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Threnodies I & II

Threnody I is for Flute, Violin, Viola and Cello. Threnody II is for Alto Flute, Violin, Viola and Cello.

Angel Song II : Vocalise

The composer writes of this piece: 'Angel Song II is inspired by the idea of angels singing on Christmas night. The music weaves a gentle melody over the aleatoric textures of the accompanying voices. The text is designed to create the echo of the word 'Hosanna', but with no consonants, so that the music feels as if it comes from 'on high'.'

The Little Horses (Old American Songs II) : No. 1 The Little Horses

The Little Horses is from Copland's extremely popular Old American Songs II from 1952. This edition is a choral arrangment of the work by R. Wilding-White, and is arranged for SA Chorus and Pianoaccompaniment.

The Russian School of Piano Playing 1 part II : Russian School of Piano Playing 1b

This edition of The Russian School of Piano Playing is divided into three separate volumes. Book 1, which is in two volumes, contains the material from Part I (48010303) and Part II (48010304) of the original Book 1. Part I takesthe average student to the end of the first year, and Part II covers the second year. Book 2 (48010301) takes the student to a more advances stage, leading him/her on to repertoire pieces.

Child Alice Part II/1 : Quaint Events

For Soprano and Orchestra From the composer's notes: Child Alice was conceived as a single continuity ... the various extracts may be performed separately. Options include: Part II of Child Alicemay be played without Part I ·Quaint Events (No. 1) and Happy Voices (No. 2) may be played as a unit · Quainty Events may be played separately · Happy Voices may be played separately · All in the Golden Afternoon may by played separately.

Child Alice Part II/3 : All in the Golden Afternoon

For Soprano and Orchestra From the composer's notes: Child Alice was conceived as a single continuity ... the various extracts may be performed separately. Options include: Part II of Child Alicemay be played without Part I ·Quaint Events (No. 1) and Happy Voices (No. 2) may be played as a unit · Quainty Events may be played separately · Happy Voices may be played separately · All in the Golden Afternoon may by played separately.

Symphonic Dances Op. 45 - Movement 3 : Movement 3: Allegro Assai

Sergei Rachmaninoff's Symphonic Dances Op. 45. Movement 3: Allegro Assai for Wind Band.Instrumentation: Flute I, Flute II, Piccolo (Flute III), Oboe I, Oboe II, Cor Anglais, Bassoon I, BassoonII, Contra Bassoon (Basson), Eb Clarinet, Bb Clarinet I, Bb Clarinet II, Bb Clarinet III, Alto Clarinet, Bass Clarinet, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone.

Octet : Hawkes Pocket Scores HPS 630

HPS 630 Instrumentation: Flute, Clarinet, Bassoon I, Bassoon II, Trumpet in A, Trumpet in C, Trombone I (Tenor), Trombone II (Bass).

Retracing II

Antiphonies II

SATB. Druckman, J

Piano Album II

Tenebrae : (Version II)

Piano Album II

Piano Album Ii

Appalachian Suite II

in angustiis..II

Missa : Our Lady of the Snows

Contents: Kyrie I · Gloria · Kyrie II · Sanctus · Kyrie III · Agnus Dei.

Esprit Rude/Esprit Doux II : (Rough Breathing/Smooth Breathing II)

Score and Parts

The Seven Deadly Sins : Variations

Contents: Movement I (Pride, Envy, Anger) · Movement II (Sloth) · Movement III (Avarice, Gluttony, Carnality).

Suite 2 Op.17

Copies included for both players (one solo Piano I and one solo Piano II).

Panda Chant II : Vocalise

Panda Chant is a section from The Games: a science fiction opera by Meredith Monk and Ping Chong, which was originally created for the Schaubühne Ensemble of West Berlin. Monk composed the music and also collaborated with Ping Chon on the scenario, choreography, and direction.

Musiquette Ii Op. 23

Genesis II Op19-2

Elegy For Mippy II

The edition is part of the Trinity syllabus 2007 (grade 7)

Adiemus II : Cantata Mundi

Cantata mundi is a development of ideas first heard in Songs of Sanctuary, where the world of ethnic influenced (both in vocal sound and percussion) are combined with established Western European classical technique to present a unified work.Vocally, the spread of influence is wider than in Songs of Sanctuary, with Eastern European and Arabic sounds added to the African, Celtic and ecclesiastical blend. Once again, the text is written phonetically with the words viewed as instrumental sound. In Cantata mundi, the sound is more symphonic, with woodwind and brass added to the strings, percussion and recorder. The seven main Cantus movements incorporate ethnic percussion, and areinterspersed with shorter chorales.