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Clockwork Soldier - Create Your Own Buzzy Bee

Sennelier - Green for Oil Thinner 100ml

Sennelier - Green for Oil Thinner 250ml

Essdee - Block Printing Kit for Kids

Sennelier - Green for Oil Brush Cleaner 250ml

Sennelier - Green for Oil Brush Cleaner 100ml

Sennelier - Green for Oil Gel Medium 200ml

Sennelier - Green for Oil Gel Medium 40ml

Sennelier - Green for Oil Liquid Medium 250ml

Sennelier - Green for Oil Liquid Medium 100ml

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

Acrylic painting medium Fast-drying isolation coat Increases mar resistance Decreases dry film tack Made in the USA GAC 500: Gloss Extender For Fluid Acrylic Colours provides a unique balance of film hardness and flexibility. Mix 2 parts GAC 500 to 1 part High Flow Medium to produce a good spraying, fast-drying isolation coat. It is beneficial as an additive for acrylic paints for increasing mar resistance and decreasing dry film tack, without disturbing the balance between hardness and flexibility. Its also useful when working on flexible or rigid supports and offers a self-levelling working quality. GAC 500 dries to a high gloss film with good clarity and transparency. It's useful to hard-edge painters to seal masking tape for cleaner edges. Apply over masking tape. Let dry before applying an additional paint layer. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

Bob Ross - Oil Medium For Flowers (100ml)

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

Acrylic painting medium Increases film hardness Reduces dry film tack Improves adhesion to non-porous surfaces Made in the USA GAC 200: Hard Acrylic Extender For Non-Porous Surfaces is ideal as an additive to acrylic paints to increase film hardness and reduce dry film tack. It improves adhesion to non-porous surfaces. However, some surfaces - such as glass and glazed tile - will not allow for a permanent bond. It dries with high gloss and excellent film clarity, and promotes cleaner edges of hard-edge techniques. The harder paint film has less "pull" as the masking tape is removed. This is the hardest and least flexible of any Golden Acrylic product. Caution is advised when using this product alone. Used in its pure form, it is limited to applications on rigid supports, as its lack of flexibility may lead to cracking when flexed. When used alone it needs to be applied and left to dry at a minimum temperature of 70F / 21°C. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

Clockwork Soldier - Create Your Own Wagging Puppy

Liquitex - Professional Heavy Body Acrylic Classics (12 x 59ml)

Liquitex - Professional Heavy Body Acrylic Classics (12 x 59ml)

Size: 59ml Colour(s): 12 x Assorted* Also available individually A set of Liquitex Heavy Body colours Smooth, buttery, professional-quality acrylic Rich, highly-pigmented & lightfast colours Ideal for textures & impasto techniques Dries to a clean, crack-free satin finish *please refer to Contents below Not content with developing the first water-soluble acrylics in 1955, Liquitex decided to revolutionise the game again, releasing their Heavy Body range a few years later in 1963, evolving to the current extensive 116 colour range available today. This set includes 12 versatile, fully intermixable paints broken down into 10 unique colours (listed in Contents tab below) & 2 Titanium Whites, effectively broadening your spectrum of colour mixing opportunities. Their smooth, buttery consistency allows for excellent handling & blending characteristics, along with easily retaining crisp brush strokes & knife marks for textures & impasto techniques.  Also, due to the additional thickness, you can take advantage of their extended open-working time whilst the flexible satin paint film prevents any cracking during the drying process. Rich & permanent, each colour features a high concentration of artist-quality pigments, each individually (and extensively) tested for lightfastness against the strict guidelines set by the American Society for Testing & Materials (ASTM).  This process ensures that your work has the greatest archival permanence possible, guaranteed for at least 50+ years (in gallery conditions), with no colour shifting or fading.

GBP 56.99
1

Clockwork Soldier - Create Your Own Wobbly Whale

Essdee - Fabric Lino Printing Kit

Essdee - Fabric Lino Printing Kit

Everything you need to start creating funky prints on fabrics & textiles! 1 x Fabric Block Printing Ink 3 x Pieces of MasterCut Lino Lino handle 2 x Cutters Fabric printing roller Ink tray Printing blanket Check the Contents tab for more details* With this full set of materials, you have all you need to begin mastering this craft (or perfecting your already formidable skills!). Essdee have a rich history of providing artists, crafts people & enthusiasts with materials to hone their creative talents & this time is no different. Known for their Lino ranges, they're branching out & developing new inks and sets for a range of different needs, keeping the same signature quality that has made them a well regarded name in the game. Essdee Fabric Printing Inks are specially formulated to make Lino printing onto fabric an enjoyable, accessible experience for artists of any ability. Similar to an acrylic, these water-based inks are thick & highly viscous, whilst able to be mixed with one another to create shades, tones or indeed, completely different colours.  They are also easily cleaned using soap & water (before setting). How to create your own unique, funky print: Carefully carve out your design onto a sheet of lino, using the necessary tools. Apply ink using a roller (we recommend the Essdee Fabric Roller) Place face down onto fabric & apply pressure Iron the reverse of the print (on a non-steam setting) for 4 minutes Printed fabrics are washable up to 40°c * For best results, 100% cotton fabric is recommended.

GBP 23.99
1

Cowling & Wilcox - Small Rectangular Palette

Cowling & Wilcox - Large Rectangular Palette

Cowling & Wilcox - Folding Palette

Daler-Rowney - System3 Reusable Printing Squeegee

Spraycraft - Universal Airbrush Propellant (750ml)

Winsor & Newton - Professional Watercolour (14ml) Burnt Umber 076 (S1)

Winsor & Newton - Professional Watercolour (14ml) Titanium White 644 (S1)

Winsor & Newton - Professional Watercolour (14ml) Winsor Lemon 722 (S1)