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9 Sonatas For Cello And Piano : per violoncello e basso continuo

Similar to Vivaldi's concertos and compositions for violin, his 9 cello sonatas also bear the mark of a genius of exuberant temperament. Since they belong to the basic repertory of the cello it increases the importance of the edition that the music includes the partly deviating performing marks of the surviving authentic sources of the pieces for the first time.

Chamber Music for/ Kammermusik für Violoncelli 9 : for 4 violoncellos

Volume 9 in the series includes two works by Georg Goltermann (1824-1898) written for four cellos. The first work in the volume is the well-known Ständchen by Schubert, and the last is a transcription for four cellos of the equally popular Humoresque by Dvo ák. Since parts III and IV are easy, if the members of the ensemble are of equal ability it is possible in the repeated sections for an exchange of parts to take place between I and III, and between II and IV.

9 Bagatellen

Freie Bearbeitungen 9

Freie Bearbeitungen 9

Skizzen op. 9-b

The work was composed in 1908-1910. 'Bartók may have chosen to call these sketches because most of the pieces are indeed like a painter's sketch for a later, larger work: quickly executed creative works, capturing the magic of the moment.' (HCD 32525 Bartók New Series Vol. 25, László Somfai)

Etüden No.9 Ricordanza

Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition, yet their extent is far smaller and they cost much less than the larger volumes of the full set. Liszt Separate Editions provide the same quality as the complete edition, while also fully meeting practical requirements.

Sonate D-Dur op. 9

Hochzeitsmarsch Op. 61, No. 9

Four Dirges op. 9-a

'This music, moving even in its bleakness, is characterised by the complete absence of ornamentation. The arc of all four pieces [1. Adagio, 2. Andante, 3. Poco lento, 4. Assai andante] is similar: after beginning softly they reach a fortissimo climax, then sink back into numbing grief. Only the decidedly important melodic and harmonic elements are heard, pared down, occasionally reinforced with octave doubling. In the Adagio of the Second Piano Concerto Bartók was to return to this peculiar piano instrumentation. The lyricism and Hungarian turns of phrase of the second movement differ a little from the series: he orchestrated it with the title 'Melody' in 1931 as thecentral piece of the five-movement 'Hungarian Sketches'.' (HCD 32525 Bartók New Series Vol. 25, Somfai László)

Les petits riens 9 Tänze für Jugendorchester KV : 9 Tänze für Jugendorchester KV 299b

Die Biene op. 13, No. 9

The Moments Musicaux series offers violinists a wide selection of popular works and movements starting from Bach to compositions of the present day. Among the pieces we find both well-known and recently-made transciptions for violin and piano. The degree of difficulty, from very easy to extremely difficult, appears on each item in the series, thus allowing the players to choose appropriate works to suit their technical ability.

Des écrits d'un musicien : 9 fantasies

I. Prologue. Moderato quasi andanteII. ...comme une lettre sur moi m me. Moderato III. Maternité. Andante quasi allegretto IV. Elegie (en forme d'un tryptichon). - Poco rubato - Poco adagio - Andante V. Serenade en Carneval. Allegro giocoso VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando VII. ...je m'en vais comme l'ombre quand elle décline : et j'ai été emporté de côté et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio VIII. Chanson ivre. Allegro commodo poco capriccioso IX. Epilogue. Poco lento molto e

Sonate Nr. 9, A-Dur, KV 331

Játékok - Games - Spiele 9 : Tagebucheintragungen, persönliche Botschaften

The piano series entitled Games, written from 1973 onwards, was conceived originally as a piano method. Its early volumes introduced children to the basic elements in piano-playing and musical thinking, and, more importantly still, taught them to play music without inhibitions. As the years went by, the view of the series lost its didactic character. It came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. This change is exemplified in the subtitle Diary entries, personal messages added from the fifth volume onwards.

Ungarische Rhapsodien Band 1 : No. 1-9

Addio per violino principale e 9 archi

The latest work by András Sz ll sy, who celebrated his 80th birthday last year, was given its first performance in May 2002 by the Addio chamber orchestra, within the framework of the contemporary music festival Concert cycle 2002, from the music of the 20th and 21st centuries. This piece belongs to the most characteristic category of works in Sz ll sy's oeuvre, that of memorial compositions. A twelve-tone series and variations on it determine the organization of the notes, and the composer moulds the series into melodies of Bach-like beauty.

Zwölf kleine Stücke

Nos. 1-4 are to be played a semitone lower, nos 5, 6, 9, 10, 11, 12 a semitone higher (on the black keys).

9 Sonate facili del barocco italiano per violoncel

ABRSM Syllabus title, 2010-15, Grade 4

Harold en Italie (Berlioz) and Other Works : Suppl. 9

but their true significance consists in the new scholarly discoveries made by the editors. Similarly to the other NLE volumes, both the cloth-bound (Z. 14504a) version and the one bound in hard-paper (Z. 14504) contain in three languages the series preface, the preface to this volume, and the captions below the facsimiles, but the critical notes in English are to be found only in the linen-bound edition.Territorial restrictions may apply. Please ask before ordering.

Transcriptions IV (II/19) : Symphonies de Beethoven Nos. 8-9

6 Sonaten Op. 9 Op. : Für Flöte und Basso Continuo

9 Songs : on texts by Edward Lear for mixed choir

Transcriptions IV (II/19) : Symphonies de Beethoven Nos. 8-9

Sinfonie Nr. 9 op. 95 Aus der neuen Welt : Aus der neuen Welt'