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Chailley J. Elements De Philologie Musicale Music Theory

Bardez Elements Pour Un Cours D'ecriture Tonale Modale Bases 1 Bk

Bardez Elements Pour Un Cours D'ecriture Tonale Modale Bases 1 Book

Jo Gougat, Jacqueline Toussaint, Serge Lecussant: Initiation to Musical Studies (1)

Significant music pedagogues, Jo Gougat, Jacqueline Toussaint and Serge Lecussant compile a helpful aid for parents regarding their child's initiation to music theory. The compilation informs parents of the different elements of music theory and how their child can be supported in order to progress.

Lecussant I. F. M. Fiches Pedagogiques Parents No.2 Le Complet Book

Significant music pedagogues, Jo Gougat, Jacqueline Toussaint and Serge Lecussant compile a helpful aid for parents regarding their child's initiation to music theory. Volume 2 of the compilation continues the series in informing parents of the different elements of music theory and how their child can be supported in order to progress.

J. Chailley, H. Challan: Complete theory of music - Vol. 1

Complete theory of music by Jacques Chailley and Henri Challan is a really complete method for beginning musicians. This first volume of a series of two covers the nine first chapters of the method. It features: I. Different elements of music II. Music writing and symbols III. Rhythms IV. Intervals elements V. Intervals VI. Theory of Tonality [1/2] VII. Theory of Tonality [2/2] VIII. Tonality application IX. Additional music symbols Really focused on theory and including some exercises, this book will be a better fit for mature music beginners. Henri Challan was a French composer and professor at the Paris Conservatoire who won the Grand Prix de Rome and who has wrote many music analysis. Jacques Chailley was a musician and Deputy Director of the Paris Conservatoire.

V. Berdiev: 17 Studies (Trumpet solo)

V. Berdiev compiles a well-informed collection of studies for Trumpet. The exercises in 17 Studies For Trumpet are suitable for intermediate to advanced level trumpeters. Berdiev 's studies cover a wide range of musical aspects, including chromaticism, phrasing, rhythm, articulation, performance directions, dynamics, variations in time and key signatures, intervals and a wide tessitura, amongst other elements. For all aspiring trumpeters, Berdiev 's 17 Studies For Trumpet is essential to improving technique.

Pierre Max Dubois: Douze Etudes Variées (Trumpet)

French composer, Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. His 12 Various Studies for Trumpet was published in 1959 and remains prominent in the instrument's study repertoire. Dubois ' 12 Various Studies addresses elements of articulation, chromaticism, rhythm, scales, intervals, breath control, performance directions, dynamics, range, ornamentation, and variations in time and key signatures, amongst other aspects. 12 Various Studies is essential to the advanced trumpeter to ensure a high standard of technical progression.

Michel Corrette: Livre d'Orgue Vol.2 (Organ)

French organist and composer, Michel Corrette (1707-1795) has a significant number of works to his name. Norbert Dufourcq's compilation of Corrette 's Organ Works compiles the best of the composer's works for the instrument. The second volume of Corrette 's Organ Works includes much variety for the instrument. Including the use of features such as, ornamentation, variations in rhythm, and counterpoint, among other elements, Corrette 's Organ Works are an exciting addition to the organist's repertoire.

Jean Baptiste Arban: Etudes caractéristiques (Trombone solo)

Études Caractéristiques has formed many generations of Trombone players. The compilation by French cornetist, conductor and composer, Jean-Baptiste Arban (1825-1889) successfully addresses requirements of modern technique and characteristics. Arban studied at the Paris Conservatoire and led a prosperous career as a versatile and accomplished musician. Études Caractéristiques contains fourteen studies, each addressing a variety of musical characteristics. These elements include chromaticism, articulation, rhythm, range, intervals, breath control, and tempo, among other aspects. Arban 's Études Caractéristiques is not to be missed by aspiring Trombone players.

Olivier Messiaen: Theme Et Variations

As a passionate composer, organist and ornithologist, many of Olivier Messiaen 's works incorporate these three elements. However, he took a different stance for his Thème et Variations for Violin and Piano, composing it as a wedding present for his first wife, Claire Delbos in 1932. The couple gave its first performance during the same year. Admitted to the Paris Conservatoire at the mere age of eleven, Olivier Messiaen (1908-1992) was an outstanding pupil, winning many prizes. Thème et Variations was composed shortly after his appointment as titular organist at the Sainte Trinité church in Paris and is often considered to be characteristic of his famous Quatour pour la fin du temps. Made up of a theme and five variations, it begins simplistically before entering the complex variations. The theme is composed in common time and at a moderate tempo. Each variation varies in dynamics, time signature, tempo, tonality and rhythm, among other elements; however, Messiaen cleverly retains suggestions of the theme all throughout. Challenging as it is, Thème et Variations is an exciting, varied and compelling performance piece for all advanced violinists.

Paul Jeanjean: Etudes progressives et mélodiques Vol.1 (Clarinet solo)

Like a technical encyclopedia for the Clarinet, Etudes Progressive et Mélodiques provides a detailed guide to establishing a high standard of technique on the instrument. Jeanjean 's compilation covers all aspects, from quick semiquaver studies to melodic minor études, making the book a must buy for all clarinetists. As a noted virtuoso Clarinet player himself, Jeanjean 's understanding of the practice of technical elements is second to none. The Etudes Progressives et Mélodiques supplies a steady development from beginning to end and with titles in five languages, this Paul Jeanjean study book cannot be missed .

Ulysse Delécluse: 20 Etudes faciles d'après Samie (Clarinet solo)

French clarinetist, Ulysse Delécluse (1907-1995) worked as a performer, orchestral player and teacher during his prolific career. Considering his wide experience and expertise, his 20 Easy Studies for Clarinet are very well-informed. The 20 Easy Studies are composed in a variety of tempos, key signatures and time signatures and address elements, including, breath control, articulation, dynamics, scales, arpeggios, rhythm, range, intervals, phrasing, ornamentation, performance directions and accidentals, among other aspects. Delécluse 's studies are flawless, making his notorious 20 Easy Studies enjoyably accessible for the Clarinet.

Pierre Max Dubois: Cortège (Trombone & Piano)

French composer, Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Procession for Trombone and Piano was published in 1959 and remains prominent in the advanced trombonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Procession for Trombone and Piano reflects Dubois' compositional characteristics as well as elements of grandeur, reflecting the title. A typical performance lasts about four minutes and fifteen seconds. Procession is essential to the advanced trombonist's repertoire. Dubois' work makes for an exciting and enjoyable performance for players and audiences alike.

Thierry Escaich: Evocation II (Organ)

Born in 1965, Thierry Escaich studied in Paris where he obtained eight first prizes for Organ and Composition. His performances and works during his professional career have also received various distinctions, Evocation II being no exception. Composed in 1996, Evocation II is very modern, exploiting tonality, rhythm, harmony, and many other elements to a virtuosic level. Esciach is a great improvisation expert and Evocation II reflects aspects of this through use of complex rhythms and developed melodies. For all advanced organists seeking to vary and expand their contemporary repertoire, Esciach 's Evocation II is an exciting addition to the repertoire.

Paul Jeanjean: Etudes progressives et mélodiques Vol.2 (Clarinet solo)

Like a technical encyclopedia for the Clarinet, Progressive and Melodic Studies Volume 2 provides a detailed guide to establishing high standard technique on the instrument. Jeanjean 's compilation covers all aspects, from quick semiquaver studies to melodic minor études, making the book a must buy for all clarinetists. As a noted virtuoso Clarinet player himself, Jeanjean 's understanding of the practice of technical elements is second to none. Progressive and Melodic Studies for Clarinet Volume 2 supplies steady development from beginning to end, and with titles in five languages, this Paul Jeanjean study book cannot be missed.

Paul Bonneau: Concerto (Saxophone-Alto & Piano)

As the Saxophone is commonly associated with the jazz style, classical music for the instrument had always been lacking and so when Paul Bonneau published his Concerto for Alto Saxophone in 1944, it was well-received by performers of the genre. Bonneau 's composition was highly versatile, ranging from over fifty film scores, operettas, songs and other pieces for Saxophone, including this Concerto. Comprising three movements, a typical performance lasts about fifteen minutes. Bonneau 's Concerto for Alto Saxophone contains typically French characteristics, including chromaticism and difficult technical passages. All these elements combined make for an enjoyable and challenging piece for saxophonists.

Maxime-Alphonse: 200 Etudes Nouvelles Vol.3 - 40 Etudes De Moyenne Force (Horn)

In six books, Maxime Alphonose provides 200 progressive studies for the Horn. The third volume of Deux Cents Études Nouvelles Mélodiques Et Progressives is essential to intermediate level Horn players seeking to improve their technique on the instrument. Alphonose 's studies focus on elements including tempo, rhythm, articulation, rests, dynamics, syncopation, breath control and neatness, among other musical aspects. Compiled in 1924, Alphonse 's Deux Cents Études Nouvelles Mélodiques Et Progressives has enhanced the studies of many prolific Horn players. With notes in French, English, German and Japanese, this Alphonse book is versatile and crucial to the progress of any Horn player.

Los Hermanos Abal, Virtu Maragno: Carnavalito Quebradeño

Argentinian folk music composer, Los Hermanos Abal is best known for founding a folk group in 1939. Their career high point came in 1942 when their song, Carnavalito Quebradeño was used in the film, La Guerra Gaucha. Virtu Maragno (1828-2004) sublimely harmonises the song for SATB choir. Argentinian born Maragno was a composer of classical, opera and film music, as well as a teaching and national academic. His harmonisation of Carnavalito Quebradeño displays elements of South American folk music. For aspiring four-part choirs, Maragno 's harmonisation of Los Hermanos Abal 's Carnavalito Quebradeño makes for an exciting, alternative performance work.

Maxime-Alphonse: 200 Etudes nouvelles Vol.4: 20 Etudes difficiles (Horn solo)

In six books, Maxime Alphonse provides 200 progressive studies for the Horn. The fourth volume of Two Hundred New Melodic and Gradual Studies is essential to intermediate level Horn players seeking to improve their technique on the instrument. Alphonse 's studies focus on elements including tempo, rhythm, articulation, rests, dynamics, syncopation, breath control and neatness, among other musical aspects. Compiled in 1924, Alphonse 's Two Hundred New Melodic and Gradual Studies has enhanced the studies of many prolific Horn players. With detailed instruction for each exercise, this Alphonse book is versatile and crucial to the progress of any Horn player.

Bousch, Louvier, Risset, Savouret, Schwarz: Mixtures, for Flute or Oboe and Tape (Volume 2)

Mixtures was compiled by pedagogues at the Boulogne-Billancourt Conservatoire as a response to the increase of electro-acoustic music. The compilation provides flautists and oboists with an excellent introduction to playing with electronic accompaniment. As collection of modern works, Mixtures addresses extended techniques in the solo Flute/Oboe line. These include embouchure technique, whistle tones, special fingerings, harmonics, trills, articulation and making vocal sounds at the same time as sound on the instrument, amongst other elements. For all advanced flautists and oboists seeking to expand and vary the repertoire, in keeping with the advances of music, Mixtures is essential.

Henri Büsser: Cantecor Op.77 (Horn & Piano)

French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer, conductor, teacher and organist. His compositions for a variety of instruments are exceptional, Cantecor for Horn and Piano being no exception. As reflected in  Cantecor for Horn and Piano, Büsser 's compositional style was sophisticated, yet true to the 19th Century French tradition. Elements of  Cantecor for Horn and Piano include chromaticism, exploitation of tonality, complex rhythms and significant tempo changes, among other aspects. For all advanced Horn players, Büsser 's  Cantecor for Horn and Piano is essential for a varied repertoire.

Lucien Thévet: 60 Etudes Vol.1 (Horn solo)

Lucien Thévet (1914-2007), a virtuoso Horn player of his day, provides 60 progressive studies and exercises for the Horn. 60 Studies for Horn is essential to all Horn advanced players seeking to improve their technique on the instrument. Thévet 's book focuses on elements including scales, chromaticism, intervals, arpeggios, diligence, articulation, tone, vibrato, dynamics, legato passages, ornamentation and extended techniques, among other musical aspects. Moreover, 60 Studies for Horn also contains exercises in a range of key and time signatures to ensure versatility. Thévet 's 60 Studies for Horn is crucial to the progress of any advanced Horn player seeking to improve their entire technique.

Henri Büsser: Pièce Op.39 in D major (Horn & Piano)

French composer, Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer, conductor, teacher and organist. His compositions for a variety of instruments are exceptional, Piece In D  for French Horn and Piano being no exception. As reflected in Piece In D,   Büsser 's compositional style was sophisticated, yet true to the 19th century French tradition. Elements of the work include include, chromaticism, use of a wide tessitura, complex rhythms, scalic passages and wide intervals. For all advanced Horn players, Büsser 's Piece In D  is essential to a varied repertoire.

Marcel Bitsch: 20 Etudes pour Trompette (Trumpet solo)

Born in Toulouse, Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versitile composer, Bitsch has composed orchestral works, chamber works and numerous pieces and studies for wind instruments. Vingt Études comprises unique studies covering all technical aspects asked of Trumpet players. Suited to advanced level trumpeters, Bitsch 's Vingt Études for Trumpet can be played on both the C and B? Trumpet. From articulation and complex rhythms to range and dynamics, the variety of musical elements included in this Marcel Bitsch study book is outstanding, creating a necessary addition to the Trumpet player's progression.