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Erhard Karkoschka: Komponistenporträt I und II

Erhard Karkoschka: Komponistenporträt I und II

Erhard Karkoschka is not only a composer but he is also active throughout the world as a lecturer and conductor. The Composer Portraits I and II reflect the versatility and the breadth of his creative output. Traditional as well as modern aspects play and important role in his music. Thus he is equally at home working with Gregorian chant, in an atonal idiom or even using plain noise. Likewise, his instrumental music displays a wide range, from works for recorder, to electronic music: He employs an extensive spectrum of sound, which offers him multi-facetted possibilities for musical expression.

SEK 282.00
1

Lore-Ley II. Deutsche Volkslieder für Frauenchor

Lore-Ley II. Deutsche Volkslieder für Frauenchor

Shortly after the publication of the first volume of Lore-Ley for mixed choir, we began receiving a lot of inquiries for such a collection for women’s and girl’s choirs. Soon, a sequel, Lore-Ley II, was published with over 130 lieder for this scoring. The Pfälzische Kurrende, under the direction of Carola Bischoff a two-time winner of the German choral competition has now recorded 29 of these Volkslieder [folk song] classics. Many of these arrangments by well-known contemporary composers were specially written for this collection and are recorded here for the first time. In addition to examples with classical harmony there are selections with modern elements ofstyle, also in a light, jazzy manner. The CD should stimulate the singing of folk songs and offer choral conducters an aural impression of these choral collections already published.

SEK 205.00
1

Wilhelm Friedemann Bach: Claviermusik II

Wilhelm Friedemann Bach: Claviermusik II

Wilhelm Friedemann Bach [1710 84] was one of the most outstanding, yet at the same time, most idiosyncratic composers of his time. His work reflects his ambitious attempt to assimilate his father’s legacy and to develop it further to suit the taste of his own generation. This becomes apparent in his keyboard music from the early works to the late sonatas and fantasias. The oldest Bach son delights us here with his appealing synthesis of highly complex baroque and sensitive gallant styles. Léon Berben’s inspiring performances profoundly emphasize the significance of this music and continue the Carus series of works by Wilhelm Friedemann Bach.

SEK 249.00
1

Wilhelm Friedemann Bach: Kantaten II

Wilhelm Friedemann Bach: Kantaten II

Wilhelm Friedemann Bach was Director of Music in Halle from 1746 to 1764. This position was in many respects similar to that of Johann Sebastian Bach’s in Leipzig. Certainly, in performing his duties Friedemann Bach largely followed the example of his father whether in matters of organ playing, choice of repertoire or making demands of the musicians. W. F. Bach was required to perform a cantata every third week and also on all feast days. The cantatas and Mass compositions performed here for the first time are works from this era outstanding artistic contributions to the genre of the church cantata after J. S. Bach. Under the direction of Jürgen Ochs the eightsingers of the Rastatter Hofkapelle perform both the choral as well as solo passages.

SEK 249.00
1

Bach for Brass 2: Kantaten II

Bach for Brass 2: Kantaten II

Bach for Brass contains Bach’s complete brass parts in seven volumes, set in generously engraved short scores designed for practical performance. The parts include measure numbers, helpful cues, timpani parts if applicable, as well as the most important information concerning origins, original instrument names in the sources, and much more. An instructive foreword in English and facsimiles complete the picture. These volumes, prepared by experienced musicologists and performers for the first time from the original scores and parts, aim to provide today’s musicians striving for an authentic interpretation of Bach’s works with reliable material for study, instruction, andconcert performance.

SEK 674.00
1