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Auferstehungshistorie. Complete recordings, Vol. 9

Auferstehungshistorie. Complete recordings, Vol. 9

With the Auferstehungshistorie [The Resurrection] the complete recording of the works of Heinrich Schütz continues with a further well-known work. The program is supplemented with additional pieces from the Easter cycle. The Dresdner Kammerchor performs under the direction of Hans-Christoph Rademann, together with renowned soloists, four trombonists from the ensembles Instrumenta Musica and the gamba consort The Sirus Viols, under Hille Perl.

SEK 249.00
1

Reger-Werkausgabe, Bd. I/2 : Phantasien und Fugen, Variationen, Sonaten, Suiten I für Orgel

Reger-Werkausgabe, Bd. I/2 : Phantasien und Fugen, Variationen, Sonaten, Suiten I für Orgel

Volume 2 of the Reger-Werkausgabe, in the category "organ music," comprises, in chronological order, the fantasies, fugues, variations, sonatas and suites which Max Reger composed between October 1894 and May 1901, primarily for concert purposes. In addition to the version of op. 33 printed in this volume, the DVD also contains the first version of mm. 75-88 from the Passacaglia, as well as the five variations composed for this movement [mm. 159 ff.] after the fact, which Reger wrote for Karl Straube. Volume 3 will conclude this category and will contain the following works: Sonata in D minor op. 60, Variations and Fugue on an original theme op. 73, Suite in G minor op. 92,Introduction, Passacaglia and Fugue in E minor op. 127, Fantasia and Fugue in D minor op. 135b. Starting with Vol I/2 of the Reger-Werkausgabe the DVD will include a user guide in English.

SEK 1958.00
1

Psalm 150 : Halleluja! Lobet den Herrn in seinem Heiligtum - C major - WAB 38

Psalm 150 : Halleluja! Lobet den Herrn in seinem Heiligtum - C major - WAB 38

Bruckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

SEK 1586.00
1