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Galante Rossano The Last Centaur Full Score Only

Galante Rossano The Last Centaur Full Score Only

Composed in the style of a grand and descriptive film score, The Last Centaur is a musical depiction of a centaur who is separated from his family by war, the ensuing adventures, and ultimate reunion with his family and friends. The music begins with a stately, lyrical theme in the horns followed by solo Oboe. This main theme is then woven throughout the work as it develops and grows with intensity. Sweeping woodwind lines and majestic Brass fanfares capture the excitement of the drama and ultimate joyous resolution. Powerful and evocative writing! Dur: 6:00

SEK 226.00
1

Galante Rossano The Last Centaur Score & Parts

Galante Rossano The Last Centaur Score & Parts

Composed in the style of a grand and descriptive film score, The Last Centaur is a musical depiction of a centaur who is separated from his family by war, the ensuing adventures, and ultimate reunion with his family and friends. The music begins with a stately, lyrical theme in the horns followed by solo Oboe. This main theme is then woven throughout the work as it develops and grows with intensity. Sweeping woodwind lines and majestic Brass fanfares capture the excitement of the drama and ultimate joyous resolution. Powerful and evocative writing! Dur: 6:00 (Recorded by the West Genesee (NY) High School Wind Ensemble - Andrew Perry, conductor)

SEK 1207.00
1

Johann Strauss II: On The Beautiful Blue Danube Op.314

Johann Strauss II: On The Beautiful Blue Danube Op.314

Johann Strauss? status as an internationally recognised Austrian icon began with the success of his waltz, An der schönen, blauen Donau or On The Beautiful Blue Danube, at the Paris Exhibition of 1867. This is one of the most well-known, infectious pieces of music and it has been played the world over and its melody is instantly recognisable today. Like most of his waltzes, it features five distinct mini-waltzes, each with two sections. Strauss's wealth of melodic material provides great contrast; waltz sections featuring melodies with substantial leaps give way to those with linear tunes within a smaller range. Today, the slow introduction and build-up to the main theme is the ultimate tease, but at its first performance, however, this opening probably produced a different effect: a heightened sense of anticipation, and curiosity about when the actual dance would begin.

SEK 87.00
1

Georges Bizet: Carmen (Vocal Score)

Georges Bizet: Carmen (Vocal Score)

Although almost unanimously condemned by contemporary Parisian critics for its overt sexuality and graphic final scene, Carmen ultimately reached the public in a way that perhaps no other opera has. Bizet's aim (with Meilhac and Halevy, who wrote the libretto) had been to transform the flaccid, moralistic bourgeois genre of opéra comique into a more sophisticated type of staged work, and he seems to have suceeded in Carmen. Each character has a musical significance and a unique expressive idiom, the ultimate example being the dangerous, exotic, sensual Carmen herself, depicted by an exotic and sinewy chromatic motive that also implies the insurmountable power of fate. In a classic plot device, she is contrasted with the 'good girl' of the opera Micaela, whose main aria is set in the ternary form of the elevated bel canto French Grand Opera aria to imply her traditionally 'ladylike' retiring nature. Don José's musical styles reflect different levels in his descent from dutiful soldier to the underworld of obsession. This is the Schirmer edition of the Vocal Score with an English translation by Ruth and Thomas Martin.

SEK 410.00
1

Georges Bizet: Carmen (Libretto)

Georges Bizet: Carmen (Libretto)

Although almost unanimously condemned by contemporary Parisian critics for its overt sexuality and graphic final scene, Carmen ultimately reached the public in a way that perhaps no other opera has. Bizet's aim (with Meilhac and Halevy, who wrote the libretto) had been to transform the flaccid, moralistic bourgeois genre of opéra comique into a more sophisticated type of staged work, and he seems to have suceeded in Carmen. Each character has a musical significance and a unique expressive idiom, the ultimate example being the dangerous, exotic, sensual Carmen herself, depicted by an exotic and sinewy chromatic motive that also implies the insurmountable power of fate. In a classic plot device, she is contrasted with the 'good girl' of the opera Micaela, whose main aria is set in the ternary form of the elevated bel canto French Grand Opera aria to imply her traditionally 'ladylike' retiring nature. Don José's musical styles reflect different levels in his descent from dutiful soldier to the underworld of obsession.This is the Schirmer edition of the Libretto in the original French with an English translation by Ruth and Thomas Martin.

SEK 147.00
1