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Furulyázzunk együtt!

Furulyázzunk együtt!

Furulyázzunk együtt! [Let's Play the Recorder] is for both teachers and learners of the instrument, for young people who encounter the instrument during their advanced studies, as well as anyone interested in learning the recorder as an adult, or who wants to refresh their former skill on the instrument. The volume provides supplementary material for volumes I and II of János Béres's Recorder Method (Z. 5406, Z. 7062): it contains recordings of the thirty-seven exercises, folk songs, and performance pieces found in the Method. In addition there is the music of many other exercises, groups of folk songs, and pieces, with their recordings. All the material is accompanied by a brief description which gives useful tips on how to overcome technical and musical challenges. This volume does not contain the musical scores of the exercises, songs, and pieces in volumes I and II of the Recorder Method, so the benefits of Furulyázzunk együtt! can only be fully enjoyed in conjunction with the Recorder Method.This volume is distributed in both print and digital formats. The audio recordings can only be found in the digital edition, but the printed edition contains a unique code giving free access to the digital edition.

SEK 167.00
1

Dadamusik : Hommage a Kurt Schwitters & his Ursonate for string quartet

Dadamusik : Hommage a Kurt Schwitters & his Ursonate for string quartet

Máté Balogh's string quartet Dadamusik fits in well with the author's text-music in recent years. While Hemingway's Speech (2017), Kipling's Speech (2018), or Bahnmusik (2019) are exact representations of acoustic experiences, Dadamusik is a transcript of a senseless poem. Each sound in the composition is a musical representation of the meaningless poem Ursonate by Kurt Schwitters a Dadaist artist of the early 20th century. However, knowledge of the poem is not necessary to fully reception the piece. The text as an organizing structure participates in the formation of the piece: each moment is composed of elements of vowels (musical sounds) and consonants (various noises),expressed in a verbal recitation. Schwitters liberated the text from its exact meaning in his poem, while in Balogh's composition, elements of the spoken language are further abstracted, or resolved, in instrumental music, that is, in timbre. The work was commissioned by the Kunststiftung Nordhein-Westfalen and is dedicated to the Asasello Quartett.

SEK 484.00
1

Poly For Chamber Ensemble

Poly For Chamber Ensemble

Poly was written as a homage to György Ligeti and his music. Therefore the musical elements and the titles of the movements refer to those artistic, technical, scientific, acoustic creationsand phenomena that Ligeti admired.Balázs Horváth won the 1st prize with POLY at the composition competition 'In memoriam György Ligeti' in Berlin, 2007. The piece was premiered on 13 October, 2007 (Berlin, Akademie der Künste, Solistenensemble Ligatura). The performance material can be hired under the catalogue number H-74.

SEK 484.00
1

Konzert Op. 3, No. 7 : Für Flöte, Streicher und Basso Continuo

Konzert Op. 3, No. 7 : Für Flöte, Streicher und Basso Continuo

The opus 3 by Johann Adolf Hasse (1699-1783) contains twelve flute concertos. The present work is the seventh item of this series. Its modern edition is justified, in addition to the elegance and peculiarity of style, by the facility of the instrumental technique of the parts. The flute part is constructed of virtuosic and melodic elements and offers pupils after some years of flute studies already a rewarding, easily executable task of performance. Territorial restrictions may apply. Please ask before ordering.

SEK 147.00
1

Giraffe Piano Volume 1 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Giraffe Piano Volume 1 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is compromised of moderately difficult ones.

SEK 246.00
1

Saxophone ABC 1

Saxophone ABC 1

The two volumes of the Saxophone ABC (Vol.2: Z. 14299) are organically related, and together provide beginners with 3-4 years’ worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian.

SEK 256.00
1

Soft Errors for chamber ensZle : Part. U. Stimmen

Soft Errors for chamber ensZle : Part. U. Stimmen

László Vidivszky's work entitled Soft Errors (1989) might be described as a serendipitous find: as a result of a 'chance computer event', from the fragments of music it contained Vidovszky's computer created a sequence, and the computer's owner 'merely' instrumented this. From the bare sound and intellectual, indeed comic elements there emerges the characteristic voice that may be styled as 'Vidovszky's peculiar melancholy'. The premiere of the work took place in October 1989 in Budapest, it was performed by the Componenensemble, conducted by Zsolt Serei.

SEK 558.00
1

Giraffe Piano Volume 2 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Giraffe Piano Volume 2 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is compromised of moderately difficult ones.

SEK 206.00
1

A Desert March... Für Klavier

A Desert March... Für Klavier

A Desert March is a protest march and a requiem for European musical culture. This seemingly endless march carries with it subdued or disfigured Western art music quotations (Brahms, Schubert, Beethoven, Bartók, Janácek, Satie). Iconic items such asBeethovens Ode to Joy (now the hymn of the European Union) and the United States national anthem appear in numerous, often distorted forms as if molten metal ransacked by the military machine of the relentless march. Yet this monumental work strivesfor a state of calm and ultimate balance.

SEK 256.00
1

Saxophon-ABC 2 : Pupil's book

Saxophon-ABC 2 : Pupil's book

The two volumes of the Saxophone ABC (Vol.1: Z. 14289) are organically related, and together provide beginners with 3-4 years’ worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian. The piano accompaniment to this volume is published separetely (14299P).

SEK 256.00
1

Saxophone ABC : Piano accompaniment (Mib, Sib)

Saxophone ABC : Piano accompaniment (Mib, Sib)

The two volumes of the Saxophone ABC (Vol.1: Z. 14289) are organically related, and together provide beginners with 3-4 years worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian. The pupil's book is published separately (14299)

SEK 177.00
1

Weapon Dance

Weapon Dance

Ferenc Erkel (1810-1893) was a composer, pianist, conductor and teacher, a leading figure in 19th century Hungarian music, creator of Hungarian national opera. In his operas based on Hungarian history (Bátori Mária: 1840, Hunyadi László: 1844, Bánk bán: 1861, Dózsa György: 1867, etc.), blending elements of the style of Bellini, Meyerbeer and Verdi with verbunkos he created a distinctively Hungarian opera genre. The 'Weapon Dance' is a popular ballet interlude in his opera Dózsa György, and in József Pécsi's transcription youth wind orchestras can now add it to their repertoire.

SEK 1624.00
1

Weapon Dance

Weapon Dance

Ferenc Erkel (1810-1893) was a composer, pianist, conductor and teacher, a leading figure in 19th century Hungarian music, creator of Hungarian national opera. In his operas based on Hungarian history (Bátori Mária: 1840, Hunyadi László: 1844, Bánk bán: 1861, Dózsa György: 1867, etc.), blending elements of the style of Bellini, Meyerbeer and Verdi with verbunkos he created a distinctively Hungarian opera genre. The 'Weapon Dance' is a popular ballet interlude in his opera Dózsa György, and in József Pécsi's transcription youth wind orchestras can now add it to their repertoire.

SEK 216.00
1

Játékok - Games - Spiele 9 : Tagebucheintragungen, persönliche Botschaften

Játékok - Games - Spiele 9 : Tagebucheintragungen, persönliche Botschaften

The piano series entitled Games, written from 1973 onwards, was conceived originally as a piano method. Its early volumes introduced children to the basic elements in piano-playing and musical thinking, and, more importantly still, taught them to play music without inhibitions. As the years went by, the view of the series lost its didactic character. It came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. This change is exemplified in the subtitle Diary entries, personal messages added from the fifth volume onwards.

SEK 305.00
1

Violinschule - Violin Tutor - Méthode de Violon I

Violinschule - Violin Tutor - Méthode de Violon I

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity - in addition to its methodological concept - may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 246.00
1

Violinschule - Violin Tutor - Méthode de Violon I

Violinschule - Violin Tutor - Méthode de Violon I

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity - in addition to its methodological concept - may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 246.00
1

Violinschule - Violin Tutor -Méthode de Violon IVa

Violinschule - Violin Tutor -Méthode de Violon IVa

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity –-in addition to its methodological concept – may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 246.00
1