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Concertino for Clarinet

Concertino for Clarinet

Concertino for Clarinet and Wind Orchestra was commissioned by the Swiss Wind Band Association (SBV) to celebrate the “Year of the Clarinet 2015”. In three sections, separated by cadenzas for the soloist, the work explores all aspects and characteristics of the clarinet. It includes virtuoso elements and dialogues between the other winds, as well as a beautiful slow movement, which makes this piece a musically challenging yet accessible piece for any audience.

SEK 2040.00
1

Solo Bossa : for Flugel Horn and Band

Solo Bossa : for Flugel Horn and Band

This work marks yet another addition to Otto M. Schwarz’s catalogue of solo repertoire and will be especially welcome due to the rarity of solos for flugel horn! Groovy accents create an exciting contrast to the more flowing musical elements. Simple improvisations complement the piece, which contains a catchy tune that will stay with anyone who plays or listens to the work.The solo part is also available in an edition with piano accompaniment (1961-13-401 M).

SEK 1396.00
1

Sir Eu

Sir Eu

Sir Eu was commissioned by the regional music authority of Upper Austria and the brass band SoundINNBrass. The composition was meant to be very virtuoso and was written for the euphonium player Steven Mead, who premièred it and has played it regularly worldwide. The title Sir Eu alludes to the master of the euphonium himself, and also to the concept of Europe. From jazz through romanticism to folkloristic elements - this work offers everything that the musical heart could wish for!

SEK 1396.00
1

Jazzotic Flight

Jazzotic Flight

Many composers of the 20th century enriched their own musical language with elements of jazz, just think of George Gershwin or Leonard Bernstein. In the “globalized” 21st century, Stefan Schwalgin extended this perspective globally with Jazzotic Flight taking you on an exotic flight around the world.After take-off the jet plane soars in a lively flight in waltz time, the jet lands visiting Africa, India and finally Latin America. A little piece of each of these continents is heard in this swinging concert piece that will be a hit with all members of your band.

SEK 1822.00
1

Spiriti

Spiriti

A Bach chorale stands at the centre of this work (Für deinen Thron tret´ ich hiermit).Anton Bruckner was one of Johann Sebastian Bach’s great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner’s spirit that always seemed to be with him while working on Spiriti. Bruckner’s spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.

SEK 2040.00
1

Wingin' It!

Wingin' It!

Wingin’ It! is an entertaining concert piece. It makesespecially high demands on the rhythmic qualities ofthe band and requires exact articulation and phrasingaccording to the composer’s instructions. After abrilliant opening, a catchy theme crystallizes whileall sections take turns to come to the forefront.Based on this theme, a swing in the classic big bandstyle, a peaceful Bossa (in which the woodwindsdominate) and a section with typical rock and funkrhythms follow. The two-step feeling closes thecircle to lead to the grand finale. This compositionfeatures all the essential elements of a contest pieceand provides a particular challenge in the understandingand execution ofpopular styles. It alsooffers all the facets that make a work attractive forthe audience as well as the musicians.

SEK 1396.00
1

Valdemossa

Valdemossa

Valdemossa, a town situated in the mountains of the Mediterranean island of Mallorca, inspired composer Matthias Rudolf to write this work. The picturesque Mediterranean village has a distinct Spanish flair, and the magnificent landscape surrounding the town leaves a lasting impression. Valdemossa is also a place of cultural tradition - composer Frédéric Chopin spent several months in this town. The work consists of several parts merging with various characters. Calm, pensive passages alternate with expressive lyrical and rhythmic parts connected by a theme that returns in different variations. Spanish folklore elements—which are embedded in the formal structure of a“classical” rhapsody and represent the southern European atmosphere of Valdemossa—leave their mark on the complete work.

SEK 1971.00
1

Preludio all' atto I : dall' opera Ernani

Preludio all' atto I : dall' opera Ernani

Ernani (1844), Giuseppe Verdi’s fifth opera, is based on the homonymous tragedy by Victor Hugo. Verdi’s success with Ernani, as well as Nabucco and I lombardi alla prima crociata, can be ascribed to two distinct ideas: the melodic idea and the patriotic idea. The melodic idea is very important to move and touch the audience, while the patriotic idea is the source of enthusiasm and emotions. Approximately ten years elapse between two similar stories: the one of the outlaw Ernani and the one of Manrico, the troubadour. In the prelude to Act I, in only three minutes, Verdi has succeeded in skillfully concentrating the main elements of the entiredrama. One can clearly observe the themes of love, oath, and death.

SEK 1207.00
1

Starflash

Starflash

Starflash describes a celestial phenomenon that the composer witnessed in the summer of 2005 gazing at the night sky over the Greek island of Kos. He saw two shooting stars coming from different directions, approaching each other and burning up. This piece begins with a fanfare representing the vastness of space, followed by the flight of the shooting stars. Characteristic Greek dance elements are interwoven with themes in the style of film music. In the middle section, a bolero with an oriental flair sets in, symbolizing the close mainland of Turkey with the lights shining at night. Thanks to its unconventional rhythms and catchy melodies, Starflash is an easily accessiblemusical description of a personal experience in a modern symphonic style.

SEK 1822.00
1