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Gloria RV 589 (Chorus Score)

Gloria RV 589 (Chorus Score)

The chorus score contains no Piano reduction or solo parts - for full Vocal score (with Piano reduction) see BA7674-90. Today the “Gloria” RV 589 (BA 7674) is one of Vivaldi’s best-known compositionsand one of the most frequently performed sacred Vocal works from the Baroque period.Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However, it was probablyalso performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”,Vivaldidisplays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages.The same mastery has also been applied to the “Kyrie” RV 587 (BA 8950), scored fortwo choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kindof short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive Choral pieces which can be combined to form a short mass.- Vocal score as well as choral scoreavailable for the “Gloria”.- Informative foreword (Ger/Eng).

SEK 101.00
1

Concert 4 F Op.4 (4E Satz Mit

Concert 4 F Op.4 (4E Satz Mit

Unlike Handel’s other Organ concertos, HWV 292 is not a transcription of a work for a different solo instrument, but was conceived from the outset as part of the oratorio Athalia.Its fourthmovement leads seamlessly into a Hallelujah chorus that was only later replaced by an Adagio ending for publication purposes. Thanks to the relative simplicity of the chorus, our volume makes a useful addition to the materialalready published for this concerto (BA 8344).Original version of movement no. 4 from Organ Concerto HWV 292.Effective and easy to perform.For four-voice mixed chorus.

SEK 125.00
1

Concerto : Organ or Mixed Choir or Orchestra

Concerto : Organ or Mixed Choir or Orchestra

Unlike Handel’s other Organ concertos, HWV 292 is not a transcription of a work for a different solo instrument, but was conceived from the outset as part of the oratorio Athalia.Its fourthmovement leads seamlessly into a Hallelujah chorus that was only later replaced by an Adagio ending for publication purposes. Thanks to the relative simplicity of the chorus, our volume makes a useful addition to the materialalready published for this concerto (BA 8344).Original version of movement no. 4 from Organ Concerto HWV 292.Effective and easy to perform.For four-voice mixed chorus.

SEK 218.00
1

Let God Arise HWV 256b Chapel Royal Anthem

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

SEK 170.00
1

As Pants The Hart HWV 251e Chapel Royal Anthem

As Pants The Hart HWV 251e Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB),Chorus (SATB), Oboe, Strings, Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God arise HWV 256b for Soloists (AB), Chorus(SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As Pants The Hart”, his fifth setting of this Psalm text, waswrittenin March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the Organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

SEK 213.00
1

O Sing Unto The Lord HWV 249a Chapel Royal Anthem

O Sing Unto The Lord HWV 249a Chapel Royal Anthem

Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify theeHWV 250b for Soloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God arise HWV 256b for Soloists(AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text, was writteninMarch 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in the ChapelRoyal was the Organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

SEK 160.00
1

Let God Arise HWV 256b Chapel Royal Anthem

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

SEK 133.00
1

Let God Arise HWV 256b Chapel Royal Anthem

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

SEK 133.00
1

Let God Arise HWV 256b Chapel Royal Anthem

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

SEK 186.00
1

Let God Arise HWV 256b Chapel Royal Anthem

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

SEK 133.00
1

Let God Arise HWV 256b Chapel Royal Anthem

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

SEK 133.00
1

Let God Arise HWV 256b Chapel Royal Anthem

Let God Arise HWV 256b Chapel Royal Anthem

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB), Chorus (SATB), Flute, 2 Oboes, 2 Trumpets, Strings, Continuo BA 4263I will magnify thee HWV 250b forSoloists (SATB), Chorus (SATB), Oboe, Strings, Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB), Chorus (SAATB), 2 Oboes, Strings, Continuo BA 4265Let God Arise HWV 256b forSoloists (AB), Chorus (SATB), Oboe, Strings, Continuo BA 4266Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text,waswritten in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket.Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in theChapel Royal was the organ. These four works, with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores withstraightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solonumbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

SEK 133.00
1

I Will Magnify Thee

I Will Magnify Thee

Handel’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart”, his fifth setting of this Psalm text, was written in March 1738 for performance at a benefit concert for theKing’s Theatre in the Haymarket. Until just before Handel’s first visit to England, the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the LordHWV 249a, I will magnify thee HWV 250b, As pants the hart HWV 251e, Let God arise HWV 256b), with their orchestral accompaniments, thus represent something akin to a new genre in English church music.The four anthemsarepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the “Halle Handel Edition”. Their winningly varied and self-sufficient orchestral writing provides a suitable framework forthe festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV249a: soloists (AB), chorus (SATB) Flute, 2 Oboes, 2 Trumpets, Strings, Continuo.- HWV 250b: soloists (SATB), chorus (SATB), Oboe, Strings, Continuo.- HWV 251e: soloists (SAATBB), chorus (SAATBB), 2 Oboes, Strings,Continuo.- HWV 256b: soloists (AB), chorus (SATB), Oboe, Strings, Continuo.- Urtext from the “Halle Handel Edition” at the forefront of musical scholarship.- First separate editions for performancepurposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores, vocal scores and performance material available for sale.

SEK 213.00
1

Te Deum

Te Deum

The Te Deum, H148, is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704), whose death is now being commemorated three centuries later. Unlike the betterknown and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146), this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric, it is thus ideally suited forchurch choirs and small amateur ensembles. Despite its reduced forces, this Te Deum proves to be an impressive work of great effect in performance. - Urtext based on the latest scholarly research-Straightforward continuo - Four-voice chorus (SATB) without vocal soloists - Duration: approx. 6 minutes - Separate organ part available (BA7591-67)

SEK 96.00
1