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Edvard Grieg: Masterpieces For Solo Piano - 23 Works

Creative Haven Musical Mandalas Coloring Book

The Jubilee Singers And Their Songs

Franz Wohlfahrt: Sixty Studies For The Violin

Dietrich Buxtehude: Chorale Preludes BUXWV 177-224

Poet and Peasant and Other Great Overtures : in Full Score

P.I. Tchaikovsky: Symphony No.4 In F Minor Op.36

P.I. Tchaikovsky: Symphony No.4 In F Minor Op.36

In Tchaikovsky's symphonic output, his Symphony No. 4 was a pivotal work. It announced the composer as a major symphonist of his time, overshadowing his previous, less-than-distinguished efforts in this form, and opened the way to his last, major, works: the haunting Fifth Symphony and the biographical Sixth, the profound "Pathétique."Tchaikovsky's Fourth Symphony ? written in 1877 at the age of thirty-seven ? offers itself as an intensely personal statement. Dramatically shaped and brilliantly orchestrated, it captures a theatrical quality and orchestral color that shaped the composer's symphonic fantasy Francesca da Rimini, written just a year earlier. The Fourth opens unequivocally with the thrust of a brass fanfare ? the "fate" motive that is to reappear in the last movement ? then flows with the effortless quality that characterizes Tchaikovsky's great, generously melodious ballet scores. The second movement lingers over one of the composer's most poignant melodies, and the third ? the Scherzo ? offers a delightful fantasy from this master orchestrator: the charming Pizzicato ostinato, a unique moment in the entire orchestral literature.The symphony is reproduced here from the authoritative Breitkopf & Härtel edition, with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high quality, conveniently sized volume will be the edition of choice for music students and music lovers alike.Reprint of the Breitkopf & Härtel edition.

SEK 152.00
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Horns, Strings, And Harmony

Horns, Strings, And Harmony

A fascinating excursion into an area too often ignored by the musical practitioner. — Music Library Association Notes. If you've ever wondered how a musical instrument produces the sound it does, this book explains the physics of musical instruments in an engaging and understandable way. Dr. Benade was a nuclear physicist, flutist, and science educator with a special ability to explain complex ideas in a simple, straightforward manner. In this book he brings that ability to bear in elucidating the ways in which music is formed by many different kinds of musical instruments. Dr. Benade first explores simple and complex vibrating systems and the ear's reception of sound. He thendescribes the fundamentals of the piano, violin, trumpet, bugle, trombone, oboe, clarinet, flute, saxophone, and many other instruments, demonstrating the sound-making capacities of each. For mechanically inclined readers who are interested in constructing basic instrumental models, Dr. Benade demonstrates how to build a working trumpet, flute, and clarinet. Enhanced with clear diagrams and easy scientific models, Horns, Strings, and Harmony is a book that will increase the musical enjoyment and understanding of all musicians, music lovers, and amateur scientists. The book is commended not only to the 'young person' who seeks to know some physics of musical instruments but also to those who would like to review in simple outline the basic physics of what happens within a musical instrument. — Journal of the Acoustical Society of America.

SEK 221.00
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Alexander Scriabin: Poem Of Ecstasy And Prometheus: Poem Of Fire

Alexander Scriabin: Poem Of Ecstasy And Prometheus: Poem Of Fire

In the early years of our century, when vital new forces were revolutionising the arts, Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg, Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express, in sound, the mystical and theosophical ideas obsessed him. Scriabin ’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy and completing the symphony that grew out of it (and shared its name), Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath, but oh, what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin ’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation, given the gift of fire and light to make creative vision possible. Massively scored, Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition, orchestration and conducting, both scores are strikingly original and instructive. Equally fascinating are Scriabin ’s approach to composition, the extraordinary sonorities of his orchestra and his fanciful, often supercharged, performance instructions that replace conventional words for tempo, mood and expression.

SEK 246.00
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Our Singing Country Folk Songs And Ballads

Our Singing Country Folk Songs And Ballads

In the 1930s and 40s, a father-and-son team of folklorists hit the highways, byways and rural routes of the United States, traveling in a battered pickup truck laden with primitive recording equipment. John A. Lomax and his son, Alan, covered thousands of miles, stopping off at tarpaper shacks, juke joints, prison yards, and other out-of-the-way places to listen to native singers and to record them for the Library of Congress archives. The Lomaxes made over 10,000 field recordings, and from this vast collection they compiled a hugely successful series of anthologies, beginning with the widely acclaimed American Ballads and Folk Songs in 1934. That collection was followed by thepresent volume in 1941. Here are the music and words to some 200 songs recorded at the state penitentiary in Milledgeville, Georgia, in Michigan lumber camps, Louisiana rice fields, on Western cattle trails, and in many other locales around the nation. A beguiling mix of the familiar and the rare, the tunes range from spirituals and other songs of faith to chain-gang work chants and field hollers, as well as game songs, lullabies, courting songs, Cajun airs, breakdowns, and many more. Well-known standards such as Hush Li'l' Baby, Old Blue, John Henry, and Jack o' Diamonds appear alongside less-familiar tunes, including The Lady Who Loved a Swine, You Kicked and Stomped and Beat Me, and the miners' lament, Oh, My Liver and My Lungs. This new edition features an informative introduction by award-winning author Judith Tick, a faculty member at Northeastern University. Notes on tune origins, two indexes, and an extensive bibliography round out this important archive of authentic folk songs and ballads.

SEK 315.00
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