sparingly, once the varnish layer is dry it is able to be buffed using a dry cloth, producing a satin sheen if preferred.

GBP 11.04

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