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Chorbuch Kirchenjahr : A-cappella-Repertoire für den Gottesdienst

Chorbuch Kirchenjahr : A-cappella-Repertoire für den Gottesdienst

The just-published Chorbuch Kirchenjahr [Choral collection for the church year] comprises a basic repertoire of sacred a cappella church music. 158 motets are presented in a volume of 184 pages. The selected choral pieces, motets, spirituals and new sacred songs range in difficulty from easy to medium levels so that most of the them require little rehearsal time. The repertoire is designed for practical use and includes works from the Renaissance to the 20th century. With an order of Chorbuch Kirchenjahr in choral quantity, a choir will be well-prepared for worship services throughout the church year as well for sacred concerts.

SEK 409.00
1

Brahms: Wach auf, meins Herzens Schöne [Speck]

Brahms: Wach auf, meins Herzens Schöne [Speck]

No matter how devotedly the collecting of folk songs was pursued in the 19th century, there is little basic agreement about what distinguishes a true folk song. There were two opposing schools of thought: those who wanted to include songs in folk style and who instead ruled out popular and bawdy songs, and those who were concerned exclusively with questions of genuine provenance and authenticity. Johannes Brahms regarded the question about the authenticity of folk songs as of secondary importance to their aesthetic quality, and throughout his life stood by the principle of their Romantic use and compositional arrangement. Holger Speck conducts the Vocalensemble Rastatt,accompanied on the piano by the renowned pianist Anne Le Bozec.

SEK 249.00
1

The Great Wall

The Great Wall

The Great Wall developed out of an improvisation, a homage to the Great Wall of China. Two motifs dominate in the work, which requires a three-manual organ: a two-measure ostinato in the pedal, and an oriental-sounding melody found on the manuals, in the basic shape and in the variations. The music leads seamlessly from an atmospheric picture into a rhythmically-driven crescendo, is interrupted by a storm fantasy before ending, after a second upsurge, in a radiant fortissimo. The dynamics and articulation are given very precisely in the score. The registration markings relate to the four-manual Mühleisen organ in the Stiftskirche Stuttgart, and are intended as a guide forperformance. This thrilling work, which recalls Ravel’s Bolero at certain moments, communicates directly with a wide range of audiences.

SEK 250.00
1