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Dadamusik : Hommage a Kurt Schwitters & his Ursonate for string quartet

Dadamusik : Hommage a Kurt Schwitters & his Ursonate for string quartet

Máté Balogh's string quartet Dadamusik fits in well with the author's text-music in recent years. While Hemingway's Speech (2017), Kipling's Speech (2018), or Bahnmusik (2019) are exact representations of acoustic experiences, Dadamusik is a transcript of a senseless poem. Each sound in the composition is a musical representation of the meaningless poem Ursonate by Kurt Schwitters a Dadaist artist of the early 20th century. However, knowledge of the poem is not necessary to fully reception the piece. The text as an organizing structure participates in the formation of the piece: each moment is composed of elements of vowels (musical sounds) and consonants (various noises),expressed in a verbal recitation. Schwitters liberated the text from its exact meaning in his poem, while in Balogh's composition, elements of the spoken language are further abstracted, or resolved, in instrumental music, that is, in timbre. The work was commissioned by the Kunststiftung Nordhein-Westfalen and is dedicated to the Asasello Quartett.

SEK 484.00
1

Poly For Chamber Ensemble

Poly For Chamber Ensemble

Poly was written as a homage to György Ligeti and his music. Therefore the musical elements and the titles of the movements refer to those artistic, technical, scientific, acoustic creationsand phenomena that Ligeti admired.Balázs Horváth won the 1st prize with POLY at the composition competition 'In memoriam György Ligeti' in Berlin, 2007. The piece was premiered on 13 October, 2007 (Berlin, Akademie der Künste, Solistenensemble Ligatura). The performance material can be hired under the catalogue number H-74.

SEK 484.00
1

Giraffe Piano Volume 1 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Giraffe Piano Volume 1 : Essential Sonatinas for Music Education - Ausgewählte Sonatinen für die Musikausbildung

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is compromised of moderately difficult ones.

SEK 246.00
1

Saxophone ABC 1

Saxophone ABC 1

The two volumes of the Saxophone ABC (Vol.2: Z. 14299) are organically related, and together provide beginners with 3-4 years’ worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian.

SEK 256.00
1

Saxophon-ABC 2 : Pupil's book

Saxophon-ABC 2 : Pupil's book

The two volumes of the Saxophone ABC (Vol.1: Z. 14289) are organically related, and together provide beginners with 3-4 years’ worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian. The piano accompaniment to this volume is published separetely (14299P).

SEK 256.00
1

Weapon Dance

Weapon Dance

Ferenc Erkel (1810-1893) was a composer, pianist, conductor and teacher, a leading figure in 19th century Hungarian music, creator of Hungarian national opera. In his operas based on Hungarian history (Bátori Mária: 1840, Hunyadi László: 1844, Bánk bán: 1861, Dózsa György: 1867, etc.), blending elements of the style of Bellini, Meyerbeer and Verdi with verbunkos he created a distinctively Hungarian opera genre. The 'Weapon Dance' is a popular ballet interlude in his opera Dózsa György, and in József Pécsi's transcription youth wind orchestras can now add it to their repertoire.

SEK 216.00
1

Játékok - Games - Spiele 9 : Tagebucheintragungen, persönliche Botschaften

Játékok - Games - Spiele 9 : Tagebucheintragungen, persönliche Botschaften

The piano series entitled Games, written from 1973 onwards, was conceived originally as a piano method. Its early volumes introduced children to the basic elements in piano-playing and musical thinking, and, more importantly still, taught them to play music without inhibitions. As the years went by, the view of the series lost its didactic character. It came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. This change is exemplified in the subtitle Diary entries, personal messages added from the fifth volume onwards.

SEK 305.00
1

Violinschule - Violin Tutor - Méthode de Violon I

Violinschule - Violin Tutor - Méthode de Violon I

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity - in addition to its methodological concept - may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 246.00
1

Violinschule - Violin Tutor -Méthode de Violon IVa

Violinschule - Violin Tutor -Méthode de Violon IVa

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity –-in addition to its methodological concept – may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 246.00
1

Exorcist for Trombone Quartet : Partitur und Stimmen

Exorcist for Trombone Quartet : Partitur und Stimmen

The composer wrote this work in 2004 for the Corpus trombone quartet, to whom it is dedicated. The piece consists of a slow and a fast section, both in rondo form. Its musical language makes use of a great many new elements of playing technique, which provide an excellent opportunity for displaying the fantastically virtuosic capabilities of both the new modes of sound production and the performers: they include Wah-muted notes with modulated tone colour, harmonic-glissandi, sequences of buzzing notes sung into the instrument, valve-modulated harmonic glissandi, rapid double- and tripletongued staccatos, and flutter-tongued, lip-trilled and buzzing lip-vibrating notes. Thepurpose: playful, good-humoured music-making, to exorcise evil from our lives.

SEK 459.00
1

Violinschule - Violin Tutor - Méthode de Violon I

Violinschule - Violin Tutor - Méthode de Violon I

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity - in addition to its methodological concept - may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 246.00
1

Violinschule - Violin Tutor -Méthode de Violon IVb

Violinschule - Violin Tutor -Méthode de Violon IVb

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity - in addition to its methodological concept – may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 246.00
1

Violinschule - Violin Tutor - Méthode de Violon V

Violinschule - Violin Tutor - Méthode de Violon V

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity - in addition to its methodological concept – may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 246.00
1

Violinschule - Violin Tutor -Méthode de Violon III

Violinschule - Violin Tutor -Méthode de Violon III

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity - in addition to its methodological concept – may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 256.00
1

Violinschule - Violin Tutor - Méthode de Violon II

Violinschule - Violin Tutor - Méthode de Violon II

Frigyes Sándor (1905-1979), violinist, teacher and conductor. His six-volume Violin tutor was published between 1949 and 1959, and has remained popular ever since. One reason for its popularity - in addition to its methodological concept – may be the fact that from the very beginning learners are given high quality musical material on which to master the basic elements of violin playing. The musical material in the volumes was written specifically for this tutor by Pál Járdányi and Endre Szervánszky: apart from pieces designed for pedagogical purposes it includes a wealth of folk tunes (Hungarian and other European folk melodies) graded to suit each level of difficulty, andexcerpts representing different periods in the history of music.

SEK 256.00
1

Scene For Five Characters

Scene For Five Characters

The composer calls his Scene for Five Characters for brass quintet a mystery-play parody or a mystical comedy, enriched with theatrical components. The four ancient elements (fire, water, earth and air) evoked by two trumpets, cornet and trombone as performers of several imaginary scenes move on the stage around the tuba as a point of reference. The characteristic tones of the individual instruments and their related humorous representation of motifs render a basic situation of communication, illustrative of human characters and relationships. The subtitles of the nine parts provide help in understanding the scenes: Prelude: Quarrel between Fire and Water: Monologue of theEarth: The Edges Visit the Centre: Fire's Appeasing Serenade to Water: Duet of Air and Earth: Turning Round: Tercet of Fire, Water and Air: Farewell.

SEK 484.00
1

Hellas - Greek Suite

Hellas - Greek Suite

This splendidly instrumented work successfully combines 20th-century musical language with the antique elements deriving from its theme - for example, in the first movement we immediately find an ancient Greek asymmetrical rhythm. The second movement takes us on an adventurous journey to those astonishing geological wonders, the Meteoras: the third movement presents a picture of the Delphic dancers, in its title the fourth movement indicates the form used in it, which preserves the unity between the thousands-of-years-old building and its contrasting environment, echoing to the music of the bouzouki. In the suite the composer expertly exploits the possibilities of instrumentationoffered by the wind orchestra, this extremely effective work can be a rewarding concert piece for any ensemble. (Recorded by Mirasound on CD 'Salute from Hungary' wwm 500.009 for World Wind Music label - www.worldwindmusic.nl ).

SEK 286.00
1

Emroidery Patterns on the Cracked Face of t: Earth

Emroidery Patterns on the Cracked Face of t: Earth

The composer writes about his work: My piece entitled “Embroidery patterns on the cracked surface of the Earth” can be imagined somehow as follows: two clarinets and a bassoon “write” beautifully ornamented magic formulas in the clay. As they proceed, the surface cracks into pieces. They almost finish the “writing”, but an invisible hand keeps “rearranging” the innumerable component elements. The “rearrangement” creates time hiatuses, or heaps together units of information in masses of unexpected density (in the second part, brief but condensed suddenly-emerging patterns of differing density scratch the surface of the long periods of silence): elsewhere it collides with the netof sound that carries the material and thus huge faults, ruptured tectonic plates, come into being…The complete work was first performed by the Trio Lignum (Csaba Klenyán, Lajos Rozmán, György Lakatos) in Budapest in 2005.

SEK 484.00
1

12 Etüden op.6 (ex op.1) für Klavier : für Klavier

12 Etüden op.6 (ex op.1) für Klavier : für Klavier

Liszt first composed these etudes at 14 years old in the year 1825. Just 25 years later, after being revised repeatedly, they appeared under the title of Transcendental Etudes (12 Études d exécution transcendante).This edition has found a place among the renewed publications in our Music Lesson series, and it features revised fingerings, performer s notes, and a preface all written by pianist Kornél Zempléni. He believed that Liszt s Op. 6 serves as the ideal introduction into the technique and musical elements needed for students to successfully study the Transcendental Etudes. Regarding the 12 Etudes for Piano, Zempléni had this to say: ''With this publication we hope tocontribute something both to the advancement of the young pianist and to the increased appreciation of Liszt s art.'' Liszt's 12 Etudes has been renumbered as his Op. 6 according to the most recent research, but in terms of content this publication corresponds with the volume which was formerly labeled as his Op. 1. (catalogue number Z. 766).

SEK 216.00
1

Alice Etudes

Alice Etudes

Gergely Vajda (born 1973) is one of the most talented Hungarian composers of the mid-generation. He is an exceptionally versatile musician, being at the same time a clarinetist, a conductor, and a composer. He composed Alice Études, a 30-minute long composition in 7 movements, for the Farallon Quintet (California). Each movement is inspired by a quotation from the books by Lewis Carroll entitled Alice in Wonderland and Alice Through the Looking Glass. Vajda was particularly preoccupied with the time-related aspects of the stories: for instance, experiencing time in slow motion while falling downwards really quickly, or living in time backwards and remembering it forwards. Inaddition, he was also inspired by playful elements like the possible combinations of changing seats around a circular table. All of the movements deal with one, two or at most three musical ideas which makes the composition a collection of étude-like pieces. Three movements are dedicated to classical-contemporary composers whose music is also heavily influenced by Lewis Carroll's books: György Ligeti, David del Tredici, and Unsuk Chin.

SEK 484.00
1

The New Bell - Die neue Glocke : Little Piano Pieces - Kleine Klavierstücke - Petites pièces pour piano

The New Bell - Die neue Glocke : Little Piano Pieces - Kleine Klavierstücke - Petites pièces pour piano

György Orbán (born 1947) is among the most frequently performed contemporary Hungarian composers. His style incorporates a characteristic mix of classical, modern, cinematic, and jazz elements. In addition, he claims he ''loves splashing about in tonality,'' which makes his works accessible to the wider public. Owing to his humor and imagination, he finds an easy path to children, as demonstrated by the popularity of his piano works specifically intended for beginners. He composed close to 70 short children’s pieces for Ágnes Lakos’s four-volume Friendly Piano Tutor (EMBZ14749-14756), later published separately as Enchanted Forest (EMBZ14742). The New Bell includes a further 19 piano pieces for beginners; among others, we encounter a baby elephant now and again (perhaps paying a visit from Debussy’s Children’s Corner?) and we hear the awful clamor of a most outgoing granny’s alarm clock as well as the solemn tolling of a new church-bell. The pieces are arranged in order of difficulty and even include a few items for three hands, which may be played by a pupil with the teacher or another student.

SEK 236.00
1

Windsequenzen

Windsequenzen

In 1970 Péter Eötvös spent half a year in Japan where he performed as a member of Karlheinz Stockhausen's ensemble in the German pavilion at the World Expo in Osaka. The encounter with Japanese culture, specifically with Zen Buddhism, had a great effect on him. The fundamental idea of The Sequences of the Wind is one of Zen's complementary contrasts: stillness in movement - movement in stillness. It was inspired by the Japanese landscape and Japanese gardens (the rain, the wind, the sound of stones and the rustle of bamboo cane). This is the third version of the work and was published to mark the 60th birthday of Péter Eötvös. (The composer withdrew the first two versionswritten in 1975 and 1989.) Several elements of modern flute playing appear in the work, which has eight movements at present. The soloist alternately plays four different instruments (a flute of normal tone, a flute that is tuned a quarter tone lower, an alto flute tuned a quarter tone lower and a piccolo).

SEK 256.00
1