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Lore-Ley II. Deutsche Volkslieder für Frauenchor

Lore-Ley II. Deutsche Volkslieder für Frauenchor

Shortly after the publication of the first volume of Lore-Ley for mixed choir, we began receiving a lot of inquiries for such a collection for women’s and girl’s choirs. Soon, a sequel, Lore-Ley II, was published with over 130 lieder for this scoring. The Pfälzische Kurrende, under the direction of Carola Bischoff a two-time winner of the German choral competition has now recorded 29 of these Volkslieder [folk song] classics. Many of these arrangments by well-known contemporary composers were specially written for this collection and are recorded here for the first time. In addition to examples with classical harmony there are selections with modern elements ofstyle, also in a light, jazzy manner. The CD should stimulate the singing of folk songs and offer choral conducters an aural impression of these choral collections already published.

SEK 205.00
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Lord, now lettest thou thy servant depart : Deutsches Nunc dimittis II - A Dorian - SWV 433

Lord, now lettest thou thy servant depart : Deutsches Nunc dimittis II - A Dorian - SWV 433

Schütz set the German Nunc dimittis, the canticle for liturgical Vespers, on the death of the Saxon Elector Johann Georg I in 1656 “in two different ways” and had these printed. But unfortunately the 1st soprano part is lost. In this edition it has been reconstructed by Helmut Lauterwasser for the Stuttgart Schütz Edition. In another edition, Carus also offers the historic reconstruction of the part made by Heinrich von Herzogenberg in 1892 (available as Carus 20.433). Separate edition from Vol. 19 of the Stuttgart Schütz Edition (Complete Edition Carus 20.919).

SEK 163.00
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Magnificat In D : ZWV 108

Magnificat In D : ZWV 108

This is the Vocal Score for Jan Dismas Zelenka's 'Magnificat in D'.The Bohemian composer Jan Dismas Zelenka was a Double Bass player and church music composer at the Saxon court of the Elector August the Strong and his son Friedrich August II. In the years after 1721 he composed an extensive repertoire of Catholic church music together with the Kapellmeister Johann David Heinichen. These works, together with the Dresden operas composed by Johann Adolf Hasse in quick succession from 1731 onwards, established the reputation of the Saxon court as one of the most important musical centers of the late Baroque period. The two Magnificat settings (C major, ZWV 107; D major, ZWV108) are amongst well over 30 psalm and Magnificat settings by Zelenka for Vespers services in Dresden. In contrast to the work in C major, where a soprano solo dominates over long passages, the choir has a more prominent part in this Magnificat in D major. Zelenka also heightened the festive character of the work by later adding parts for 2 Trumpets and Timpani. Authentic performances of the work are therefore possible with and without Trumpets.

SEK 144.00
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