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Richard Dubugnon: Adoration De La Croix (Vocal Score)

Richard Dubugnon: Adoration De La Croix (Vocal Score)

The Vocal Score for the Franco-Swiss composer Richard Dubugnon 's brilliant choral work, Adoration De La Croix . Richard Dubugnon  was born in 1968 and began his musical studies with the Double Bass and in composition. He studied at the Paris Conservatory and then the Royal Academy of Music before turning to teaching for seven years. The winner of numerous awards, as well as seeing his work performed in countries all over the world, Dubugnon  has received a deserved amount of acclaim, and his piece Adoration De La Croix , for mixed voice choir is one of the most renowned.

SEK 180.00
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W.A. Mozart: Symphony No.25 In G Minor K.183 (Study Score)

W.A. Mozart: Symphony No.25 In G Minor K.183 (Study Score)

Mozart composed two new symphonies in the Autumn of 1773, after having returned to Salzburg from Vienna. The first of the two was the Symphony No.24 In B Flat K.182 , and the second was the Symphony No.25 in G Minor K.183 This symphony was one of two which Mozart composed in a minor key – the other being the Symphony No.40 in G Minor K.550 . The latter can be identified with some of Mozart’s most troubled and agitated music, reflecting those difficult moments in his life. However, the twenty-fifth symphony is thought to have been composed as part of a sudden wave of minor-key symphonies which appeared in the later 1760s and early 1770s – among others were composed by Vanhal, Ordonez, and Joseph Haydn. Available here is the study score for one of Mozart’s two symphonies composed in a minor key, the Symphony No.25 in G Minor K.183 . This score is ideal for study and perusal usage.

SEK 106.00
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W. A. Mozart: Symphony No.31 In D 'Paris' K.297 (Study Score)

W. A. Mozart: Symphony No.31 In D 'Paris' K.297 (Study Score)

Following nearly 4 years without having composed a new symphony, although still writing opera overtures and works from orchestral serenades, Mozart composed the ‘Paris’ Symphony. Mozart received the commission from Joseph Legros, when him and his mother were in Paris in 1778. Mozart composed the work for the largest orchestra he’d written for until then in a symphony, marking the first time which he had used Clarinets in one of his symphonies. Mozart had taken pains to write the work in a style that would appeal to the French and, despite a dismal rehearsal, the first performance was well received. Available here is a study score of Mozart’s Symphony No.31 in D ‘Paris’ K.297 , which is ideal for study and perusal usage.

SEK 106.00
1