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Chamber Music with String Instruments

Chamber Music with String Instruments

Chamber music lovers will be thrilled about this special offer: Beethoven’s complete music for string instruments and mixed wind/string ensembles is now available in a slipcase with 13 study editions. The collection spans from small occasional pieces for string duos, to that central genre for Beethoven, the string quartet, with the immeasurable, boundless Grosse Fuge op. 133, to the famous early Septet op. 20, one of the most popular works for larger chamber ensemble. All study editions follow the musical text from the Beethoven Complete Edition and contain an informative preface and a short Critical Report with information on the sources and the most important readings foreach work.  

SEK 1661.00
1

Vocal Works with Orchestra

Vocal Works with Orchestra

G. Henle Publishers bundles all of Beethoven’s vocal works with orchestra in one complete package that will make the hearts of singers beat faster. From the two masses and Beethoven’s only oratorio, to his popular Choral Fantasy and setting of Goethe’s “Meeres Stille und Glückliche Fahrt”, to “Ah perfido!” and other solo arias, this slipcase provides an opportunity to study the entire range of Beethoven’s vocal art – at the highest level of quality of course. All of the study editions are based on the text from the Beethoven Complete Edition with footnotes that refer to interesting questions about the edition and performance. In concise prefaces, the editors give insight intothe current state of research regarding genesis and performance history. G. Henle Publishers bundles all of Beethoven’s vocal works with orchestra in one complete package that will make the hearts of singers beat faster. From the two masses and Beethoven’s only oratorio, to his popular Choral Fantasy and setting of Goethe’s “Meeres Stille und Glückliche Fahrt”, to “Ah perfido!” and other solo arias, this slipcase provides an opportunity to study the entire range of Beethoven’s vocal art – at the highest level of quality of course. All of the study editions are based on the text from the Beethoven Complete Edition with footnotes that refer to interesting questions about the edition and performance. In concise prefaces, the editors give insight intothe current state of research regarding genesis and performance history.

SEK 1300.00
1

Air With Variations From Suite In E major

Air With Variations From Suite In E major

These variations are among Handel’s best-known keyboard works. The composer was allegedly inspired to create its unusual theme when, seeking refuge in a smithy’s shop from a sudden rain-shower, he heard the blacksmith singing a cheerful melody to the sound of his anvil. Handel used the theme with five variations as the closing movement of his fifth keyboard suite, which he published in 1720. With its catchy theme, the Harmonious Blacksmith variations enjoyed increasing popularity thereafter, including as an independent piece. The edition presented here uses Handel’s edition of the Suite as its main source (since he definitely checked it personally), along with the availablemanuscript sources.

SEK 133.00
1

Romance sans paroles op. 109 : for Violoncello and Piano, with marked and unmarked string part

Romance sans paroles op. 109 : for Violoncello and Piano, with marked and unmarked string part

The Romance sans paroles dédiée Mlle. Lise Christiani - thus described in the surviving autograph - was only published as op. 109 from the composer's estate in 1868. The French cellist Lise Christiani gave several concerts inLeipzig in October 1845, where she met with Mendelssohn and presumably commissioned him to write this charming work. It is the only Song without words that Mendelssohn wrote for two instruments, not piano solo. It was previouslyonly available as part of a collection of works for this instrumentation (51480669). However, the Romance sans paroles, a favorite with cellists, is now also available as a single Henle Urtext edition.

SEK 139.00
1

Wind Serenade d minor op. 44 : With Additional Horn 3 Part In F

Wind Serenade d minor op. 44 : With Additional Horn 3 Part In F

When Dvo ák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and “Harmoniemusik” wind ensembles was already long gone. He was probably inspired by hearing Mozart’s Gran Partita shortly beforehand in Vienna. The home key of d minor here is striking, as is the often serious, even tragic atmosphere that repeatedly darkens the otherwise cheerful mood that is typical of the serenade genre. Perhaps this was a reaction to the death of two of his children just a few months earlier. Despite the work’s dramatic character or perhaps because of it Dvo ák’s Serenade was taken up in many European cities soon after its first performance in Prague, and fêted as a significant contribution to the chamber music repertoire for wind instruments. The autograph sources in Prague have been consulted for this Urtext edition. The parts are printed with player-friendly page divisions, perfect page-turning opportunities, and practical alternative parts in F for the three horns.

SEK 579.00
1