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Francis Poulenc: Sonata For Horn, Trumpet And Trombone

Francis Poulenc: Sonata For Horn, Trumpet And Trombone

Francis Poulenc (1899-1963) was an energetic French composer who is known for both his light-hearted instrumental works, and his more serious sacred and choral music. His Sonata For Horn, Trumpet And Trombone (1922) is one of his early, mischievous pieces. Relatively short at only 8 minutes, anyone can find time to fit this piece into their programme. As part of the indispensable Just Brass collection, this edition has been edited by Philip Jones and Elgar Howarth. Included with the full score are part books for all three parts, with the Trumpet part provided in both C and Bb.

SEK 236.00
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Simon Holt: Daedalus Remembers

Simon Holt: Daedalus Remembers

Daedalus Remembers is the third part in a trilogy called 3 for Icarus. Daedalus was Icarus' father and a famous craftsman. He once forged a magic sword for Peleus which had a property of making its owner victorious in battle, and he also created the labyrinth of King Minos of Crete in which the Minotaur (half bull, half man) was imprisoned. The second part of the trilogy is entitled Minotaur Games after Troy games, a kind of labyrinthine dance involving cords (Ariadne?s thread?).At one point in the myth Daedalus and Icarus are also imprisoned in the labyrinth. They escape by means of wings which Daedalus has made from feathers and wax. Sadly, despite his father?s warnings, Icarus flies too close to the sun in a fit of hubris, and the wings melt, causing him to plunge to his death. Daedalus alights safely on a beach in Sardinia, and after he has collected his thoughts remembers his son?s fall and scenes from his own past life. Have the gods paid him back for the death of his nephew Talos, whom Daedalus killed in a fit of jealousy by pushing him off the top of a temple in the Acropolis? Daedalus rants and sorrows ? dark memories nag persistently.Daedalus Remembers is scored for solo cello with flugelhorn, two horns, percussion, cimbalom, harp, three violas, four cellos and two double-basses.

SEK 424.00
1

Playstrings Easy No. 3 - Circus Comes To Town (Score)

Playstrings Easy No. 3 - Circus Comes To Town (Score)

Playstrings is an ideal introduction to orchestral playing for young string players. With interesting compositions in accessible arrangements. This is the full score for the lively and playful Circus Comes To Town. Easy music for string groups, Playstrings provides an enjoyable and varied repertoire for young string orchestras, carefully structured in two levels. The ?Easy? level rarely exceeds Grade 2 in difficulty with most parts playable in first position, while the ?Moderately Easy? level includes some parts to around Grade 3 standard. All the works in the series are available in full score or sets of individual instrumental parts and alternative options to fit with players available. There are over 30 terrific titles covering a wide range of styles, including fabulous classical pieces, superb folk tunes and wonderful Christmas collections.

SEK 137.00
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Michael Nyman: Flugelhorn And Piano

Michael Nyman: Flugelhorn And Piano

This piece was commissioned in 1991 by Graham Ashton for his album 'The Contemporary Trumpet'.Quoting Graham Ashton: Michael Nyman wrote Flugel and Piano for me during a period when I felt his approach to the writing and recording of his music was changing quite considerably. I had given him very few guidelines as I did not want to restrict his writing. I knew the result would be a difficult piece, as Michael had often said he likes to hear the performer 'fighting' the instrument. Flugel and Piano is a fight for a couple of reasons: firstly, the flugel does not like being played in the key of D sharp minor, especially with a Trombone 'bucket mute' - unfortunately, this was all that I could find to fit over the larger Flugel bell; secondly, the Flugel enjoys being flat at the top register, making top Cs and Ds a nightmare! Michael's reaction on hearing the recording was that he found the piece surprisingly emotional.

SEK 315.00
1

Poulenc Suite For Piano

Poulenc Suite For Piano

A suite composed in 1920 in three movements: 1) Presto, 2) Andante, 3) Vif. In January 1920 the critic Henri Collet named Poulenc and five composing friends ?Le Groupe des Six?, by analogy with the Russian Five. It was a convenient label for publicity purposes and Jean Cocteau, as their self-appointed spokesman, was quick to capitalise on the possibilities. But each of the Six always insisted that the group was just a collection of friends, with no communal musical aims. As it happened, Poulenc?s Suite For Pianio and Impromptus for piano fit Cocteau?s prescription quite well ? they are clear, light-hearted and entertaining. But the Promenades, written in 1921 for Artur Rubinstein, belong to the more serious side of Poulenc which was already struggling to make itself heard. This ten-movement celebration of different modes of transport explores a number of the new musical techniques which were intriguing composers of the 1920s, and the resulting language must have seemed difficult to pianists of the time, although now it merely appears of its period.

SEK 196.00
1

Simon Holt: Piano Trio - Los Ojos (Score/Parts)

Simon Holt: Piano Trio - Los Ojos (Score/Parts)

Score and parts for Simon Holt 's Piano Trio: Los Ojos , for Piano Violin and Cello. Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming Concert Hall at the Royal College of Music, London, by Johannes Marmén (Violin), Zoé Saubat (Cello), and Gwenaelle Rouger (Piano). I finished writing Piano trio: Los Ojos in early May 2007. It is approximately 13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement, ending with a ‘toy’ – defined by ThomasMace (a contemporary of William Lawes) in his 1676 book, Musicke’s Monument, as ‘a light-Squibbish Thing, only fit for Fantastical, and Easie-Light-Headed People; and are of any sort of Time’. The Machado poem behind the piece, Los Ojos (the eyes), is about a widower who has locked himself away, but after a year begins to wonder about the colour of his beloved’s eyes. He is horrified that he can’t remember. One spring day, he leaves the house and just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ‘¡Como esos!’; ‘Like those!’. The three movements have the titles: 1] su memoria y el espejo ‘his memory and the mirror’; 2] ¿Como eran? ‘How were they?’; and 3] ¡Como esos! ‘Like those!’. - Simon Holt

SEK 365.00
1