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P.I. Tchaikovsky: Concerto No.2 In G & Concerto No.3 In E Flat

P.I. Tchaikovsky: Concerto No.2 In G & Concerto No.3 In E Flat

This new edition of Tchaikovsky's Piano Concertos Nos. 2 and 3 unites both works for the first time in a single score. In addition to a difficult-to-find version of Tchaikovsky's original Piano Concerto No. 2 in G major, this edition features Alexander Siloti's suggested revisions. Although Siloti had the composer's permission to edit the work, he significantly shortened the second movement despite Tchaikovsky's objections, and published the concerto with his own revisions after the composer's untimely death. Piano Concerto No. 2 is usually performed with Siloti's cuts; this edition offers performers both versions. Originally intended as a symphony, the Piano Concerto No. 3 in E-flat major was published as a one-movement work. The piece contains a massive piano cadenza of striking virtuosity, surpassing even that of the Piano Concerto No. 1 in both brilliance and difficulty.Pianists will appreciate this comprehensive and modestly priced two-piano edition of two major romantic virtuoso works.Reprint of the Paragon Music Publishers, New York, editions.

SEK 315.00
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Clarence G. Hamilton: Touch And Expression In Piano Playing

Clarence G. Hamilton: Touch And Expression In Piano Playing

This brief yet comprehensive guide shows pianists how to produce every possible variety of tone, including note values, pulsation, phrases and their combination, dynamic contrasts and shadings, tempo, colour, and style. The two-part treatment addresses kinds of touch and the application of touch to expression, offering methods for achieving more sensitive execution in practice and performance.An essential volume for all piano students and teachers, this book emphasizes the relationship between techniques of touch and the expression of the composer's intention. The author excerpts and analyses portions of famous piano works and explains the uses of distinctive musical styles ? repeats and irregular measures, rhythms, and accents ? to assist students in their interpretation. He also includes hand and finger techniques for varied effects.Reprint of the Oliver Ditson Company, Boston, 1927 edition.

SEK 110.00
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Johannes Brahms: The Complete Sonatas - Violin/Piano

Johannes Brahms: The Complete Sonatas - Violin/Piano

Brahms composed just three sonatas for violin and piano, all of them staples of the repertoire?studied, practised, and performed by chamber music players everywhere. Musicians and students of music will be delighted to own all three works in this single-volume compilation, reprinted from authoritative editions.Both Sonata No. 1 in G Major, Op. 78, and Sonata No. 2 in A Major, Op. 100, are intensely lyrical in nature, containing some of Brahms' most beautiful and expressive melodies. Sonata No. 3 in D Minor, Op. 108, a tempestuous work full of fire and passion, is a particular favorite with audiences around the world. The violin part, edited by famed performer and teacher Leopold Auer, appears both within the book and as a separate, removable score.Reprint of the Carl Fisher, New York, 1916-17 editions.

SEK 257.00
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Antonio Vivaldi: Six Flute Concertos Op.10 In Full Score (With Related Concertos For Other Wind Instruments)

Antonio Vivaldi: Six Flute Concertos Op.10 In Full Score (With Related Concertos For Other Wind Instruments)

One of the most prolific and influential composers of the Baroque era, Vivaldi is especially noted for his compositions for violin, e.g., The Four Seasons. He was equally at home in composing for other instruments, however, including the flute, recorder, and bassoon. This volume comprises a selection of his finest compositions for wind instruments, including six concertos for flute and strings: Concerto No. 1 in F Major, "The Tempest" (RV 433); Concerto No. 2 in G Minor, "Night" (RV 439); Concerto No. 3 in D Major, "The Bullfinch" (RV 428); Concerto No. 4 in G Major (RV 435); Concerto No. 5 in F Major (RV 434); and Concerto No. 6 in G Major (RV 437). Also here are four "related" concertos: Concerto No. 1b, variant (RV 570) for Flute, Oboe, Bassoon, and Strings; Concerto No. 2c, variant (RV 501) for Bassoon and Strings; Concerto RV 422 for (Soprano) Recorder in F Minor; and Concerto RV 444 for Sopranino Recorder in C Major. Musicians and music lovers will appreciate this convenient compilation of rewarding works by the Italian master, edited and with an introduction by Italian Baroque music expert Eleanor Selfridge-FieldDover Original.

SEK 221.00
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Graham Lock: Forces In Motion - Anthony Braxton And The Meta-Reality Of Creative Music: Interviews And Tour Notes, England 1985

Graham Lock: Forces In Motion - Anthony Braxton And The Meta-Reality Of Creative Music: Interviews And Tour Notes, England 1985

A #1 New Release in Jazz Music on Amazon! "Absolutely essential reading." —  The Wire One of modern music's towering figures, composer and multi-instrumentalist Anthony Braxton has redefined critical concepts of jazz and the wider world of creative music. The Chicago native's works range from an early piece for 100 tubas to proposed compositions for orchestras on different planets. A modern classic,  Forces in Motion  follows Braxton's lauded quartet on a 1985 tour of England, noting his opinions of his musical predecessors — including Charlie Parker, John Coltrane, and Karlheinz Stockhausen — as well as his thoughts on racism and poverty. For this new 30th anniversary edition, Graham Lock provides a new chapter, detailing later encounters with Braxton and the quartet; Anthony Braxton has penned a new Afterword as well. In addition to inside views of the mind of a musical visionary, this book offers an entertaining chronicle of a touring band. Braxton's subjects run the gamut from chess and hamburgers to astrology, feminism, and ancient Egypt. Above all, it offers a captivating view of the frustrations and rewards that result from an artist's dedication of his life to creative music. "This book should be required reading for anyone interested in my music," Anthony Braxton has observed. "Graham Lock writes from the perceptual plane of insight and dedication — coupled with a keen wit and a dynamic intellect. This is serious writing and thinking. I could not have been more fortunate." Reprint of the Da Capo Press, New York, 1988 edition, with new material added for the Dover edition.

SEK 524.00
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Piano Lessons In The Grand Style (From The Golden Age Of The Etude Magazine 1913-1940)

Piano Lessons In The Grand Style (From The Golden Age Of The Etude Magazine 1913-1940)

Published from 1993 to 1957, 'The Etude Music Magazine' read like a diary of the emerging American musical community. During this period, it featured a series of 'Master-Lessons' by noted Piano virtuosi. Among the chapters in this collection are master-lessons on Paderewski's 'Minuet in G', Chopin's 'Military Polonaise' and Beethoven's 'Pathetique Sonata'. Authors include such masters as Wilhelm Bachaus, Percy Grainger and Mark Hambourg.

SEK 109.00
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Max Bruch: First Violin Concerto And Scottish Fantasy In Full Score

Max Bruch: First Violin Concerto And Scottish Fantasy In Full Score

Two of Bruch's most enduring compositions, revealing the German composer's romanticism, fluent scoring, colourful orchestrations, and exuberant melody. The First Violin Concerto in G Minor stands as one of the most performed and recorded concertos in the violin repertoire while Scottish Fantasy reflects his lifelong interest in folk music.Reprint of Concert, Op.26, C. F. W. Siegel's Musikalienhandlung, Leipzig, n.d., and Fantasie, Op.46, N. Simrock, Berlin, 1880.

SEK 234.00
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