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Panentheism in Indian and Western Thought Cosmopolitan Interventions

An Economic and Social History of Western Europe since 1945

Understanding Chinese and Western Cultures

A History of Western Literature From Medieval Epic to Modern Poetry

Water Politics The Fragmentation of Western Water Policy

Reframing Western Comics in Translation Intermediality Multimodality and Censorship

Conflict and Peace in Western Sahara The Role of the UN's Peacekeeping Mission (MINURSO)

Digital Space and Embodiment in Contemporary Cinema Screening Composite Spaces

Digital Space and Embodiment in Contemporary Cinema Screening Composite Spaces

Digital Space and Embodiment in Contemporary Cinema examines how contemporary cinema has represented and engaged with the experience of simultaneously inhabiting digital and material spaces (i. e. composite spaces) in the context of the growing ubiquitousness of digital media and culture. Bringing together a range of key cinematic texts the book examines how these films represent composite space by depicting—often subtly and without explicit reference to technology—what it feels like to live in a world of ubiquitous digital media. The book explores composite spaces through the striking use of elements like colour symbolic graphics and music and covers topics like: music as mediator between levels of experience/perception in visionary films such as Sucker Punch (2011) and Spring Breakers (2012); digital colour as an interface in films including Under the Skin (2013); the integration of digital graphical elements drawn from game spaces into material spaces in films such as Scott Pilgrim vs The World (2010) and Nerve (2016); and films that take place on a computer screen including 2020’s widely discussed Zoom-produced pandemic horror film Host. Through the close analysis of these films the book offers fresh perspectives on conceptual issues of embodiment digital agency and subjectivity. This book is a valuable resource for advanced undergraduates postgraduates and scholars in the fields of film studies digital aesthetics and film theory digital culture and digital media. | Digital Space and Embodiment in Contemporary Cinema Screening Composite Spaces

GBP 130.00
1

Student Migration from Eastern to Western Europe

Adobe Photoshop Elements 10: Maximum Performance Unleash the hidden performance of Elements

Non-Western Nations and the Liberal International Order Responding to the Backlash in the West

Multilingual Digital Humanities

Multilingual Digital Humanities

Multilingual Digital Humanities explores the impact of monolingualism—especially Anglocentrism—on digital practices in the humanities and social sciences. The volume explores a wide range of applied contexts such as digital linguistic injustice critical digital literacy digital learning digital publishing low-resourced minoritised or endangered languages in a digital space and multilingual historical intertextuality. These discussions are situated within wider work on language technologies language documentation and international (in particular European) language-based infrastructure creation. Drawing on both primary and secondary research this four-part book features 13 diverse case studies of infrastructural projects pedagogical resources computational models interface building and publishing initiatives in a range of languages including Arabic French Russian Portuguese Italian German Spanish Bengali Hindi Malayalam and Tamil. All the debates are contextualised within a wider cultural frame thus bridging the gap between the linguistic focus of the multilingual initiatives and wider discussion of cultural criticism in DH. Multilingual Digital Humanities recognizes the digital as a culturally situated and organic multilingual entity embedding past present and future worlds which reacts to and impacts on institutional and methodological frameworks for knowledge creation. It is essential reading for students scholars and practitioners working in digital humanities and digital studies.

GBP 130.00
1

The Politics of the Communications Revolution in Western Europe

Middle-Class Values in India and Western Europe

Middle-Class Values in India and Western Europe

Middle-class Values in India and Western Europe discusses the distinctive attributes of the middle classes in France Germany and India. The construction of new norms of respectability is a universal feature of the middles classes though their rhetoric has varied in different societies. Drawing on historical experiences in both western Europe and colonial India the contributors to this volume try to understand the common inheritance of these newly emerging middle classes and the social and political impact they have had on their societies of origin. Each study is based on detailed research and combines both theoretical and empirical material. The book is divide into three sections. The first section ‘The Rise of the Middle Class in India and Western Europe’ has three chapters and they dwell on the middle class and secularization; the middle classes in twentieth-century India; and the values of the middle classes in Germany. The second section ‘Class Formation in the Twentieth Century’ contains four essays which discuss the character of the Indian middle class; middle-class values and the creation of a civil society; the ‘Grand Ecoles’ in France; and the changing social structure of the German society and the transformation of the German bourgeois culture. The last section ‘Values and Orientations’ consists of five papers on the Indian middle class and explore the cultural construction of gender in urban India; the Dalit middle class; the political orientation of the middle classes; the politics of the middle classes and their shifting class values.

GBP 130.00
1

Digital Landscape Photography

eMarketing Digital Marketing Strategy

Digital Humanities Workshops Lessons Learned